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Bilhetes

Prisioneiros do fronte

Winslow Homer American
1866
On view at The Met Fifth Avenue in Gallery 762
Como um correspondente-artista da revista Weekly Harper, Homer havia visitado duas vezes a frente unionista durante a guerra civil. Nesta tela, pintado após o fim da guerra, o Brigadeiro General Francis Channing Barlow captura soldados e oficiais confederados na Batalha de Spotsylvania (Virgínia) em maio de 1864. Homer tipifica os combatentes de ambos os lados e cria distâncias entre as figuras representadas em posições contrastantes, expressando simbolicamente a ruptura ideológica entre norte e sul. O quadro estabeleceu a reputação do pintor na Academia Nacional de Desenho em Nova Iorque e foi exposto com grande êxito na Exposição Universal de Paris, em 1867.

Artwork Details

Object Information
  • Título: Prisioneiros do fronte
  • Artista: Winslow Homer, americano, 1836–1910
  • Data: 1866
  • Meio: Óleo sobre tela
  • Dimensões: 61 x 96,5 cm
  • Linha de créditos: Doação da Sra. de Frank B. Porter, 1922
  • Número de acesso: 22.207
  • Curatorial Department: The American Wing

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Annie Lawrie (Sheet music cover)
1850–59
Sunday Morning in Virginia – From the Painting by Winslow Homer in the National Academy of Design (from "Harper's Weekly," Vol. XXIV)
After Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
May 22, 1880
A Quiet Day in the Country (from "Appleton's Journal," Vol. III)
Formerly attributed to Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
June 6, 1870
George Blake's Letter (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. IX)
After Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
January 1870
"I Cannot! It Would Be a Sin! A Fearful Sin!" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VI)
After Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
September 1868

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