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More than 10,000 results for probably Italian (Venice); possibly Saxony
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Tazza, Colorless (gray-green tint) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, pincered., probably Italian (Venice); possibly Saxony
probably Italian (Venice); possibly Saxony
second half 16th or early 17th century
Bedroom from the Sagredo Palace, Abbondio Stazio  Swiss, Wood, stucco, marble, glass, Italian, Venice
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass.  Blown, enameled, gilt., Italian (Venice)
Italian
ca. 1500–1525
Warrior (Musketeer), Bronze, Italian, possibly Venice
Italian, possibly Venice
17th century
Cassone, Walnut, Italian, possibly Venice
Italian, possibly Venice
second half 16th century
Pair of double-headed monsters, Bronze, with black lacquer patina, Italian, possibly Venice
Italian, possibly Venice
late 17th century
Shield, Wood, leather, gesso, polychromy, gold, silver foil, Italian, probably Venice
Italian, probably Venice
ca. 1600
Cordial glass, Glass, Italian, probably Venice
Italian, probably Venice
17th–18th century
Wall bracket for a hanging lantern, Wrought iron and tin, partly gilded, Italian, probably Venice
Italian, probably Venice
early 18th century
Covered goblet, Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, pincered, applied parts., probably Italian (Venice)
probably Italian (Venice)
probably late 19th century
Bowl, Translucent amber nonlead glass with multicolored marbling on the exterior. Blown, Italian (probably Venice)
Italian (probably Venice)
probably late 19th century
Wineglass, Colorless (slightly tan) nonlead glass. Blown, pattern molded, trailed, pincered, wheel-engraved., probably Italian (Venice)
probably Italian (Venice)
17th century
Goblet, Transparent brownish nonlead glass. Blown, enameled, gilt., Italian (probably Venice)
Italian (probably Venice)
probably late 19th century
Goblet, Colorless (slightly gray) and turquoise blue nonlead glass. Blown, trailed, impressed, pincered., probably Italian (Venice)
probably Italian (Venice)
late 19th century
Goblet, Glass, enameled and gilded, Italian, Venice, Murano
Italian, Venice, Murano
ca. 1475–1500 (modern foot)
Hairpin, Lamp-worked colorless glass, gilt, wth clear trailed decoration and green and red "jewels," and copper wire., probably Italian (Venice); possibly Innsbruck
probably Italian (Venice); possibly Innsbruck
19th century
Hairpin, Lamp-worked glass, gilt, with copper pins, probably Italian (Venice); possibly Innsbruck
probably Italian (Venice); possibly Innsbruck
19th century
Hairpin, Lamp-worked glass, gilt, with copper pins, probably Italian (Venice); possibly Innsbruck
probably Italian (Venice); possibly Innsbruck
19th century
Rapier, Steel, gold, silver, iron, wood, German, possibly Saxony
German, possibly Saxony
ca. 1600
Priming Flask Bearing the Monograms and Arms of the Prince-Elector August I of Saxony (reigned 1553–86) and  Anna of Denmark (reigned 1553–85), Iron, gold, silver, silk, German, probably Saxony
German, probably Saxony
ca. 1575
Priming Flask, Wood, steel, silver, German, probably Saxony
German, probably Saxony
late 16th century
Priming Flask Bearing the Monograms and Arms of the Prince-Elector August I of Saxony (reigned 1553–86) and  Anna of Denmark (reigned 1553–85), Master Thomas der Schwertfeger (possibly Thomas Rucker)  German, Iron, gold, silver, silk, German, probably Saxony
Master Thomas der Schwertfeger (possibly Thomas Rucker)
ca. 1575
Armet, LIONARDO  Italian, Steel, copper alloy, Italian, probably Milan
LIONARDO
ca. 1440
Shield, Girolamo da Treviso  Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Girolamo da Treviso
ca. 1535
Wineglass, Glass, possibly Italian, Venice (Murano)
possibly Italian, Venice (Murano)
possibly 18th century
Candlestick with figures of caryatids and putti, Italian , Venice (?), Copper alloy, with dark green to black patina., Italian, Venice (?)
Italian
19th century
Canaletto Frame, Italian , Venice, Pine, Italian, Venice
Italian
early 18th century
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Falchion, Steel, gold, textile, Italian, Venice
Italian, Venice
ca. 1490
Length of Dress or Furnishing Fabric, Silk and metal-wrapped thread, Italian, Venice
Italian, Venice
1705–10
Madonna and Child, Giovanni Maria Morlaiter  Italian, Terracotta, Italian, Venice
Giovanni Maria Morlaiter
mid-18th century
Console table (one of a pair), Wood, partly gilded and painted; marble, Italian, Venice
Italian, Venice
ca. 1715–25
Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice
Master of the Barbarigo Reliefs
ca. 1520
Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona)  Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495
Overdoor cresting, Gilded and painted wood, Italian, Venice
Italian, Venice
18th century
Lengths of brocatelle used as wall covering, Silk and hemp, Italian, Venice
Italian, Venice
18th century
Cup with cover, Painted enamel on copper, partly gilt; gilt brass, Italian, Venice
Italian, Venice
late 15th or early 16th century
Ewer, Painted enamel on copper, partly gilt; gilt brass, Italian, Venice
Italian, Venice
late 15th–early 16th century
Armchair, Pine, carved, painted and gilded; velvet, Italian, Venice
Italian, Venice
mid-18th century