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More than 10,000 results for probably Italian, Venice

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Wineglass, Colorless (slightly tan) nonlead glass. Blown, pattern molded, trailed, pincered, wheel-engraved., probably Italian (Venice) — Wineglass
probably Italian (Venice)
17th century

Covered goblet, Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, pincered, applied parts., probably Italian (Venice) — Covered goblet
probably Italian (Venice)
probably late 19th century

Goblet, Colorless (slightly gray) and turquoise blue nonlead glass. Blown, trailed, impressed, pincered., probably Italian (Venice) — Goblet
probably Italian (Venice)
late 19th century

Hairpin, Lamp-worked glass, gilt, with copper pins, probably Italian (Venice); possibly Innsbruck — Hairpin
probably Italian (Venice); possibly Innsbruck
19th century

Hairpin, Lamp-worked glass, gilt, with copper pins, probably Italian (Venice); possibly Innsbruck — Hairpin
probably Italian (Venice); possibly Innsbruck
19th century

Hairpin, Lamp-worked colorless glass, gilt, wth clear trailed decoration and green and red "jewels," and copper wire., probably Italian (Venice); possibly Innsbruck — Hairpin
probably Italian (Venice); possibly Innsbruck
19th century

Cassone, Walnut, probably Italian, Venice — Cassone
probably Italian, Venice
16th century

Pair of andirons, Wrought iron, probably Italian, Venice — Pair of andirons
probably Italian, Venice
19th century, with older elements

Head of a little boy, Carnelian and gold, probably Italian, Venice — Head of a little boy
probably Italian, Venice
first half 16th century

Bowl, Glass, probably Italian, Venice — Bowl
probably Italian, Venice
18th century

Chair, Pearwood, probably Italian, Venice — Chair
probably Italian, Venice
19th century

Wineglass, Glass, probably Italian, Venice — Wineglass
probably Italian, Venice
19th century

Covered goblet, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a reticello", silver foil; silver-gilt mounts., probably Italian (Venice); mounts probably German (Augsburg) — Covered goblet
probably Italian (Venice); mounts probably German (Augsburg)
mid 16th century; ca. 1550–1600 (mounts); 19th-century? (lion finial)

Ewer, Glass, probably Italian, Venice (Murano) — Ewer
probably Italian, Venice (Murano)
16th century

Flask, Glass, pewter, probably Italian, Venice (Murano) — Flask
probably Italian, Venice (Murano)
18th century

Tazza, Colorless (gray-green tint) and opaque white nonlead glass. Blown, "vetro a retorti", trailed, pincered., probably Italian (Venice); possibly Saxony — Tazza
probably Italian (Venice); possibly Saxony
second half 16th or early 17th century

Bedroom from the Sagredo Palace, Abbondio Stazio Swiss, Wood, stucco, marble, glass, Italian, Venice — Bedroom from the Sagredo Palace
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later

Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Wall bracket for a hanging lantern, Wrought iron and tin, partly gilded, Italian, probably Venice — Wall bracket for a hanging lantern
Italian, probably Venice
early 18th century

Cordial glass, Glass, Italian, probably Venice — Cordial glass
Italian, probably Venice
17th–18th century

Shield, Wood, leather, gesso, polychromy, gold, silver foil, Italian, probably Venice — Shield
Italian, probably Venice
ca. 1600

Bowl, Translucent amber nonlead glass with multicolored marbling on the exterior. Blown, Italian (probably Venice) — Bowl
Italian (probably Venice)
probably late 19th century

Goblet, Transparent brownish nonlead glass. Blown, enameled, gilt., Italian (probably Venice) — Goblet
Italian (probably Venice)
probably late 19th century

Goblet, Glass, enameled and gilded, Italian, Venice, Murano — Goblet
Italian, Venice, Murano
ca. 1475–1500 (modern foot)

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Armet, LIONARDO Italian, Steel, copper alloy, Italian, probably Milan — Armet
LIONARDO
ca. 1440

Canaletto Frame, Italian , Venice, Pine, Italian, Venice — Canaletto Frame
Italian
early 18th century

Candlestick with figures of caryatids and putti, Italian , Venice (?), Copper alloy, with dark green to black patina., Italian, Venice (?) — Candlestick with figures of caryatids and putti
Italian
19th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice — Tomb of Antonio Canova
Antonio Fabris
1827

Gondola prow in the shape of a doge's cap, Iron, partly gilded, Italian, Venice — Gondola prow in the shape of a doge's cap
Italian, Venice
18th century

Saint Sebastian, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) Italian, Bronze, Italian, Venice — Saint Sebastian
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
1566

Pluto and Cerberus, Tiziano Aspetti Italian, Bronze, dark brown patina, Italian, Venice — Pluto and Cerberus
Tiziano Aspetti
ca. 1588

Seated Hercules in the act of shooting at the stymphalian birds, Vittore Gambello Italian, Bronze, Italian, Venice — Seated Hercules in the act of shooting at the stymphalian birds
Vittore Gambello
ca. 1515–20

Venus Marina, Girolamo Campagna Italian, Bronze, Italian, Venice — Venus Marina
Girolamo Campagna
late 16th century–early 17th century

Francesco Bocchetta, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) Italian, Marble, Italian, Venice — Francesco Bocchetta
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
ca. 1565–90

Pilgrim bottle with cover, Painted enamel on copper, partly gilt; gilt-brass, Italian, Venice — Pilgrim bottle with cover
Italian, Venice
late 15th or early 16th century

Ewer or cruet, Painted enamel on copper, partly gilt, Italian, Venice — Ewer or cruet
Italian, Venice
late 15th or early 16th century

Candlestand, Gessoed, painted, and partly gilded pine and walnut, Italian, Venice — Candlestand
Italian, Venice
ca. 1750