Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

Showing 9,372 results for Robert Weir

Sort by:

General Winfield Scott, Robert Walter Weir American, Oil on canvas, American — General Winfield Scott
Robert Walter Weir
ca. 1855

Christ in the Garden of Gethsemane, Robert Walter Weir American, Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper, American — Christ in the Garden of Gethsemane
Robert Walter Weir

Shipwreck, Robert Walter Weir American, Graphite on off-white wove paper, American — Shipwreck
Robert Walter Weir

Sketches (from McGuire Scrapbook), Robert Walter Weir American, Pen and iron-gall ink on off-white wove paper, American — Sketches (from McGuire Scrapbook)
Robert Walter Weir

The Entrance to a Wood, Robert Walter Weir American, Watercolor and graphite on buff wove paper, American — The Entrance to a Wood
Robert Walter Weir
1836

Study for "The Agony in the Garden", Robert Walter Weir American, Graphite on off-white wove paper, American — Study for "The Agony in the Garden"
Robert Walter Weir

Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry — Tapestry Room from Croome Court
Multiple artists/makers
1763–71

Dining room from Lansdowne House, Robert Adam British, Scottish, Wood, plaster, stone, British — Dining room from Lansdowne House
Multiple artists/makers
1766–69

Annunciation Triptych (Merode Altarpiece), Robert Campin Netherlandish, Oil on oak, Netherlandish — Annunciation Triptych (Merode Altarpiece)
Robert Campin
ca. 1427–32

The Red Bridge, Julian Alden Weir American, Oil on canvas, American — The Red Bridge
Julian Alden Weir
1895

The Factory Village, Julian Alden Weir American, Oil on canvas, American — The Factory Village
Julian Alden Weir
1897

Forging the Shaft, John Ferguson Weir American, Oil on canvas, American — Forging the Shaft
John Ferguson Weir
1874–77

The Morning Paper, John Ferguson Weir American, Oil on canvas, American — The Morning Paper
John Ferguson Weir
1868

Fruit, Julian Alden Weir American, Oil on canvas, American — Fruit
Julian Alden Weir
ca. 1888

The Green Bodice, Julian Alden Weir American, Oil on canvas, American — The Green Bodice
Julian Alden Weir
by 1898

Idle Hours, Julian Alden Weir American, Oil on canvas, American — Idle Hours
Julian Alden Weir
1888

The Wood Sawyer, Charles E. Weir American, Oil on board, American — The Wood Sawyer
Charles E. Weir
1842

Plan of the City of Quebec

Multiple artists/makers

1842

The Tea Party, Robert Hancock British, Enameled copper, British, South Staffordshire — The Tea Party
Multiple artists/makers
ca. 1765–1770

Untitled, Robert Gober American, Bronze, shoe polish, plaster and painted resin — Untitled
Robert Gober
1994–2001

Bingham Copper Mining Pit—Utah / Reclamation Project, Robert Smithson American, Photostat and plastic overlay with wax pencil — Bingham Copper Mining Pit—Utah / Reclamation Project
Robert Smithson
1973

Square Piano, Robert Nunns British, Rosewood, mother-of-pearl, tortoiseshell, abalone, felt, metal, paint, gilding, American — Square Piano
Robert Nunns
John Clark
1853

Winter Pool, Robert Rauschenberg American, Combine painting: oil, paper, fabric, wood, metal, sandpaper, tape, printed paper, printed reproductions, handheld bellows, and found painting, on two canvases, with ladder — Winter Pool
Robert Rauschenberg
1959

Boats, Julian Alden Weir American, Pastel and graphite on paper, American — Boats
Julian Alden Weir

Copy after Botticelli, Julian Alden Weir American, Watercolor on paper, American — Copy after Botticelli
Julian Alden Weir

The Alhambra, Granada, Spain, John Ferguson Weir American, Oil on canvas, American — The Alhambra, Granada, Spain
John Ferguson Weir
ca. 1901

Anna Dwight Weir Reading a Letter, Julian Alden Weir American, Watercolor, gouache, black ink, and graphite on white wove paper, American — Anna Dwight Weir Reading a Letter
Julian Alden Weir
ca. 1890

Connecticut Village (Going to School), Julian Alden Weir American, Oil on canvas, American — Connecticut Village (Going to School)
Julian Alden Weir
after 1891

The Portico of a Country Mansion, Hubert Robert French, Oil on canvas — The Portico of a Country Mansion
Hubert Robert
1773

The Return of the Cattle, Hubert Robert French, Oil on canvas — The Return of the Cattle
Hubert Robert
ca. 1773–75

The Swing, Hubert Robert French, Oil on canvas — The Swing
Hubert Robert
1777–79

Wandering Minstrels, Hubert Robert French, Oil on canvas — Wandering Minstrels
Hubert Robert
1777–79

Étui, Robert Sayer British, Enameled copper, British, South Staffordshire — Étui
Robert Sayer
ca. 1765–70

Snuffbox, Paul Robert French, Gold, enamel, French, Paris — Snuffbox
Paul Robert
1758–59

Console table from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine with newly carved swags; marble sheets veneered on a limestone core, British — Console table from Croome Court, Worcestershire
Robert Adam
Sefferin Alken
1765

Egg cup, Robert Mothé, Silver, French, Paris — Egg cup
Robert Mothé
1721–22

Woodwork and ceiling from the Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, wood, tapestry, British — Woodwork and ceiling from the Tapestry Room from Croome Court
Multiple artists/makers
ca. 1760–69

Mirror, Robert Adam British, Scottish, Gilded pine, mirror glass, British — Mirror
Multiple artists/makers
1769

Mirror from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine, marble sheets veneered on a cement core, with newly carved swags, British — Mirror from Croome Court, Worcestershire
Robert Adam
Sefferin Alken
1765

Bonbonnière in the form of a bird (parrot), Robert Hancock British, Enameled copper, British, possibly South Staffordshire — Bonbonnière in the form of a bird (parrot)
Robert Hancock
ca. 1770–80