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Showing 54 results for Genki (Komai Ki)

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Scenes of the Four Seasons in Kyoto, Genki (Komai Ki) Japanese, Handscroll; ink and color on silk, Japan — Scenes of the Four Seasons in Kyoto
Genki (Komai Ki)
1778

Yanji with Orchids and Yang Guifei with Peonies, Genki (Komai Ki) Japanese, Pair of hanging scrolls; ink and color on silk, Japan — Yanji with Orchids and Yang Guifei with Peonies
Genki (Komai Ki)
1785

Chinese Beauty Beside a Plum Tree, leaf from the album “A Contest of Beauties from the Near and Distant Past” (Chūko shomeika bijin kurabe), Genki (Komai Ki) Japanese, Woodblock print; ink and color on paper, Japan — Chinese Beauty Beside a Plum Tree, leaf from the album “A Contest of Beauties from the Near and Distant Past” (Chūko shomeika bijin kurabe)
Genki (Komai Ki)
1895

Collected Haiku Poems (Hokku shū) 発句集, Genki 源琦 (Komai Ki 駒井琦 Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan — Collected Haiku Poems (Hokku shū) 発句集
Multiple artists/makers
1793

Chair, Ray Komai American, Plywood, cherry wood, steel, rubber — Chair
Ray Komai
JG Furniture Co., Inc, New York, NY
1949

Portrait of the Ōbaku Zen Monk Mu’an Xingtao (Mokuan Shōtō)
, Kita Genki Japanese, Hanging scroll; ink and color on silk, Japan — Portrait of the Ōbaku Zen Monk Mu’an Xingtao (Mokuan Shōtō)
Kita Genki
Jifei Ruyi (Sokuhi Nyoitsu)
dated 1674

Portrait of the Ōbaku Zen Monk Jifei Ruyi (Sokuhi Nyoitsu), Kita Genki Japanese, Hanging scroll; ink and color on silk, Japan — Portrait of the Ōbaku Zen Monk Jifei Ruyi (Sokuhi Nyoitsu)
Kita Genki
Jifei Ruyi (Sokuhi Nyoitsu)
1666

Untitled, Zao Wou-Ki French, born China, Black ink on Asian paper mounted to a secondary support of western paper — Untitled
Zao Wou-Ki
1992

01.04.97, Zao Wou-Ki French, born China, Oil on canvas — 01.04.97
Zao Wou-Ki
1997

Kyūrō (Baitei) Picture Album (Kyūrō gafu) 九老画譜, Ki Baitei 紀梅亭 Japanese, Woodblock printed book; ink on paper, Japan — Kyūrō (Baitei) Picture Album (Kyūrō gafu) 九老画譜
Ki Baitei 紀梅亭
preface and postscript dated 1797, Spring third month (Kansei 9)

Chikudō Picture Album (Chikudō gafu nihen) 竹堂画譜二編, Ki Chikudō 紀竹堂 Japanese, Set of two woodblock printed books; ink and color on paper, Japan — Chikudō Picture Album (Chikudō gafu nihen) 竹堂画譜二編
Ki Chikudō 紀竹堂
1815

Myochin Ki Muneyuki

18th century

Fire in the Sky (Le Feu dans le ciel), Zao Wou-Ki French, born China, Lithograph — Fire in the Sky (Le Feu dans le ciel)
Zao Wou-Ki
1965

Miochin Oye Ki Muneyasu

17th century

Gamme Chromatique, States 1–6

Zao Wou-Ki

1953

La Tentation de l’Occident (The Temptation of the West)

Zao Wou-Ki

André Malraux

1962

Zao Wou-Ki

Arthur Rimbaud

1966

Zen Saying by Dahui Zonggao on the Passage of Time, Jakushitsu Genkō Japanese, Hanging scroll; ink on paper, Japan — Zen Saying by Dahui Zonggao on the Passage of Time
Jakushitsu Genkō
mid-14th century

Arrowhead (<i>Yanone</i>), Korai Japanese, Steel, Japanese — Arrowhead (Yanone)
Korai
16th–19th century

Seated Arhat, Shōun Genkei Japanese, One of a set of five hundred; wood with lacquer, color, and gold leaf, Japan — Seated Arhat
Shōun Genkei
1688–95

Bowl, Makazu Kōsai Japanese, Porcelaneous ware pierced and covered with a design in polychrome enamels (Kiyomizu ware), Japan — Bowl
Makazu Kōsai
18th century

Portable Writing Cabinet with Tokugawa Family Crests, Chrysanthemums, and Foliage Scrolls, Kōami School, Lacquered wood with gold and silver takamaki-e, hiramaki-e, and applied gold foil on nashiji ground, Japan — Portable Writing Cabinet with Tokugawa Family Crests, Chrysanthemums, and Foliage Scrolls
Kōami School
late 17th century

Inrō with Dragonflies, Kōami Nagataka Japanese, Three cases; lacquered wood with gold, red lacquer takamaki-e, hiramaki-e with mother-of-pearl inlay on black lacquer ground; Netsuke: carved ivory; dog; Ojime: carved ivory; persimmon, Japan — Inrō with Dragonflies
Kōami Nagataka
second half of the 18th century

Blindman's Buff, Komar & Melamid American, Oil on canvas — Blindman's Buff
Multiple artists/makers
1982–83

Small Box (Kobako) with Kyōgen Theater Scene at Mibu Temple in Kyoto, Kōami Shinzaburō, Lacquered wood with gold, silver, and red togidashimaki-e on black ground, Japan — Small Box (Kobako) with Kyōgen Theater Scene at Mibu Temple in Kyoto
Kōami Shinzaburō
ca. second half of the18th century

