Sculpture in the shape of two figures (suplicante)
This sculpture, of a type often referred to as a supplicant (suplicante) for the position of the figure with raised hands, represents two figures, back to back, one smaller than the other, the larger one marked as male. The back-to-back curvilinear bodies of the figures were punctuated by drilled openings to demarcate the limbs. The faces are tilted slightly upward, with a rounded, crescent-shaped face and prominent nose. The eyes were sculpted as bulging circular shapes.
The Condorhuasi-Alamito peoples were llama pastoralists in the area that is now the Catamarca province of Argentina. They were skilled artisans in a variety of media, including ceramic, metal, and stone. Archaeological evidence suggests that the Condorhuasi-Alamito peoples maintained extensive long-distance contacts with other regions, including the important site of Tiwanaku, near Lake Titicaca in what is now Bolivia.
The Condorhuasi-Alamito peoples were llama pastoralists in the area that is now the Catamarca province of Argentina. They were skilled artisans in a variety of media, including ceramic, metal, and stone. Archaeological evidence suggests that the Condorhuasi-Alamito peoples maintained extensive long-distance contacts with other regions, including the important site of Tiwanaku, near Lake Titicaca in what is now Bolivia.
Artwork Details
- Title: Sculpture in the shape of two figures (suplicante)
- Artist: Alamito artist(s)
- Date: 500 BCE–500 CE
- Geography: Argentina, Northwest Argentina
- Culture: Alamito
- Medium: Stone
- Dimensions: H. 12 1/2 × W. 7 13/16 × D. 4 1/2 in. (31.8 × 19.9 × 11.4 cm)
- Classification: Stone Sculpture
- Credit Line: Gift of Claudia Quentin, 2016
- Object Number: 2016.734.3
- Curatorial Department: The Michael C. Rockefeller Wing
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.