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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 129 results for Ilias Lalaounis

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Jewelry set, Ilias Lalaounis Greek, gold, malachite, quartz, amethyst, Greek — Jewelry set
Ilias Lalaounis
1976

Sautoir from the Shield of Achilles Collection

Ilias Lalaounis

1978

Box, Elias Pelletreau American, Silver, American — Box
Elias Pelletreau
1753–76

Sauceboat, Elias Boudinot American, Silver, American — Sauceboat
Elias Boudinot
1740–50

Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts — Wine cooler (one of a pair)
Elias Adam
ca. 1735–36

Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts — Wine cooler (one of a pair)
Elias Adam
ca. 1735–36

Creampot, Elias Davis American, Silver, American — Creampot
Elias Davis
ca. 1782

"Four Seasons" enamel liqueur service, Elias Adam German, Silver gilt, enamel, copper, German, Augsburg — "Four Seasons" enamel liqueur service
Multiple artists/makers
ca. 1710

Life after death, Elias Not Afraid, Beadwork on hide, Apsáalooke (Crow) — Life after death
Elias Not Afraid
2022

Wheellock Rifle, Caspar Spät German, Steel, gold, wood (ebony), staghorn, bone, German, Munich and Augsburg — Wheellock Rifle
Caspar Spät
Elias Becker
dated 1668

Wheellock Rifle, Caspar Spät German, Steel, gold, fruitwood, staghorn, bone, German, Munich and Augsburg — Wheellock Rifle
Caspar Spät
Elias Becker
ca. 1640–50

Cup, Elias Adam German, Silver gilt, German, Augsburg — Cup
Elias Adam
early 18th century

Strainer spoon, Elias Cachart British, Silver, British — Strainer spoon
Elias Cachart
18th century

Strainer spoon, Elias Cachart British, Silver, British — Strainer spoon
Elias Cachart
18th century

Selecha, Elias Sime Ethiopian, Goat hide, synthetic fibers, straw — Selecha
Elias Sime
2008

Selecha, Elias Sime Ethiopian, Goat hide, synthetic fibers, straw — Selecha
Elias Sime
2008

Ants & Ceramicists 4, Elias Sime Ethiopian, Cotton, metal, synthetic fiber, paint, dye — Ants & Ceramicists 4
Elias Sime
2009–2011

Tightrope 5.1, Elias Sime Ethiopian, Telephone wire nailed to fiberboard (telephone wire, nails on fiberboard) — Tightrope 5.1
Elias Sime
2009–14

Chamber candlestick or taperstick, Charles Lias, Silver, British, London — Chamber candlestick or taperstick
Multiple artists/makers
1828–29

Caddy spoon, John Lias, Silver, British, London — Caddy spoon
Multiple artists/makers
1832–33

Vsevolod Mikhailovich Garshin (1855–1888), Illia Repin (Ilia Efimovich Repin) Ukrainian, born Russian Empire, Oil on canvas — Vsevolod Mikhailovich Garshin (1855–1888)
Illia Repin (Ilia Efimovich Repin)
1884

Asia and Africa, Friedrich Elias Meyer German, Soft-paste porcelain, French — Asia and Africa
Friedrich Elias Meyer
ca. 1750–60

Elias Cachart

18th century

Coffeepot (part of a service), Meissen Manufactory German, Hard-paste porcelain and silver-gilt, German, Meissen with German, Augsburg mounts — Coffeepot (part of a service)
Meissen Manufactory
Elias Adam
1723–26

Ollio pot with cover and stand, Vienna, Hard-paste porcelain, Austrian, Vienna — Ollio pot with cover and stand
Vienna
Elias Baeck
ca. 1725

"Seconda" Armchair, Mario Botta Swiss, Steel, polyurethane, epoxy paint — "Seconda" Armchair
Mario Botta
Alias s.p.a.
1982

"laleggera" Stacking Chair, Riccardo Blumer Italian, Painted wood — "laleggera" Stacking Chair
Riccardo Blumer
Alias s.p.a.
1998

"laleggera" Stacking Chair, Riccardo Blumer Italian, Maple heartwood, maple veneer, polyurethane — "laleggera" Stacking Chair
Riccardo Blumer
Alias s.p.a.
1998

View of Uppsala cathedral from the North, Elias Martin Swedish, Pen and black ink, watercolour — View of Uppsala cathedral from the North
Elias Martin
18th–early 19th century

Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora
Matthieu Elias
Reverend Jean de la Barrière
1706

Jean de La Barrière blessing a cardinal, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Jean de La Barrière blessing a cardinal
Matthieu Elias
Reverend Jean de la Barrière
1706

Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers
Multiple artists/makers
1706–07

Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors
Matthieu Elias
Reverend Jean de la Barrière
1707

Scene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapes, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapes
Matthieu Elias
Reverend Jean de la Barrière
1706

Feuillant monks carry the bier with the body of Jean de la Barrière, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Feuillant monks carry the bier with the body of Jean de la Barrière
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600
Matthieu Elias
Reverend Jean de la Barrière
1706

The arrest of Jean de La Barrière by the League at Lombez, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — The arrest of Jean de La Barrière by the League at Lombez
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite — Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed
Matthieu Elias
Reverend Jean de la Barrière
1706–07

Portrait of Matthias Buchinger Surrounded by Thirteen Vignettes, Elias Baeck German, Etching — Portrait of Matthias Buchinger Surrounded by Thirteen Vignettes
Elias Baeck
Matthias Buchinger
1710