Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 6,863 results for Wilson C. Dexter

Sort by:

Eight million patriotic Red Cross workers, Wilson C. Dexter American, Commercial color lithograph — Eight million patriotic Red Cross workers
Wilson C. Dexter
War Council of the American Red Cross
ca. 1917–18

The Mete of the Muse, Fred Wilson American, Bronze, patina, paint — The Mete of the Muse
Fred Wilson
2006

Terrestrial Globe, James Wilson American, Mahogany, plaster, paper, brass, American — Terrestrial Globe
James Wilson
1828

Celestial Globe, James Wilson American, Wood, plaster, paper, brass, American — Celestial Globe
James Wilson
1819

Celestial Globe, James Wilson American, Wood, plaster, paper, brass, American — Celestial Globe
James Wilson
1821

Sugar Tongs, Robert Wilson American, Silver, American — Sugar Tongs
Robert Wilson
1800–1830

Dialogue, John Wilson American, Lithograph — Dialogue
John Wilson
1955

Straphangers, John Wilson American, Lithograph — Straphangers
John Wilson
1947

Boulevard de Strasbourg, John Wilson American, Color lithograph — Boulevard de Strasbourg
John Wilson
1950

Trabajador, John Wilson American, Lithograph — Trabajador
John Wilson
1951

Mode of Production, John Wilson American, Color lithograph — Mode of Production
John Wilson
1949

Paris Rooftops, John Wilson American, Lithograph — Paris Rooftops
John Wilson
1949

War Machine, John Wilson American, Lithograph — War Machine
John Wilson
1944

Deliver Us from Evil, John Wilson American, Lithograph, artist's proof — Deliver Us from Evil
John Wilson
1943

Streetcar Scene, John Wilson American, Lithograph — Streetcar Scene
John Wilson
1945

Lake Nemi and Genzano from the Terrace of the Capuchin Monastery, Richard Wilson British, Welsh, Oil on canvas — Lake Nemi and Genzano from the Terrace of the Capuchin Monastery
Richard Wilson
ca. 1756–57

Reliquary monstrance of St. John the Baptist, C. C., Silver gilt, Italian, probably Florence — Reliquary monstrance of St. John the Baptist
C. C.
ca. 1640, with 18th century additions

Hair Ornament, Louis C. Tiffany American, Gold, silver, platinum, black opals, boulder opals, demantoid garnets, rubies, enamel., American — Hair Ornament
Louis C. Tiffany
ca. 1904

Lamp, Louis C. Tiffany American, Leaded Favrile glass and bronze, American — Lamp
Louis C. Tiffany
Tiffany Studios
1904–15

Vase, Louis C. Tiffany American, Favrile glass, American — Vase
Louis C. Tiffany
Tiffany Glass and Decorating Company
1893–96

Sugar Tongs, William Wilson White American, Silver, American — Sugar Tongs
William Wilson White
1825–35

Double-Barrel Breech-Loading Pinfire Shotgun, J. C. A. Brun French, Steel, wood (walnut), gold, French, Paris — Double-Barrel Breech-Loading Pinfire Shotgun
Multiple artists/makers
dated 1866

[Merchants' Carnival Portrait: First National Bank, Cherokee, Iowa]

John C. Wilson

1880s–1890s

Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830), C. Liger French, Steel, silver, gold, wood, fish skin, textile, French, Paris — Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)
C. Liger
hallmarked for 1785–86

Cartoon for window, Saint Anselm, St. John's Chapel Episcopal Divinity School, Cambridge, Massachusetts, Louis C. Tiffany American, Watercolor, gouache, ink, and graphite on wove paper, American — Cartoon for window, Saint Anselm, St. John's Chapel Episcopal Divinity School, Cambridge, Massachusetts
Multiple artists/makers
1912

Cartoon for window, Wycliffe, St. John's Chapel Episcopal Divinity School, Cambridge, Massachusetts, Louis C. Tiffany American, Watercolor, gouache, graphite, and powdered charcoal for pouncing, American — Cartoon for window, Wycliffe, St. John's Chapel Episcopal Divinity School, Cambridge, Massachusetts
Multiple artists/makers
1912

