After Ike no Taiga's “Orchid Pavilion Gathering"
This nearly indistinguishable copy of the work on the left, executed by Ike no Taiga’s close disciple Aoki Shukuya, skillfully mirrors Taiga’s landscape and calligraphy. Shukuya’s meticulous fidelity to his mentor’s approach is apparent in the precision of each brushstroke and calligraphic flourish, showcasing his deep comprehension of the original as well as his sheer skill. The inscription in the lower-left corner and the hand-drawn seals reveal that the work is indeed a copy.
Shukuya was the first keeper of the Taigadō hall, established after Taiga’s death by his followers with the purpose of commemorating and housing their master’s works. His dedicated replication honors Taiga while emphasizing his own expertise as a custodian of his teacher’s artistic legacy.
Shukuya was the first keeper of the Taigadō hall, established after Taiga’s death by his followers with the purpose of commemorating and housing their master’s works. His dedicated replication honors Taiga while emphasizing his own expertise as a custodian of his teacher’s artistic legacy.
Artwork Details
- 青木夙夜摸 池大雅筆 蘭亭修禊図
- Title: After Ike no Taiga's “Orchid Pavilion Gathering"
- Artist: Aoki Shukuya (Japanese, 1737–1802)
- Period: Edo period (1615–1868)
- Date: late 18th century
- Culture: Japan
- Medium: Hanging scroll; ink and color on paper
- Dimensions: Image: 54 1/2 × 24 in. (138.4 × 61 cm)
Overall with mounting: 78 1/8 × 30 11/16 in. (198.5 × 78 cm) - Classification: Paintings
- Credit Line: Mary and Cheney Cowles Collection, Gift of Mary and Cheney Cowles, 2024
- Object Number: 2024.412.13
- Curatorial Department: Asian Art
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Aoki Shukuya
Murase Kotei
1799
Aoki Shukuya
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Kano Tan'yū
mid-17th century
Japan
late 17th century
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mid-17th century
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