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Showing 2,453 results for G. Snyder

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Carlton House, 350 & 352 Broadway, Corner of Leonard Street, New York

John Penniman

G. Snyder

ca. 1850

Heart On, Joan Snyder American, Oil, acrylic, paper, fabric, cheesecloth, papier maché, mattress batting, and thread on canvas — Heart On
Joan Snyder
1975

Smashed Strokes Hope, Joan Snyder American, Oil on canvas — Smashed Strokes Hope
Joan Snyder
1971

Sugar Bowl, R. G. American, Silver, American — Sugar Bowl
R. G.
1795–1810

Terracotta pelike (jar), Group G, Terracotta, Greek, Attic — Terracotta pelike (jar)
Group G
3rd quarter of the 4th century BCE

Cup and Saucer, F. G. American, Porcelain, American — Cup and Saucer
F. G.
ca. 1910–15

New York Harbor with Brooklyn Bridge, G. Baker American, Oil on canvas, American — New York Harbor with Brooklyn Bridge
G. Baker
after 1869

Counterpane, Bolton type, G. G. American, Cotton, woven, American — Counterpane, Bolton type
G. G.
1818

Spoon, William G. Forbes American, Silver, American — Spoon
William G. Forbes
1800–1830

Spoon, William G. Forbes American, Silver, American — Spoon
William G. Forbes
ca. 1790

Table Spoon, William G. Forbes American, Silver, American — Table Spoon
William G. Forbes
1800–1830

Card Table, Anthony G. Quervelle American, Mahogany, rosewood, American — Card Table
Anthony G. Quervelle
1825–30

Center Table, Anthony G. Quervelle American, Mahogany, intarsia marble, brass, American — Center Table
Anthony G. Quervelle
ca. 1830

Milk jug, C. G. K., Silver, German, Dresden — Milk jug
C. G. K.
ca. 1805

Hot water jug, C. G. K., Silver, partly wicker-wrapped, German, Dresden — Hot water jug
C. G. K.
ca. 1805

Allianced armorials of Saxe-Weissenfels and Brandenburg, G. E. Kunckel, Glass, German, Thuringia — Allianced armorials of Saxe-Weissenfels and Brandenburg
G. E. Kunckel
ca. 1720

Compote, Charles G. Summers, Glass, American — Compote
Charles G. Summers
Canton Glass Company
ca. 1882

The Parthenon, Vincent G. Stiepevich American, Oil on canvas, American — The Parthenon
Vincent G. Stiepevich
1880

Creamer, William G. Forbes American, Silver, American — Creamer
William G. Forbes
1800–1810

Sugar Bowl, William G. Forbes American, Silver, American — Sugar Bowl
William G. Forbes
1800–1810

Table Spoon, William G. Forbes American, Silver, American — Table Spoon
William G. Forbes
1800–1830

Table Spoon, William G. Forbes American, Silver, American — Table Spoon
William G. Forbes
1770–1800

Table Spoon, William G. Forbes American, Silver, American — Table Spoon
William G. Forbes
1770–1800

Teapot, William G. Forbes American, Silver, American — Teapot
William G. Forbes
1800–1810

Tea Spoon, Joshua G. Davis American, Silver, American — Tea Spoon
Joshua G. Davis
1770–1800

Tea Spoon, G. E. E. American, Silver, American — Tea Spoon
G. E. E.
1790–1800

Tongs, William G. Forbes American, Silver, American — Tongs
William G. Forbes
1800–1830

Valve Trumpet, Elbridge G. Wright American, Brass, nickel-silver, American — Valve Trumpet
Elbridge G. Wright
ca. 1845

Baritone shoulder horn in B-flat, Henry G. Lehnert German, Brass, nickel silver, American — Baritone shoulder horn in B-flat
Henry G. Lehnert
after 1875

Imagine, Joan Snyder American, Soft-ground etching and sugar lift aquatint on Arches paper — Imagine
Joan Snyder
Paul Levitt
1975

Cow, Joan Snyder American, Soft-ground etching, spit bite, sugar lift aquatint, open bite, and etching on Arches paper — Cow
Joan Snyder
Aeropress
1978

Resurrection Etching, Joan Snyder American, Photo etching, soft-ground etching, color sugar lift aquatint (from two plates), open bite, and line etching on Arches paper — Resurrection Etching
Joan Snyder
Aeropress
1978–81

Mommy Why?, Joan Snyder American, Woodcut hand-inked with oil paint by the artist on Yamato mulberry paper — Mommy Why?
Joan Snyder
Chip Elwell
1983–84

Resurrection Etching (WP1), Joan Snyder American, Photo etching, soft-ground etching, sugar lift etching, and open bite (with some sections, at left, collaged) on Arches paper — Resurrection Etching (WP1)
Joan Snyder
1978–81

Resurrection Etching (WP5), Joan Snyder American, Photo etching, soft-ground etching, sugar lift etching, open bite, aquatint, and line etching on Arches paper — Resurrection Etching (WP5)
Joan Snyder
1978–81

Resurrection Etching (WP6), Joan Snyder American, Photo etching, soft-ground etching, sugar lift etching, open bite, aquatint, line etching with collage, graphite, and watercolor on Arches paper — Resurrection Etching (WP6)
Joan Snyder
1978–81

Resurrection Etching (WP7), Joan Snyder American, Photo etching, soft-ground etching, sugar lift etching, open bite, color aquatint (from one plate), and line etching on Arches paper — Resurrection Etching (WP7)
Joan Snyder
1978–81

Resurrection Etching (WP9), Joan Snyder American, Sugar lift aquatint on Arches paper — Resurrection Etching (WP9)
Joan Snyder
1978–81

Angry Woman, from "Femfolio", Joan Snyder American, Digital print with color lithography and hand coloring — Angry Woman, from "Femfolio"
Multiple artists/makers
2007

Mommy Why?, Joan Snyder American, Woodcut — Mommy Why?
Joan Snyder
1983–84