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Showing 106 results for Nomura Katsumori

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Blade and Mounting for a Dagger (<i>Tantō</i>), Gassan Sadakazu Japanese, Steel, wood (rosewod), copper-gold alloy (<i>shakudō</i>), copper-silver alloy (<i>shibuichi</i>), gold, silver, Japanese — Blade and Mounting for a Dagger (Tantō)
Multiple artists/makers
blade, dated 1870; mounting, 19th century

Inrō with Tanabata Story of the Weaver and the Herdboy

, Nomura Kyūkoku Japanese, Three cases; lacquered wood with gold hiramaki-e and ivory inlay on mother-of-pearl ground; Netsuke: carved ivory; flowers and grasses with silver butterflies; Ojime: silver and gold quail in autumn grasses, Japan — Inrō with Tanabata Story of the Weaver and the Herdboy
Nomura Kyūkoku
active first half of the19th century

Inrō with Grapevine

, Nomura Choheisai Japanese, One case; lacquered wood with gold hiramaki-e, gold foil application with green stained ivory, mother-of-pearl, amber, and horn inlays on black lacquer ground<br/>Netsuke: ivory; kagamibuta with inlaid design of gourd and vine<br/>Ojime: ivory bead with inlaid design of branch with fruits, Japan — Inrō with Grapevine
Nomura Choheisai
second half of the 18th century

Case (Inrō) with Design of Grasshopper on Stalk of Flowering Lily, Nomura Chōkei (dates unknown) Japanese, Case: Powdered gold (maki-e) on black lacquer with mother-of-pearl, pewter, and ceramic inlays; floral decoration on risers in incised gold; Fastener (ojime): carved red lacquer with design of Chinese sage and pine; Toggle (netsuke): stained ivory carved in the shape of a farm woman and child (signed: Homin), Japan — Case (Inrō) with Design of Grasshopper on Stalk of Flowering Lily
Nomura Chōkei (dates unknown)
18th–19th century

Multiple artists/makers

1992

Loopy Doopy, White on Black, Sol LeWitt American, Oil-based woodcut on Japanese paper — Loopy Doopy, White on Black
Multiple artists/makers
1999

Knife Handle (Kozuka), Katsutora Japanese, Copper-silver alloy (shibuichi), silver, Japanese — Knife Handle (Kozuka)
Katsutora
late 18th century–early 19th century

Chokunyū juen zuroku, Tanomura Chokunyū Japanese — Chokunyū juen zuroku
Tanomura Chokunyū
1881

Untitled, Katsumi Watanabe Japanese, Gelatin silver print — Untitled
Katsumi Watanabe
1969, printed before 1985

Untitled, Katsumi Watanabe Japanese, Gelatin silver print — Untitled
Katsumi Watanabe
1968, printed before 1985

Untitled, Katsumi Watanabe Japanese, Gelatin silver print — Untitled
Katsumi Watanabe
1967, printed before 1985

Knife Handle (Kozuka), Gotō Mitsumori (Keijō) Japanese, Copper-gold alloy (shakudō), gold, silver, Japanese — Knife Handle (Kozuka)
Gotō Mitsumori (Keijō)
mid–late 18th century

Knife Handle (Kozuka), Gotō Mitsumori (Keijō) Japanese, Copper-gold alloy (shakudō), gold, silver, Japanese — Knife Handle (Kozuka)
Gotō Mitsumori (Keijō)
mid–late 18th century

Sword-Grip Ornaments (Menuki), Gotō Mitsumori (Keijō) Japanese, Copper-gold alloy (shakudō), gold, silver, Japanese — Sword-Grip Ornaments (Menuki)
Gotō Mitsumori (Keijō)
mid–late 18th century

Set of Sword Fittings (Mitokoromono), Gotō Mitsumori (Keijō) Japanese, Copper-gold alloy (shakudō), gold, silver, copper, Japanese — Set of Sword Fittings (Mitokoromono)
Gotō Mitsumori (Keijō)
mid–late 18th century

“Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari), Iwasa Matabei (Katsumochi) Japanese, Hanging scroll; ink, color, gold and silver on paper, Japan — “Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari)
Iwasa Matabei (Katsumochi)
ca. 1640

Set of Sword Fittings (Mitokoromono) with Two Additional Knife Handles (Kozuka) and a Pair of Grip Ornaments (Menuki), Gotō Mitsumori (Keijō) Japanese, Copper-gold alloy (shakudō), gold, silver, copper, Japanese — Set of Sword Fittings (Mitokoromono) with Two Additional Knife Handles (Kozuka) and a Pair of Grip Ornaments (Menuki)
Gotō Mitsumori (Keijō)
mid–late 18th century

Dialogo sobre hua nova obra no Rio Tejo ..., Bento de Moura Portugal Portuguese — Dialogo sobre hua nova obra no Rio Tejo ...
Bento de Moura Portugal
1776 (?)

