Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,258 results for N. Ramírez y Compañia

Sort by:

Broadside with 48 scenes relating to the life Bernat Xinxola, Antonio Bosch Spanish, Etching (photo-relief?) — Broadside with 48 scenes relating to the life Bernat Xinxola
Antonio Bosch
N. Ramírez y Compañia
ca. 1865–68

Broadside with 48 scenes relating to the life of Saint Roch (Roque), José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to the life of Saint Roch (Roque)
Multiple artists/makers
ca. 1865

Broadside with 48 scenes relating to the procession of Our Lady of Cinta (Tortosa), José Noguera Spanish, Wood engraving on yellow paper — Broadside with 48 scenes relating to the procession of Our Lady of Cinta (Tortosa)
Multiple artists/makers
1865

Broadside with 48 scenes of the life of the Virgin, José Noguera Spanish, Wood engraving — Broadside with 48 scenes of the life of the Virgin
Multiple artists/makers
1868

Broadside with 48 scenes relating to the story of the enchanted lady (Dama encantada), José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to the story of the enchanted lady (Dama encantada)
Multiple artists/makers
ca. 1860–70

Broadside with 48 scenes relating to the world upside down, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to the world upside down
Multiple artists/makers
ca. 1860–70

Broadside with 48 scenes of the life of the Virgin, José Noguera Spanish, Wood engraving — Broadside with 48 scenes of the life of the Virgin
Multiple artists/makers
1868

Guitar, Manuel Ramírez Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Spanish — Guitar
Manuel Ramírez
Santos Hernández
1912

Ohotniche Rogi sounding A, N. N. Federov Russian, Brass, Russian — Ohotniche Rogi sounding A
N. N. Federov
1873–89

Ohotniche Rogi sounding G, N. N. Federov (?) Russian, Brass, Russian — Ohotniche Rogi sounding G
N. N. Federov
19th century

Chocolate Pot, W. N. American, Silver, American — Chocolate Pot
W. N.
1725–40

Spoon, N. Barlett American, Silver, American — Spoon
N. Barlett
ca. 1760

Cann, M. N. American, Silver, American — Cann
M. N.
1750–75

Candelabrum, N. Hooper American, Gilt bronze, American — Candelabrum
N. Hooper
1800–1900

Candelabrum, N. Hooper American, Gilt bronze, American — Candelabrum
N. Hooper
1800–1900

Tankard engraved with scenes of the Great Plague and the Great Fire of London, I N British, Silver, British, London — Tankard engraved with scenes of the Great Plague and the Great Fire of London
I N
1675/76

Saucepan, I. N. American, Silver, American — Saucepan
I. N.
ca. 1795–1820

Tongs, C. & N. American, Silver, American — Tongs
C. & N.
1820–30

Workers supporting skeletons on a beam (prostitute calaveras), Everardo Ramírez Mexican, Woodcut — Workers supporting skeletons on a beam (prostitute calaveras)
Everardo Ramírez
1936

Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Everardo Ramírez Mexican, Linocut — Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1947

Plate 21: President Porfirio Díaz being terrified by the 'Plan of San Luis de Potosí' being held in front of him by Francisco I Madero, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Everardo Ramírez Mexican, Linocut — Plate 21: President Porfirio Díaz being terrified by the 'Plan of San Luis de Potosí' being held in front of him by Francisco I Madero, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1947

Poster relating to union demands for graphic art workers employed by commercial workshops, Everardo Ramírez Mexican, Woodcut, linocut, letterpress, in blue and red, backed with linen — Poster relating to union demands for graphic art workers employed by commercial workshops
Multiple artists/makers
ca. 1940–42

Much pulque and little ink [education] the method of the Porfirian caciques (Mucho pulque y poca tinta, el metodo del caciquismo Porfiriano), Plate 56 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Everardo Ramírez Mexican, Offset lithograph — Much pulque and little ink [education] the method of the Porfirian caciques (Mucho pulque y poca tinta, el metodo del caciquismo Porfiriano), Plate 56 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1960

The San Luis plan terrifies the dictatorship (El plan de San Luis aterroriza a la dictadura), Plate 61 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Everardo Ramírez Mexican, Offset lithograph — The San Luis plan terrifies the dictatorship (El plan de San Luis aterroriza a la dictadura), Plate 61 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1960

Astral Lamp, Henry N. Hooper American, Bronze, glass, American — Astral Lamp
Henry N. Hooper
ca. 1860

Bowl, Isaac N. Youngs, Wood; Poplar, American, Shaker — Bowl
Isaac N. Youngs
United Society of Believers in Christ’s Second Appearing (“Shakers”)
1810–65

Ohotniche Rogi sounding D, Nicolas N. Fedorov Russian, Brass, Russian — Ohotniche Rogi sounding D
Nicolas N. Fedorov
1873–89

Ohotniche Rogi sounding E, N. N. Federov Russian, Brass, Russian — Ohotniche Rogi sounding E
N. N. Federov
1873–89

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Guitar, José Ramirez III Spanish, Spruce, rosewood, ivory or bone, ebony, plastic, Spanish — Guitar
José Ramirez III
1967

Double tuba and baritone, "Bellophone" in BB-flat, H. N. White Co. American, Brass, mother of pearl, American — Double tuba and baritone, "Bellophone" in BB-flat
H. N. White Co.
ca. 1930

Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas — Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650

Game, the lottery of 72, Antonio Bosch Spanish, Wood engraving — Game, the lottery of 72
Antonio Bosch
Rodriguez y Compania
1869

Three spoons, P. N., Silver, parcel gilt, German, Leipzig — Three spoons
P. N.
Pankraz Neuper
ca. 1560–80

Evening shoes, N. Greco French, silk, rhinestones, French — Evening shoes
N. Greco
ca. 1926

Golden Jubilee of George III, N. Hyde, Bronze, British — Golden Jubilee of George III
N. Hyde
1810

Evening pumps, N. Greco French, Silk, French — Evening pumps
N. Greco
ca. 1927

Evening pumps, N. Greco French, Silk; rhinestones, French — Evening pumps
N. Greco
ca. 1927

Tankard, A. N., Silver, parcel gilt, Austrian, Vienna — Tankard
A. N.
1722