Inrō with Carp Hanging Scroll and Characters

, Kōami Chōkō Japanese, Three cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, gold foil cut-outs, and mother-of-pearl inlay on black ground<br/>Netsuke: kagamibuta with Shōjō design<br/>Ojime: agate bead, Japan — Inrō with Carp Hanging Scroll and Characters
Kōami Chōkō
second half of the 18th century

Knife Handle (Kozuka), Gotō Korai Japanese, Copper-silver alloy (shibuichi), gold, silver, Japanese — Knife Handle (Kozuka)
Gotō Korai
19th century

Fruit Tray (Morikago) with Antique Bamboo Arrows, Tanaka Kōsai Japanese, Smoked timber bamboo, antique bamboo arrows with lacquer and gold leaf, and rattan, Japan — Fruit Tray (Morikago) with Antique Bamboo Arrows
Tanaka Kōsai
1946

Case (Inrō ) with Design of a Gourd Vine, Koma Yasutada Japanese, Case: gold, colored lacquer, gold leaf, and gold foil on red lacquer; Fastener (ojime): metal with design of flowers and insects; Toggle (netsuke): ivory and lacquer carved in the shape of a Noh dancer, Japan — Case (Inrō ) with Design of a Gourd Vine
Koma Yasutada
18th century

Case (Inrō) with Design of People Catching Fireflies, Koma Kōryū Japanese, Roiro (waxen) lacquer with decoration in togidashi sprinkled and polished lacquer and nashiji (pear-skin) lacquer; Interior: nashiji and fundame; Ojime: metal (zogan) inlay with spider; Netsuke: carved wood with stone inlay of snail on broken roof tile, Japan — Case (Inrō) with Design of People Catching Fireflies
Koma Kōryū
19th century

Case (Inrō) with Design of Clamshells and Fireflies, Koma Yasutada Japanese, Case: powdered gold and silver (maki-e) and gold foil on red lacquer with mother-of-pearl inlay; Fastener (ojime): silver with design of bird and flowers in gold; Toggle (netsuke): carved ivory and colored lacquer with design of Daikoku in ivory and carnelian inlays, Japan — Case (Inrō) with Design of Clamshells and Fireflies
Koma Yasutada
late 18th century

Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior), Koma Sadahide Japanese, Sheath shape; lacquered wood with gold and silver togidashimaki-e on black lacquer ground Netsuke: sage lashing his back with a fly whisk; wood with coral and ivory inlay Ojime: bronze bead with metal inlay of flowers, Japan — Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior)
Koma Sadahide
second half of the 18th century

Case (Inrō) with Design of Sheaves of Rice in Boats, Koma School Japanese, Gold maki-e with mother-of-pearl inlay and black lacquer <br/>Ojime: ivory <br/>Netsuke: carved bone with moon and goose, Japan — Case (Inrō) with Design of Sheaves of Rice in Boats
Koma School
19th century

Case (Inrō) with Design of Curtains of State and a Woman's Fan, Koma Kōryū Japanese, Roiro (waxen) lacquer with decoration in togisashi sprinkled and polished lacquer; Ojime: gold lacquer bead; Netsuke: ivory "Dream of a Clam", Japan — Case (Inrō) with Design of Curtains of State and a Woman's Fan
Koma Kōryū
late 18th–19th century

Incense Box with Scene from Noh Play Kokaji

, Koma School Japanese, Black lacquer with gold, silver, and red hiramaki-e and togidashimaki-e, Japan — Incense Box with Scene from Noh Play Kokaji
Koma School
second half of the 19th century

Inrō with Hawks on Perches, Koma Kōryū Japanese, Black lacquer ground with gold and silver togidashi, takamaki-e and hiramaki-e, red lacquer, and applied gold and silver foil<br/>Netsuke: gourd; guri lacquer, silver ring and stopper in chrysanthemum shape<br/>Ojime: butterfly and flower; cloisonné bead, Japan — Inrō with Hawks on Perches
Koma Kōryū
19th century

Case (Inrō) in Shape of Tea Caddy in Its Brocade Cover, Koma Kōryū Japanese, Lacquer, silver ground, gold, black and red togidashi, ivory lid; Interior: nashiji and fundame, Japan — Case (Inrō) in Shape of Tea Caddy in Its Brocade Cover
Koma Kōryū
19th century

Inrō with Peacocks and Flowers, Koma Yasutada Japanese, Black lacquer and nashiji ground with gold and silver iroe togidashi and hiramaki-e<br/>Netsuke: Kintarō with forest animals on peach stone; ivory, mother-of-pearl, tortoise shell <br/>Ojime: melon; red bronze with iron and gilding, Japan — Inrō with Peacocks and Flowers
Koma Yasutada
19th century

Inrō with Bird on a Blossoming Plum Tree, Koma Yasutada Japanese, Black lacquer and nashiji ground with gold and silver iroe togidashi maki-e<br/>Netsuke: box with plovers; red lacquer ground with gold and brown hiramaki-e<br/>Ojime: bead with flowers; shibuichi and enamel, Japan — Inrō with Bird on a Blossoming Plum Tree
Koma Yasutada
19th century

Box for Personal Accessories (Tebako) with Decoration Based on a Poem from the Shinkokinshū, Kōami Chōjū (Nagashige) Japanese, Gold and silver makie with silver studs, Japan — Box for Personal Accessories (Tebako) with Decoration Based on a Poem from the Shinkokinshū
Kōami Chōjū (Nagashige)
ca. 1633