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Showing 439 results for Shah Mahmud Nishapuri

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Bound Manuscript of Hadith with Persian Translations by Jami, Shah Mahmud Nishapuri Iranian, Manuscript: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather, opaque watercolor, and gold — Bound Manuscript of Hadith with Persian Translations by Jami
Shah Mahmud Nishapuri
Manuscript dated 935 AH/1528 CE; binding ca. 1575–1600

'Saz'-Style Drawing of a Dragon Amid Foliage, Shah Quli Turkish, Ink, opaque watercolor, and gold on paper — 'Saz'-Style Drawing of a Dragon Amid Foliage
Shah Quli
ca. 1540–50

Album Page with Calligraphy Exercise (siyah mashq) by Muhammad Shah Qajar (3rd Ruler of the Qajar Dynasty), Muhammad Shah Iranian, Ink, gold, and opaque watercolor on paper — Album Page with Calligraphy Exercise (siyah mashq) by Muhammad Shah Qajar (3rd Ruler of the Qajar Dynasty)
Muhammad Shah
dated Shawwal 1260 AH/October 1844 CE

Argument from Silence, Seher Shah Pakistani-American, Polymer photogravures on Velin Arches paper (set of 10) — Argument from Silence
Seher Shah
2019

"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

Double Album Leaf with Calligraphic Exercise by Fath 'Ali Shah, Fath 'Ali Shah Iranian, Ink, gold, and opaque watercolor on paper — Double Album Leaf with Calligraphic Exercise by Fath 'Ali Shah
Fath 'Ali Shah
first half 19th century

Horary Quadrant, Muhammad ibn Mahmud, Brass; cast, incised — Horary Quadrant
Muhammad ibn Mahmud
10th century

Shahnama (Book of Kings) of Firdausi, Shah Muhammad of Sabzavar, Ink, opaque watercolor, and gold on paper — Shahnama (Book of Kings) of Firdausi
Shah Muhammad of Sabzavar
Abu'l Qasim Firdausi
17th century

Long-Handled Spoon Inscribed in Arabic with Good Wishes, Mahmud ibn Muhammad ibn Abi al-Hasan al-Naqqash, High-tin bronze alloy; cast, chased, and drilled — Long-Handled Spoon Inscribed in Arabic with Good Wishes
Mahmud ibn Muhammad ibn Abi al-Hasan
11th century

"Ottoman Army Entering a City", Folio from a Divan of Mahmud `Abd al-Baqi, Mahmud 'Abd-al Baqi Ottoman, Ink, opaque watercolor, and gold on paper — "Ottoman Army Entering a City", Folio from a Divan of Mahmud `Abd al-Baqi
Mahmud 'Abd-al Baqi
last quarter 16th century

"The Great Abu Sa'ud Teaching Law", Folio from a Divan of Mahmud `Abd-al Baqi, Mahmud 'Abd-al Baqi Ottoman, Ink, opaque watercolor, and gold on paper — "The Great Abu Sa'ud Teaching Law", Folio from a Divan of Mahmud `Abd-al Baqi
Mahmud 'Abd-al Baqi
mid-16th century

"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Birth of Zal", Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, and gold on paper — "Birth of Zal", Folio from a Shahnama (Book of Kings)
Multiple artists/makers
dated 985 AH/1576–77 CE

"Luhrasp Hears from the Returning Paladins of the Vanishing Kai Khusrau", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, and gold on paper — "Luhrasp Hears from the Returning Paladins of the Vanishing Kai Khusrau", Folio from a Shahnama (Book of Kings) of Firdausi
Multiple artists/makers
1576–77

Naser al-Din Shah, Unknown, Salted paper print from glass negative — Naser al-Din Shah
Unknown
Naser od-Din Shah
ca. 1852–55

Naser al-Din Shah, Luigi Pesce Italian, Salted paper print from paper negative — Naser al-Din Shah
Luigi Pesce
Naser od-Din Shah
ca. 1855–58

[Naser al-Din Shah], Luigi Pesce Italian, Salted paper print — [Naser al-Din Shah]
Luigi Pesce
Naser od-Din Shah
1840s–60s