Design for window, Mr. J.C. Williams, All Saints' Chapel, Atlanta, Georgia, Louis C. Tiffany American, Watercolor, ink, graphite, and white gouache, American — Design for window, Mr. J.C. Williams, All Saints' Chapel, Atlanta, Georgia
Multiple artists/makers
1903–15

Design for a window, the calling of Peter and Andrew, All Saints' Episcopal Church, Atlanta, Georgia, Louis C. Tiffany American, Watercolor, gouache, pencil, and black ink, American — Design for a window, the calling of Peter and Andrew, All Saints' Episcopal Church, Atlanta, Georgia
Multiple artists/makers
1900–10

Design for beatitude window in presentation portfolio for Arlington Street Church, Boston, Massachusetts, Louis C. Tiffany American, Watercolor, gouache, brown ink, and graphite on artist board with mat, American — Design for beatitude window in presentation portfolio for Arlington Street Church, Boston, Massachusetts
Multiple artists/makers
1905

Design for Christian soldier window, Louis C. Tiffany American, Watercolor, gouache, pen, and black and light purplish-grey inks, graphite, American — Design for Christian soldier window
Multiple artists/makers
1917

Suggestion for mosaic panel, Mrs. Edward Van Ingen, Church of the Redeemer, Patterson, New Jersey, Louis C. Tiffany American, Watercolor, gouache, gold metallic ink, and graphite on artist board in original mat, American — Suggestion for mosaic panel, Mrs. Edward Van Ingen, Church of the Redeemer, Patterson, New Jersey
Multiple artists/makers
ca.1921

Design for a mosaic panel, Ascension, Second Presbyterian Church, Amsterdam, New York, Louis C. Tiffany American, Gouache and graphite on artist board in original window matt with gold metallic finish., American — Design for a mosaic panel, Ascension, Second Presbyterian Church, Amsterdam, New York
Multiple artists/makers
ca. 1923

Design for Angels of Praise window, Louis C. Tiffany American, Watercolor, gouache, colored pencil, silver gelatin photograph on paper, and graphite, adhered to off-white wove paper cut into three rectangular windows and two medallions mounted on warm grey secondary support., American — Design for Angels of Praise window
Multiple artists/makers
ca. 1902–27

Design for chancel of chapel at St. Michael's Church, New York City, New York, Louis C. Tiffany American, Watercolor, white gouache, black ink, and graphite on paper mounted on board in original shaped mat, American — Design for chancel of chapel at St. Michael's Church, New York City, New York
Multiple artists/makers
1902-32

Design for window, Louis C. Tiffany American, Watercolor, gouache, and graphite on paper mounted on board in original matt, American — Design for window
Multiple artists/makers
1902-32

Christ blessing children, Brown memorial window, Westminster Moriah Olivet Presbyterian Church, Utica, New York, Louis C. Tiffany American, Watercolor, gouache, and graphite on silver-based photograph, collaged, on printing-out-paper, off-white wove paper and warm grey mat board secondary support, American — Christ blessing children, Brown memorial window, Westminster Moriah Olivet Presbyterian Church, Utica, New York
Multiple artists/makers
1906

Design for a window, Louis C. Tiffany American, Pen and black India ink, grey ink, and graphite on artist illustration board, American — Design for a window
Multiple artists/makers
1902

Design for a rose window, Louis C. Tiffany American, Watercolor, gouache, and graphite on cut white wove paper trimmed into shapes, American — Design for a rose window
Multiple artists/makers
ca. 1902–22

Design for double window, Louis C. Tiffany American, Watercolor and gouache on paper mounted on original matt board, American — Design for double window
Multiple artists/makers
ca. 1908

Design for a window, Annunciation to the Shepherds, All Saints' Episcopal Church, Atlanta, Georgia, Louis C. Tiffany American, Watercolor, pen and India and brown ink, and graphite on artist board, American — Design for a window, Annunciation to the Shepherds, All Saints' Episcopal Church, Atlanta, Georgia
Multiple artists/makers
ca. 1922