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Showing 51 results for Koikawa Harumasa
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Girl and Lover in Snow, Koikawa Harumasa  Japanese, Woodblock print; ink and color on paper, Japan
Koikawa Harumasa
early 19th century
Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession

, Kajikawa  Japanese, Two cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on nashiji lacquer ground<br/>Netsuke: ivory; Ryūgūjō (The Dragon King's undersea palace) in a clam<br/>Ojime: agate bead, Japan
Kajikawa
Hanabusa Itchō
late 18th–early 19th century
Mirror With the Design of a Nine-Tailed Fox, Harukawa Goshichi  Japanese, Woodblock print (surimono); ink and color on paper, Japan
Harukawa Goshichi
Case (Inrō) with Design of Cherry-Blossom Viewing, Kajikawa School, Lacquer decorated with togidashi sprinkled and polished lacquer; Ojime: stone bead with silver bird inlay; Netsuke: metal button engraved with figure of Fukurokuju, Japan
Kajikawa School
late 18th–19th century
Case (Inrō) with Design of Imperial Cart and Flying Herons (obverse); Court Carriage and Flying Herons (reverse), Kajikawa School, Gold and silver maki-e with mother-of-pearl inlay and black lacquer; Ojime: agate bead; Netsuke: metal king of hell, Japan
Kajikawa School
19th century
Case (Inrō) with Design of Six Immortal Poets, Kajikawa School, Gold and silver maki-e with black and red lacquer relief and mother-of-pearl inlay; Ojime: bronze Bodhidharma; Netsuke: carved lacquer Chinese children and auspicious symbols, Japan
Kajikawa School
19th century
Case (Inrō) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves, Kajikawa Katsuhira  Japanese, Nashiji (pear-skin) lacquer decorated with togidashi sprinkled and polished lacquer and metal inlay; Ojime: metal drum inlaid with gold; Netsuke: carved wood figure, Japan
Kajikawa Katsuhira
Hagiya Katsuhira
late 18th–19th century
Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse), Kajikawa Hidetaka  Japanese, Lacquer, roiro, gold, brown and red togidashi, nashiji; Netsuke: fukurokuju<br/>Interior: nashiji and fundame, Japan
Kajikawa Hidetaka
18th–19th century
Inrō with Treasure Boat, Kajikawa Bunryūsai  Japanese, Gold and black lacquer and nashiji ground with gold and silver hiramaki-e, red lacquer, and mother-of-pearl inlay<br/>Netsuke: kingfisher; carved ivory <br/>Ojime: Chinese children; porcelain (Kutani ware, Japan
Kajikawa Bunryūsai
19th century
Box for Incense with Design of Peonies, Iris, Morning Glories, and Wisteria, Kajikawa School, Gold and silver maki-e on black lacquer, Japan
Kajikawa School
19th century
Case (Inrō) with Design of Maple Leaves beside Inscriptions, Kajikawa School, Lacquer, cherry bark, gold hiramakie; Interior: plain and roiro, Japan
Kajikawa School
19th century
Kōrin's Painting Style (Kōrin gashiki), Aikawa Minwa  Japanese, Set of two Woodblock printed books; ink and color on paper, Japan
Aikawa Minwa
1818
Dress, Issey Miyake  Japanese, polyester, Japanese
Issey Miyake
Yasumasa Morimura
fall/winter 1996–97
Yasumasa Ekisei
late 19th century
Ogawa Kazumasa
1892?
Yasumasa Morimura
1995
Yasumasa Morimura
1995
Yasumasa Morimura
1995
Yasumasa Morimura
2013
Blade and Mounting for a Dagger (Tantō), Kuniyoshi  Japanese, Steel, wood, copper-gold alloy (shakudō), copper-silver alloy (shibuichi), gold, lacquer, rayskin (samé), silk, abalone shell, silver, Japanese
Multiple artists/makers
blade, dated 1525; mounting, 19th century
Case (Inrō) with Design of Court Lady in Boat with Drum (obverse);  Geese Taking Flight (reverse), Shibayama Shokasai  Japanese, Lacquer, kinji, gold hiramakie, kirigane, nashiji, metal, ivory, raden inlay; Interior: nashiji and fudame, Japan
Shibayama Shokasai
Kajikawa School
19th century
Kali, the wrathful protector (Shri Shri Kali)  (recto); Kali (verso), G. C. Dass (recto), Recto: Lithograph with watercolor on paper; Verso: lithograph, printed in black, West Bengal, Kolkata
G. C. Dass
Unidentified artist
ca. 1880–85 (recto); ca. 1875–85 (verso)
Lakshmi, goddess of prosperity (Shri Shri Lakshmi, Lithograph with watercolor on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
ca. 1880
Krishna (Shri Shri Guranga Avatara), Chromolithographic on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
1895
Shiva as Lord of the Universe in Benares (Kashi Vishvanatha)	, Lithograph with watercolor on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
ca. 1880–1900
Durga holding the infant Krishna (Deva Gostha), Chromolithograph on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
ca. 1885–95
Diptych of Kali / Tara, wrathful protectors, Calcutta Art Studio, Chromolithographic on paper, India, Kolkata, West Bengall
Calcutta Art Studio
1885–90
Krishna as the Lord of the World (Shri Shri Jagannatha), Chromolithographic on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
ca. 1890
Kali, the wrathful protector, Chromolithograph with watercolor on paper, Indial, Kolkata, West Bengal
Indial, Kolkata, West Bengal
ca. 1879
Jagadhatri, a benign form of Durga-Kali, Lithograph with watercolor on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
1878–83
Ganesha transcribing the Mahabharata (Shri Shri Ganesh), Lithograph with watercolor on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
1878–83
Matangi, an esoteric form of Parvati, Sasadhar Banarjee  Indian, Lithograph with watercolor on paper, India, Kolkata, West Bengal
Sasadhar Banarjee
ca. 1880–85
Savitri, emblematic of ideal womanhood, Lithograph, printed in black and hand-coloring with watercolor and selectively applied glaze, India, Kolkata, West Bengal
India, Kolkata, West Bengal
1878–83
Tara, a form of Kali (Tara Thakoorani), Gouache and ink on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
early 20th century
Shiva seated on the bull Nandin, Watercolor on paper, India, Kolkata, West Bengal
India, Kolkata, West Bengal
late 19th century
Durga slaying the demon Mahisha (Mahishasuramardini), Krishna Chandra, Relief print with watercolor on paper, India, Kolkata, West Bengal
Krishna Chandra
1850–70
Krishna Venugopala and Radha in a wooded glade (Shri Shri Radha Krishna), Krishnahari Das, Lithograph with watercolor on paper, India, Kolkata, West Bengal
Krishnahari Das
1880
Sketchbook of One Hundred Women (Manga hyakujo) 漫画百女, Aikawa Minwa 合川珉和  Japanese, Woodblock printed book; ink and color on paper, Japan
Aikawa Minwa 合川珉和
1814, ninth month (Bunka 11)
Kōrin's painting style (Kōrin gashiki) 光琳画式, Aikawa Minwa 合川珉和  Japanese, Woodblock printed book; ink and color on paper, Japan
Aikawa Minwa 合川珉和
1818, first month (Bunka 15)
Passage from “A Modern-Day Wen Xuan: Selections of Refined Literature”, Morikawa Kyoriku (Kyoroku) 森川許六  Japanese, Hanging scroll; ink on paper, Japan
Morikawa Kyoriku (Kyoroku) 森川許六
after 1705