Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Adam de Coster

Sort by:

The Backgammon Players

Lucas Vorsterman I

Adam de Coster

Dining room from Lansdowne House, Robert Adam British, Scottish, Wood, plaster, stone, British — Dining room from Lansdowne House
Multiple artists/makers
1766–69

Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry — Tapestry Room from Croome Court
Multiple artists/makers
1763–71

Ceremonial scene with Abundance and Piping Pan, Adam Partnership British, Oil on canvas, British — Ceremonial scene with Abundance and Piping Pan
Adam Partnership
Robert Adam
1765–66

Creamer, James Adam or American, Silver, American — Creamer
James Adam
John Adam
1770–1810

Creamer, James Adam or American, Silver, American — Creamer
James Adam
John Adam
ca. 1795

Vase of Flowers and Conch Shell, Anne Vallayer-Coster French, Oil on canvas — Vase of Flowers and Conch Shell
Anne Vallayer-Coster
1780

"Four Seasons" enamel liqueur service, Elias Adam German, Silver gilt, enamel, copper, German, Augsburg — "Four Seasons" enamel liqueur service
Multiple artists/makers
ca. 1710

Love, Adam Fuss British, Silver dye bleach print — Love
Adam Fuss
1992

Now!, Adam Fuss British, Gelatin silver print — Now!
Adam Fuss
1988

Das Marmorieren des Buchbinders auf Schleimgrund und im Öl- und Kleisterverfahren : nebst Anleitung zum Linoleumschnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber, Paul Adam German — Das Marmorieren des Buchbinders auf Schleimgrund und im Öl- und Kleisterverfahren : nebst Anleitung zum Linoleumschnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber
Paul Adam
Wilhelm Knapp Verlag
1923

Chalice, Adam Pijart, Gilded silver, French, Paris — Chalice
Adam Pijart
1625–26

Console table from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine with newly carved swags; marble sheets veneered on a limestone core, British — Console table from Croome Court, Worcestershire
Robert Adam
Sefferin Alken
1765

Side table, Robert Adam British, Scottish, Mahogany, British — Side table
Robert Adam
ca. 1780

Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Adam Weisweiler French, Oak veneered with burl thuya, amaranth, mahogany, satinwood, holly, and ebonized holly; painted metal; one soft-paste porcelain plaque; fifteen jasper medallions; gilt-bronze mounts; marble; leather (not original), French, Paris and Sèvres — Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Multiple artists/makers
ca. 1787

Mirror, Robert Adam British, Scottish, Gilded pine, mirror glass, British — Mirror
Multiple artists/makers
1769

Mirror from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine, marble sheets veneered on a cement core, with newly carved swags, British — Mirror from Croome Court, Worcestershire
Robert Adam
Sefferin Alken
1765

Paten, Adam Pijart, Gilded silver, French, Paris — Paten
Adam Pijart
1625–26

Woodwork and ceiling from the Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, wood, tapestry, British — Woodwork and ceiling from the Tapestry Room from Croome Court
Multiple artists/makers
ca. 1760–69

Table, Adam Weisweiler French, Oak, Japanese lacquer and ebony veneer, gilt bronze, verde antico marble, French — Table
Adam Weisweiler
ca. 1790

Commode (commode à vantaux) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels; gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Commode (commode à vantaux) (part of a set)
Adam Weisweiler
ca. 1790

Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels, gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler
ca. 1790

Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts — Wine cooler (one of a pair)
Elias Adam
ca. 1735–36

Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts — Wine cooler (one of a pair)
Elias Adam
ca. 1735–36

Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels, gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler
ca. 1790

Commode (commode à vantaux), Adam Weisweiler French, Oak veneered with mahogany and thuya; gilt bronze; marble, French — Commode (commode à vantaux)
Adam Weisweiler
ca. 1785

Armchair, Adam Hains American, Mahogany with ash, American — Armchair
Adam Hains
1792–97

Whistle, Adam Ownhouse American, Earthenware; Redware with slip decoration, American — Whistle
Adam Ownhouse
ca. 1840–50

Secretary (secrétaire à abattant), Adam Weisweiler, Oak veneered with mahogany; white marble top and shelf; gilt-bronze mounts and adjustable candleholders. — Secretary (secrétaire à abattant)
Adam Weisweiler
ca. 1780–90

Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British — Side chair (one of a set of fourteen)
Robert Adam
Thomas Chippendale
ca. 1772

Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British — Side chair (one of a set of fourteen)
Robert Adam
Thomas Chippendale
ca. 1772

Flowers in a Vase and Two Plums, Anne Vallayer-Coster French, Wool, silk (25 warps per inch, 10 per cm.), French, Paris — Flowers in a Vase and Two Plums
Multiple artists/makers
Designed 1781; Woven 1800–1804

Winter, Anne Vallayer-Coster French, Oil on canvas, French — Winter
Anne Vallayer-Coster
18th century

[Mental Institution Patient], Gordon H. Coster American, Gelatin silver print — [Mental Institution Patient]
Gordon H. Coster
1945–50

[State Street at Madison, Looking South, Xmas Shoppers], Gordon H. Coster American, Gelatin silver print — [State Street at Madison, Looking South, Xmas Shoppers]
Gordon H. Coster
ca. 1945

[Industrial Scene with Machine for Lifting Railroad Cars], Gordon H. Coster American, Gelatin silver print — [Industrial Scene with Machine for Lifting Railroad Cars]
Gordon H. Coster
1930s–50s

Construction of Chevrolet Sign at Michigan Avenue and Randolph Street, Chicago, Gordon H. Coster American, Gelatin silver print — Construction of Chevrolet Sign at Michigan Avenue and Randolph Street, Chicago
Gordon H. Coster
1932–34

Chicago, Impression at Night, Gordon H. Coster American, Gelatin silver print — Chicago, Impression at Night
Gordon H. Coster
1932

[Portrait/Self-Portrait with Speed Graphic Camera], Gordon H. Coster American, Gelatin silver print — [Portrait/Self-Portrait with Speed Graphic Camera]
Gordon H. Coster
ca. 1932

Impressions of Chicago - The Lights of Grant Park, Gordon H. Coster American, Gelatin silver print — Impressions of Chicago - The Lights of Grant Park
Gordon H. Coster
1932