Graphic Sayings

Multiple artists/makers

1972

Double Title Page from a `Aja'ib al-Makhluqat wa Ghara'ib al-Mawjudat (The Wonders of Creation and the Oddities of Existence), Zakaria bin Muhammad bin Mahmud Abu Yahya Qazwini, Ink, opaque watercolor, and gold on paper — Double Title Page from a `Aja'ib al-Makhluqat wa Ghara'ib al-Mawjudat (The Wonders of Creation and the Oddities of Existence)
Zakaria bin Muhammad bin Mahmud Abu Yahya Qazwini
1414–35

"The Tortoise", Folio from an `Aja'ib al-Makhluqat (Wonders of Creation) of Qazwini, Zakaria bin Muhammad bin Mahmud Abu Yahya Qazwini, Opaque watercolor and gold on paper — "The Tortoise", Folio from an `Aja'ib al-Makhluqat (Wonders of Creation) of Qazwini
Zakaria bin Muhammad bin Mahmud Abu Yahya Qazwini
second half 16th century

Folio from a `Aja'ib al-Makhluqat wa Ghara'ib al-Mawjudat (The Wonders of Creation and the Oddities of Existence), Zakaria bin Muhammad bin Mahmud Abu Yahya Qazwini, Ink, opaque watercolor, and gold on paper — Folio from a `Aja'ib al-Makhluqat wa Ghara'ib al-Mawjudat (The Wonders of Creation and the Oddities of Existence)
Zakaria bin Muhammad bin Mahmud Abu Yahya Qazwini
17th century

"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the Yellow Palace on Sunday", Folio 213 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Yellow Palace on Sunday", Folio 213 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja, Nizami, Binding: leather; embossed, gold, and color <br/>Manuscript: ink, opaque watercolor, and gold on paper — Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Bahram Gur in the Turquoise Palace on Wednesday", Folio 216 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Turquoise Palace on Wednesday", Folio 216 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Khusrau Seated on his Throne", Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Khusrau Seated on his Throne", Folio 64 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

Short Sword (Yatagan) from the Court of Süleyman the Magnificent (reigned 1520–66), Ahmed Tekelü possibly Iranian, Steel, gold, ivory (walrus), silver, turquoise, pearls, rubies, Turkish, Istanbul — Short Sword (Yatagan) from the Court of Süleyman the Magnificent (reigned 1520–66)
Ahmed Tekelü
ca. 1525–30

Written Iran, Siah Armajani Iranian, Marker ink, colored pencil and graphite on Mylar — Written Iran
Siah Armajani
2015–16

Book of Prayers, Surat al-Yasin and Surat al-Fath, Ahmad Nairizi Iranian, Ink, opaque watercolor, and gold on paper<br/>Binding: lacquer — Book of Prayers, Surat al-Yasin and Surat al-Fath
Ahmad Nairizi
Muhammad Hadi
dated 1132 AH/1719–20 CE

Untitled (Requiem) II, Mahmoud Hamadani Iranian, Ink on paper — Untitled (Requiem) II
Mahmoud Hamadani
2015

Untitled (Requiem) I, Mahmoud Hamadani Iranian, Ink on paper — Untitled (Requiem) I
Mahmoud Hamadani
2015

The Deluge towards Its Close, Joshua Shaw American, born England, Oil on canvas, American — The Deluge towards Its Close
Joshua Shaw
Washington Allston
ca. 1813

Plate, Anthony Shaw, Earthenware, transfer-printed, British (American market) — Plate
Anthony Shaw
ca. 1851

Stormy Landscape, Joshua Shaw American, born England, Oil on canvas, American — Stormy Landscape
Joshua Shaw
1818

Ka'ba Tile, Osman Ibn Mehmed Turkish, Stonepaste; polychrome painted under transparent glaze — Ka'ba Tile
Osman Ibn Mehmed
`Abdullah Mehmed
ca. 1720–30

Silent stories, Angel Velasco Shaw — Silent stories
Angel Velasco Shaw
1985