Mask

400 BCE–700 CE
On view at The Met Fifth Avenue in Gallery 362
This mask carved in lapis lazuli features a stylized anthropomorphic face with a pronounced brow ridge, angular nose, and drilled perforations with raised carved ridges indicating the eyes and mouth. The presence of ten additional drill holes line the outer edges of the mask suggest that it was once affixed to something, perhaps a funerary bundle.

The Condorhuasi-Alamito peoples were llama pastoralists in the area that is now the Catamarca province of Argentina. They were skilled artisans in a variety of media, including ceramic, metal, and stone. Archaeological evidence suggests that the Condorhuasi-Alamito peoples maintained extensive long-distance contacts with other regions, including the important site of Tiwanaku, near Lake Titicaca in what is now Bolivia. The generous use of lapis, a material probably originally obtained from the Coquimbo (Chile) region, also speaks to the reach of Condorhuasi-Alamito’s interaction sphere.

Artwork Details

Object Information
  • Title: Mask
  • Artist: Condorhuasi-Alamito artist(s)
  • Date: 400 BCE–700 CE
  • Geography: Argentina
  • Culture: Condorhuasi-Alamito
  • Medium: Stone (lapis lazuli)
  • Dimensions: H. 6 3/4 × W. 5 × D. 2 in. (17.1 × 12.7 × 5.1 cm)
  • Classification: Stone Sculpture
  • Credit Line: Gift of Claudia Quentin, 2015
  • Object Number: 2015.598
  • Curatorial Department: The Michael C. Rockefeller Wing

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.