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More than 10,000 results for Eugénie, Empress of the French

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Hat, Eugénie Safontas, Wool, hair, synthetic, French — Hat
Eugénie Safontas
ca. 1935

Hat, Eugénie Safontas, straw, silk, feathers, French — Hat
Eugénie Safontas
ca. 1935

Panama hat, Eugénie Safontas, straw, silk, French — Panama hat
Eugénie Safontas
ca. 1928

Hat, Eugénie Safontas, straw, silk, French — Hat
Eugénie Safontas
ca. 1935

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen — Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen — Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

[Empress Eugénie as an Odalisque], Pierre-Louis Pierson , et al French, Albumen silver print with applied oil paint — [Empress Eugénie as an Odalisque]
Multiple artists/makers
1861–65

Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic — Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE

The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers Franco-Netherlandish, Tempera, gold, and ink on vellum, French — The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers
1405–1408/1409

October from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris — October from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37

April from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris — April from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37

The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges — The Nativity and Circumcision of Christ
Workshop of the Master of the High Foreheads
probably early 16th century

The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges — The Adoration of the Shepherds
Workshop of the Master of the High Foreheads
probably early 16th century

Three plaques from a triptych with the Adoration of the Shepherds, Flanked by the Angel Gabriel and the Virgin Annunciate, Master of the Triptych of Louis XII, Painted enamel, copper, French — Three plaques from a triptych with the Adoration of the Shepherds, Flanked by the Angel Gabriel and the Virgin Annunciate
Master of the Triptych of Louis XII
early 16th century

Plaque with the Virgin and Child, Master of the Triptych of Louis XII, Painted enamel, copper, French — Plaque with the Virgin and Child
Master of the Triptych of Louis XII
late 15th–early 16th century

Triptych Panel with Pietá, Master of the Triptych of Louis XII, Painted enamel, copper, French — Triptych Panel with Pietá
Master of the Triptych of Louis XII
15th–16th century

Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35

The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35

Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI)
Master of the Aeneid
ca. 1530–35

Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35

Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35

The Combat between Dares and Entellus (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35

Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Quatrain on spring’s radiance, Empress Yang Meizi Chinese, Round fan mounted as an album leaf; ink on silk, China — Quatrain on spring’s radiance
Empress Yang Meizi
early 13th century

Plaque with the Crucifixion, Master of the Orléans Triptych French, Painted enamel, copper, French — Plaque with the Crucifixion
Master of the Orléans Triptych
16th century

The Annunciation, Master of the Triptych of Louis XII, Painted enamel on copper, partly gilt, French, Limoges — The Annunciation
Master of the Triptych of Louis XII
probably early 16th century

A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris) — A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400

Triptych with the Nativity and the Annunciation, Master of the Orléans Triptych French, Painted enamel on copper, partly gilt, French, Limoges — Triptych with the Nativity and the Annunciation
Master of the Orléans Triptych
late 19th–early 20th century

[Eugenie, Empress of the French]

Georges Spingler

Empress Eugénie de Montijo

ca. 1860–65

[Empress Eugenie Seated with Book]

Unknown

Empress Eugénie de Montijo

ca. 1860–65