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Showing 1,533 results for Adam Perelle

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Veüe generale en Perspective du Château Bassecourt, Anticours, Jardins, &c. de Richelieu, Adam Perelle French, Etching — Veüe generale en Perspective du Château Bassecourt, Anticours, Jardins, &c. de Richelieu
Adam Perelle
17th century

Veüe du Château de Richelieu du Côté du Parc, Adam Perelle French, Etching — Veüe du Château de Richelieu du Côté du Parc
Adam Perelle
17th century

Le Château de Richelieu en Poictou du Côté de l'Entrée, Adam Perelle French, Etching — Le Château de Richelieu en Poictou du Côté de l'Entrée
Adam Perelle
17th century

Veüe du Grand Parterre et de la Demie Lune de Richelieu, Adam Perelle French, Etching — Veüe du Grand Parterre et de la Demie Lune de Richelieu
Adam Perelle
17th century

Face du grand corps de Logis du Château de Richelieu du côté du Parterre, Adam Perelle French, Etching — Face du grand corps de Logis du Château de Richelieu du côté du Parterre
Adam Perelle
17th century

A landscape with travellers at the left, Adam Perelle French, Etching — A landscape with travellers at the left
Adam Perelle
ca 1660–80

Veues des Plus Beaux Lieux de France et d'Italie & Les Places, Portes, Fontaines de Paris & Veue de Rome et des Environs, Adam Perelle French, Etching — Veues des Plus Beaux Lieux de France et d'Italie & Les Places, Portes, Fontaines de Paris & Veue de Rome et des Environs
Multiple artists/makers
1680s

Vues Diverses, Adam Perelle French, Etching — Vues Diverses
Adam Perelle
Nicolas Langlois
n.d.

Autre Veüe de la Cour de Fontaines et la Galerie d'Ulisse à Fontaine-bleau, Adam Perelle French, Etching — Autre Veüe de la Cour de Fontaines et la Galerie d'Ulisse à Fontaine-bleau
Adam Perelle
Nicolas Langlois
1680s

View of Vaux-Le-Vicomte, Adam Perelle French, Etching — View of Vaux-Le-Vicomte
Adam Perelle
Nicolas Langlois
1680s

Veüe generale du chateau de Versailles, Adam Perelle French, Etching — Veüe generale du chateau de Versailles
Adam Perelle
Nicolas Langlois
1680s

Le Parterre de l'Orangerie de Chantilly, Adam Perelle French, Etching — Le Parterre de l'Orangerie de Chantilly
Adam Perelle
Nicolas Langlois
1680s

Le Bassin d'Apollon [The Fountain of Apollo, Versailles], Adam Perelle French, Etching — Le Bassin d'Apollon [The Fountain of Apollo, Versailles]
Adam Perelle
Nicolas Langlois
1680s

Veue du chasteau de Versailles (View of Versailles, garden facade), Adam Perelle French, Etching — Veue du chasteau de Versailles (View of Versailles, garden facade)
Multiple artists/makers
1680s

The Garden of Versailles, Adam Perelle French, Etching — The Garden of Versailles
Adam Perelle
Nicolas Langlois
1660–95

The Tuileries Garden, Adam Perelle French, Etching — The Tuileries Garden
Adam Perelle
Nicolas Langlois
1680

Veuë du Palais des Thuilleries du costé du Jardin

Adam Perelle

Nicolas Langlois

1680s

View from the end of the Grande Allée of the Tuileries

Adam Perelle

Nicolas Langlois

1680

Dining room from Lansdowne House, Robert Adam British, Scottish, Wood, plaster, stone, British — Dining room from Lansdowne House
Multiple artists/makers
1766–69

Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry — Tapestry Room from Croome Court
Multiple artists/makers
1763–71

Ceremonial scene with Abundance and Piping Pan, Adam Partnership British, Oil on canvas, British — Ceremonial scene with Abundance and Piping Pan
Adam Partnership
Robert Adam
1765–66

Creamer, James Adam or American, Silver, American — Creamer
James Adam
John Adam
1770–1810

Creamer, James Adam or American, Silver, American — Creamer
James Adam
John Adam
ca. 1795

Love, Adam Fuss British, Silver dye bleach print — Love
Adam Fuss
1992

Now!, Adam Fuss British, Gelatin silver print — Now!
Adam Fuss
1988

Das Marmorieren des Buchbinders auf Schleimgrund und im Öl- und Kleisterverfahren : nebst Anleitung zum Linoleumschnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber, Paul Adam German — Das Marmorieren des Buchbinders auf Schleimgrund und im Öl- und Kleisterverfahren : nebst Anleitung zum Linoleumschnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber
Paul Adam
Wilhelm Knapp Verlag
1923

Chalice, Adam Pijart, Gilded silver, French, Paris — Chalice
Adam Pijart
1625–26

Console table from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine with newly carved swags; marble sheets veneered on a limestone core, British — Console table from Croome Court, Worcestershire
Robert Adam
Sefferin Alken
1765

Side table, Robert Adam British, Scottish, Mahogany, British — Side table
Robert Adam
ca. 1780

Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Adam Weisweiler French, Oak veneered with burl thuya, amaranth, mahogany, satinwood, holly, and ebonized holly; painted metal; one soft-paste porcelain plaque; fifteen jasper medallions; gilt-bronze mounts; marble; leather (not original), French, Paris and Sèvres — Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Multiple artists/makers
ca. 1787

Mirror, Robert Adam British, Scottish, Gilded pine, mirror glass, British — Mirror
Multiple artists/makers
1769

Mirror from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine, marble sheets veneered on a cement core, with newly carved swags, British — Mirror from Croome Court, Worcestershire
Robert Adam
Sefferin Alken
1765

Paten, Adam Pijart, Gilded silver, French, Paris — Paten
Adam Pijart
1625–26

Woodwork and ceiling from the Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, wood, tapestry, British — Woodwork and ceiling from the Tapestry Room from Croome Court
Multiple artists/makers
ca. 1760–69

Table, Adam Weisweiler French, Oak, Japanese lacquer and ebony veneer, gilt bronze, verde antico marble, French — Table
Adam Weisweiler
ca. 1790

Commode (commode à vantaux) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels; gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Commode (commode à vantaux) (part of a set)
Adam Weisweiler
ca. 1790

Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels, gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler
ca. 1790

Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts — Wine cooler (one of a pair)
Elias Adam
ca. 1735–36

Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts — Wine cooler (one of a pair)
Elias Adam
ca. 1735–36

Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels, gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler
ca. 1790