Jar, Nonomura Ninsei Japanese, Clay covered with a transparent crackled glaze; decorated colored enamels and gold (Kyoto ware, Takamatsu type), Japan — Jar
Nonomura Ninsei
1730

Bowl, Nonomura Ninsei Japanese, Clay covered with a transparent crackled glaze and decorated with polychrome enamel (Kyoto ware, Banko style), Japan — Bowl
Nonomura Ninsei
19th century

Rainstorm over a River Village, Tanomura Chikuden Japanese, Hanging scroll; ink and color on paper, Japan — Rainstorm over a River Village
Tanomura Chikuden
late 18th–early 19th century

Tea Caddy, named Tall (Seitaka), Nonomura Ninsei Japanese, Stoneware with iron glaze (Kyoto ware), Japan — Tea Caddy, named Tall (Seitaka)
Nonomura Ninsei
second half of the 17th century

Teabowl, Nonomura Ninsei Japanese, Clay covered with a warm Seto glaze and a border of white enamel (Awata ware), Japan — Teabowl
Nonomura Ninsei
18th century

Covered Incense Box, Nonomura Ninsei Japanese, Paste covered with a transparent crackled glaze and decorated with colored enamels and gold (Kyoto ware, Satsuma type), Japan — Covered Incense Box
Nonomura Ninsei
1670

Alcove ornament, Kimura Sakujiro Japanese, Pottery, faience decorated with polychrome enamels, Japan — Alcove ornament
Kimura Sakujiro
1780

Returning to the Mountains, Accompanied by Cranes, Tanomura Chikuden Japanese, Hanging scroll; ink and color on satin, Japan — Returning to the Mountains, Accompanied by Cranes
Tanomura Chikuden
dated 1822

Album of Marvelous Landscapes (Kikanchō), Tanomura Chokunyū Japanese, Accordion album; ink and color on paper, Japan — Album of Marvelous Landscapes (Kikanchō)
Tanomura Chokunyū
Tomioka Tessai
19th century

Actor Tsu-uchi Monsaburo in a Woman's Role in the Play "Three Instances of Good Fortune (Sanpuku Tsui)", Tamura Sadanobu Japanese, Woodblock print (urushi-e), Japan — Actor Tsu-uchi Monsaburo in a Woman's Role in the Play "Three Instances of Good Fortune (Sanpuku Tsui)"
Tamura Sadanobu
ca. 1730

Water Jar, Nonomura Ninsei Japanese, Pottery covered with glaze; handles at sides (Kyoto ware), Japan — Water Jar
Nonomura Ninsei
17th century

Tea jar, Nonomura Ninsei Japanese, Clay; black glaze with two bands of crackled white glaze; (Awata ware), Japan — Tea jar
Nonomura Ninsei
ca. 1660

Ninsei-style Incense Burner with Flowers of the Four Seasons

, Nonomura Ninsei Japanese, Stoneware with polychrome overglaze enamels and gold; openwork gilt-bronze cover (Kyoto ware), Japan — Ninsei-style Incense Burner with Flowers of the Four Seasons
Nonomura Ninsei
17th century

Incense Box with Design of the Seven Flowers of Autumn, Nonomura Ninsei Japanese, Glazed stoneware, colored enamels and gold, Japan — Incense Box with Design of the Seven Flowers of Autumn
Nonomura Ninsei
ca. 1648–1649

Spring Sunrise at Mount Penglai, Tanomura Chokunyū Japanese, Hanging scroll; ink and color on silk, Japan — Spring Sunrise at Mount Penglai
Tanomura Chokunyū
1881

Orchid and Bamboo in a Vase, Tanomura Chikuden Japanese, Hanging scroll; ink on paper, Japan — Orchid and Bamboo in a Vase
Tanomura Chikuden
1823

Water Jar (Mizusashi) with Large Handles, Nonomura Ninsei Japanese, Stoneware with natural ash glaze on the exterior, and a green-white glaze on the interior (Kyoto ware), Japan — Water Jar (Mizusashi) with Large Handles
Nonomura Ninsei
second half 17th century

Monkey Offering a Qin to Scholar, Tanomura Chikuden Japanese, Hanging scroll; ink and color on silk, Japan — Monkey Offering a Qin to Scholar
Tanomura Chikuden
1833

Pines and Cranes of Longevity, Tanomura Chokunyū Japanese, Hanging scroll; ink and color on silk, Japan — Pines and Cranes of Longevity
Tanomura Chokunyū
1903

Katsumi Watanabe

1966, printed before 1985

Kimono–Four Seasons, Hamanishi Katsunori 浜西勝則 Japanese, Triptych of mezzotint sheets, Japan — Kimono–Four Seasons
Hamanishi Katsunori 浜西勝則
2012

White Head Eagle, Hamanishi Katsunori 浜西勝則 Japanese, Mezzotint print; color on Japanese Mat Thunders wove paper, Japan — White Head Eagle
Hamanishi Katsunori 浜西勝則
2016