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Showing 36 results for Koikawa Harumasa
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Girl and Lover in Snow, Koikawa Harumasa  Japanese, Woodblock print; ink and color on paper, Japan
Koikawa Harumasa
early 19th century
Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession

, Kajikawa  Japanese, Two cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on nashiji lacquer ground<br/>Netsuke: ivory; Ryūgūjō (The Dragon King's undersea palace) in a clam<br/>Ojime: agate bead, Japan
Kajikawa
Hanabusa Itchō
late 18th–early 19th century
Mirror With the Design of a Nine-Tailed Fox, Harukawa Goshichi  Japanese, Woodblock print (surimono); ink and color on paper, Japan
Harukawa Goshichi
Inrō with Treasure Boat, Kajikawa Bunryūsai  Japanese, Gold and black lacquer and nashiji ground with gold and silver hiramaki-e, red lacquer, and mother-of-pearl inlay<br/>Netsuke: kingfisher; carved ivory <br/>Ojime: Chinese children; porcelain (Kutani ware, Japan
Kajikawa Bunryūsai
19th century
Box for Incense with Design of Peonies, Iris, Morning Glories, and Wisteria, Kajikawa School, Gold and silver maki-e on black lacquer, Japan
Kajikawa School
19th century
Case (Inrō) with Design of Maple Leaves beside Inscriptions, Kajikawa School, Lacquer, cherry bark, gold hiramakie; Interior: plain and roiro, Japan
Kajikawa School
19th century
Case (Inrō) with Design of Imperial Cart and Flying Herons (obverse); Court Carriage and Flying Herons (reverse), Kajikawa School, Gold and silver maki-e with mother-of-pearl inlay and black lacquer; Ojime: agate bead; Netsuke: metal king of hell, Japan
Kajikawa School
19th century
Case (Inrō) with Design of Six Immortal Poets, Kajikawa School, Gold and silver maki-e with black and red lacquer relief and mother-of-pearl inlay; Ojime: bronze Bodhidharma; Netsuke: carved lacquer Chinese children and auspicious symbols, Japan
Kajikawa School
19th century
Case (Inrō) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves, Kajikawa Katsuhira  Japanese, Nashiji (pear-skin) lacquer decorated with togidashi sprinkled and polished lacquer and metal inlay; Ojime: metal drum inlaid with gold; Netsuke: carved wood figure, Japan
Kajikawa Katsuhira
Hagiya Katsuhira
late 18th–19th century
Case (Inrō) with Design of Cherry-Blossom Viewing, Kajikawa School, Lacquer decorated with togidashi sprinkled and polished lacquer; Ojime: stone bead with silver bird inlay; Netsuke: metal button engraved with figure of Fukurokuju, Japan
Kajikawa School
late 18th–19th century
Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse), Kajikawa Hidetaka  Japanese, Lacquer, roiro, gold, brown and red togidashi, nashiji; Netsuke: fukurokuju<br/>Interior: nashiji and fundame, Japan
Kajikawa Hidetaka
18th–19th century
Kōrin's Painting Style (Kōrin gashiki), Aikawa Minwa  Japanese, Set of two Woodblock printed books; ink and color on paper, Japan
Aikawa Minwa
1818
Dress, Issey Miyake  Japanese, polyester, Japanese
Issey Miyake
Yasumasa Morimura
fall/winter 1996–97
Yasumasa Ekisei
late 19th century
Yasumasa Morimura
1995
Yasumasa Morimura
1995
Yasumasa Morimura
1995
Yasumasa Morimura
2013
Case (Inrō) with Design of Court Lady in Boat with Drum (obverse);  Geese Taking Flight (reverse), Shibayama Shokasai  Japanese, Lacquer, kinji, gold hiramakie, kirigane, nashiji, metal, ivory, raden inlay; Interior: nashiji and fudame, Japan
Shibayama Shokasai
Kajikawa School
19th century
Blade and Mounting for a Dagger (Tantō), Kuniyoshi  Japanese, Steel, wood, copper-gold alloy (shakudō), copper-silver alloy (shibuichi), gold, lacquer, rayskin (samé), silk, abalone shell, silver, Japanese
Multiple artists/makers
blade, dated 1525; mounting, 19th century
Sketchbook of One Hundred Women (Manga hyakujo) 漫画百女, Aikawa Minwa 合川珉和  Japanese, Woodblock printed book; ink and color on paper, Japan
Aikawa Minwa 合川珉和
1814, ninth month (Bunka 11)
Kōrin's painting style (Kōrin gashiki) 光琳画式, Aikawa Minwa 合川珉和  Japanese, Woodblock printed book; ink and color on paper, Japan
Aikawa Minwa 合川珉和
1818, first month (Bunka 15)
Passage from “A Modern-Day Wen Xuan: Selections of Refined Literature”, Morikawa Kyoriku (Kyoroku) 森川許六  Japanese, Hanging scroll; ink on paper, Japan
Morikawa Kyoriku (Kyoroku) 森川許六
after 1705
Robe, Resist-dyed and painted (bingata) silk crepe, Japan (Okinawa, Ryūkyū Islands)
Japan (Okinawa, Ryūkyū Islands)
19th century
The avatar Narasimha, Unidentified artist , India, Calcutta, Watercolor, colloidal tin, ink and graphite on mill paper, India, Kolkata (formerly Calcutta)
Unidentified artist
ca. 1870s
Album of Thirty-Two Triptychs of Polychrome Woodblock Prints by Various Artists, Toyohara Kunichika  Japanese, Album of thirty-two triptychs of woodblock prints; ink and color on paper, Japan
Multiple artists/makers
1883–86
Narasimha Kills the Demon-King Hiranyakashipu, Lithograph, Eastern India, Kolkata, West Bengal
Eastern India, Kolkata, West Bengal
1875–80
Ogawa Kazumasa
1892?
Unidentified artist
ca. 1870s
Unidentified artist
ca. 1870s
Unidentified artist
ca. 1870s
Octagonal food box with Chinese immortals and floral design, Lacquered wood; mother-of-pearl inlay, gold leaf application on black ground and gilded metal net inserts, Japan (Ryūkyū Islands, now Okinawa Prefecture)
Japan (Ryūkyū Islands, now Okinawa Prefecture)
18th century
Radha Worships Krishna as Kali, Watercolor on paper, India, Kalighat district, Kolkata, West Bengal
India, Kalighat district, Kolkata, West Bengal
late 19th century
Shiva seated on the bull Nandin, Watercolor on paper, India, Kalighat district, Kolkata, West Bengal
India, Kalighat district, Kolkata, West Bengal
late 19th century
Multiple artists/makers
ca. 1897–99
Collaborative Painting of Sixteen Arhats, Suzuki Hyakunen 鈴木百年  Japanese, Hanging scroll; ink and color on satin, Japan
Multiple artists/makers
late 1870s–early 1880s