Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,177 results for Cora Richmond

Sort by:

Conservatory Lincoln Park, Chicago [postcard]

Cora Richmond

1922

Terracotta oinochoe (jug), Richmond Painter, Terracotta, Greek, Attic — Terracotta oinochoe (jug)
Richmond Painter
ca. 450–425 BCE

Demi-Monde I 56, André-Adolphe-Eugène Disdéri French, Albumen silver prints from glass negatives — Demi-Monde I 56
Multiple artists/makers
1858–68

Neck-amphora, Richmond Painter, Terracotta, Greek, Attic — Neck-amphora
Richmond Painter
ca. 440 BCE

Sapphire Skin, Richmond Burton American, Oil and graphite on canvas — Sapphire Skin
Richmond Burton
1993

Boxer, Richmond Barthé American, Bronze — Boxer
Richmond Barthé
1942

Dress, Dalligner, Modes, Richmond, silk, cotton, British — Dress
Dalligner, Modes, Richmond
ca. 1871

Bessie Moore, Virginia Richmond Reynolds American, Watercolor on ivory, American — Bessie Moore
Virginia Richmond Reynolds
1899

Compositional Study for "Comus–The Measure" (recto); Studies of a Man's Right Leg, after Titian, and a Profile, for "Comus–The Measure" (verso)

Multiple artists/makers

before 1864

Study of a tree, George Richmond British, Watercolor — Study of a tree
George Richmond
possibly 1848

Landscape at Margate, George Richmond British, Black chalk — Landscape at Margate
George Richmond
1840–60 (?)

Cedar trees in a park, George Richmond British, Black, red and white chalk on brown paper — Cedar trees in a park
George Richmond
1840–70

Burdock, George Richmond British, Black and white chalk on blue-gray paper — Burdock
George Richmond
1820–90

Study of a plant, George Richmond British, Black chalk — Study of a plant
George Richmond
1840–80

Portrait of two children, George Richmond British, Watercolor and gouache (bodycolor) with touches of gum and gold, on yellow paper — Portrait of two children
George Richmond
1837

Study of a female nude, seated, George Richmond British, Red and black chalk — Study of a female nude, seated
George Richmond
1870–79 (?)

"Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5), George Richmond British, Graphite — "Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5)
George Richmond
William Shakespeare
ca. 1830

Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso), George Richmond British, Black chalk — Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso)
George Richmond
John Milton
before 1864

Study of a man gazing down, George Richmond British, Pen and brown ink — Study of a man gazing down
George Richmond
1840–80

Portrait of George Eliot, seen in profile to the left

George Richmond

George Eliot

1881

George Richmond – Self-portrait, George Richmond British, Stipple engraving on chine collé — George Richmond – Self-portrait
George Richmond
William Holl, the Younger
1863

Portrait of John Keble, George Richmond British, Reproductive print — Portrait of John Keble
Multiple artists/makers
1863

Portrait of Michael Faraday, George Richmond British, Stipple engraving on chine collé — Portrait of Michael Faraday
Multiple artists/makers
1852

A figure weeping over a grave, George Richmond British, Pen and brown ink over graphite — A figure weeping over a grave
George Richmond
1827 or 1829

Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso), George Richmond British, Graphite, pen and black ink, brush and black wash, with white gouache (bodycolor) (recto); graphite and black chalk with touches of gouache (bodycolor) (verso) — Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso)
George Richmond
1829–33

Watch, W. Mitchell, Gold, British, Richmond, Yorkshire — Watch
W. Mitchell
early 19th century

Self-portrait, aged 21, Sir William Blake Richmond British, Watercolor — Self-portrait, aged 21
Sir William Blake Richmond
1863

Self-portrait, aged 21, Sir William Blake Richmond British, Etching on chine collé — Self-portrait, aged 21
Sir William Blake Richmond
ca. 1863

Lovett, Pitcher, Boston, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — Lovett, Pitcher, Boston, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

Pfeffer, 2nd Base, Louisville, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — Pfeffer, 2nd Base, Louisville, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

John Ward, 2nd Base, New York, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — John Ward, 2nd Base, New York, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

W. F. Dahlen, Shortstop, Chicago, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — W. F. Dahlen, Shortstop, Chicago, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

E. J. Delehanty, Left Field, Philadelphia, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — E. J. Delehanty, Left Field, Philadelphia, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

Pfeffer, Retired, Louisville, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — Pfeffer, Retired, Louisville, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

Rusie, Pitcher, New York, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — Rusie, Pitcher, New York, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

Russie, Pitcher, New York, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — Russie, Pitcher, New York, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

Tucker, 1st Base, Boston, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — Tucker, 1st Base, Boston, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

John Ward, Retired, New York, from the Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — John Ward, Retired, New York, from the Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

T. R. Daly, 2nd Base, Brooklyn, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — T. R. Daly, 2nd Base, Brooklyn, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895

Lowe, 2nd Base, Boston, from Mayo's Cut Plug Baseball series (N300), P.H. Mayo & Brother, Richmond, Virginia American, Commercial lithograph — Lowe, 2nd Base, Boston, from Mayo's Cut Plug Baseball series (N300)
P.H. Mayo & Brother, Richmond, Virginia
1895