我们正在努力尽快翻译此页面。感谢您的理解。

A Virtual Tour of Before Yesterday We Could Fly: An Afrofuturist Period Room

Join curators Hannah Beachler, Michelle Commander, Sarah E. Lawrence, and Ian Alteveer for a virtual tour of the exhibition.

"Before Yesterday We Could Fly: An Afrofuturist Period Room," like any of The Met’s period rooms, is a fabrication of a domestic space that assembles furnishings and objects to create a fiction of authenticity. Rather than affirm a fixed moment in time, however, this structure reimagines the immersive experience of the period room by embracing the African diasporic belief that the past, present, and future are interconnected.

Join us for a virtual tour of this exhibition whose narrative is generated by the real, lived history of Seneca Village, a vibrant community founded predominantly by free Black tenants and landowners that flourished from the 1820s to the 1850s just a few hundred yards west of The Met’s current site. In 1857, the City of New York destroyed Seneca Village, using eminent domain to seize land for the construction of Central Park, displacing its residents and leaving only the barest traces of the community behind. Acknowledging that injustice, the exhibition asks: What if this community had the opportunity to grow and thrive? Powered by Afrofuturism—the inspirational, creative mode that centers Black imagination and self-determination—the exhibition transforms a 19th-century domestic interior into a speculative future home for Seneca Village residents, only one proposition for what might have been had the community been allowed to thrive into the present and beyond.

In keeping with the collaborative spirit of Afrofuturism, The Met’s curatorial team worked with lead curator Hannah Beachler to envision and design the space with consulting curator Michelle Commander. Since 2019, the group has engaged numerous creative and intellectual partners to infuse the installation with additional ideas and perspectives. At a vital intersection at the heart of the Museum, this project opens a space for yet more histories to be told that look toward a more resilient future.

Learn more about the exhibition: https://www.metmuseum.org/exhibitions/listings/2021/afrofuturist-period-room

The exhibition is made possible by the Hobson/Lucas Family Foundation and the Director’s Fund.

Additional support is provided by Art Mentor Foundation Lucerne and the Terra Foundation for American Art.

The Met’s quarterly Bulletin program is supported in part by the Lila Acheson Wallace Fund for The Metropolitan Museum of Art, established by the cofounder of Reader’s Digest.

Subscribe for new content from The Met: https://www.youtube.com/channel/UCDlz9C2bhSW6dcVn_PO5mYw?sub_confirmation=1

#TheMet #Art #TheMetropolitanMuseumofArt #Museum

© 2021 The Metropolitan Museum of Art


Contributors

Hannah Beachler
Lead Curator and Designer
Dr. Michelle Commander
Consulting Curator and Associate Director and Curator of the Lapidus Center for the Historical Analysis of Transatlantic Slavery at New York Public Library’s Schomburg Center for Research in Black Culture
Ian Alteveer
Aaron I. Fleischman Curator, Department of Modern and Contemporary Art
Sarah E. Lawrence
Iris and B. Gerald Cantor Curator in Charge, Department of European Sculpture and Decorative Arts

Gold-background scene showing two male figures, one with wings, in an embrace, framed by red and blue decorative borders.
Spectrum of Desire co-curators Melanie Holcomb and Nancy Thebaut discuss sensuality and sexuality in Medieval art.
Lina Palazzo
March 18
Detail of a painting of a pale-faced woman with pink cheeks and light brown hair against a dark background.
Learn about the artist’s subversive and probing representations of herself and others.
Patricia G. Berman
March 13
Silver fish sculpture with emerald green eyes, lifelike scales, and visible details.
How do these exquisite examples of Judaica represent universal themes related to special days in the Jewish calendar?
Riva Arnold
February 20
More in:On View