Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for William Heath

Sort by:

"The Night's Plutonian Shore" (for "The Raven," The Poems of Edgar Allan Poe), William Heath Robinson British, Black pen and black ink, brush and gray and black wash — "The Night's Plutonian Shore" (for "The Raven," The Poems of Edgar Allan Poe)
William Heath Robinson
Edgar Allan Poe
1900

Illustration for "The Six Dead Secrets" from "Topsy-Turvy Tales", William Heath Robinson British, Watercolor and gouache (bodycolor) — Illustration for "The Six Dead Secrets" from "Topsy-Turvy Tales"
Multiple artists/makers
ca. 1923

"He looked a fine figure of a frog" (for "Peeriwinki the Puddock" in "Topsy-Turvy Tales"), William Heath Robinson British, Watercolor and gouache (bodycolor) — "He looked a fine figure of a frog" (for "Peeriwinki the Puddock" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

Illustration for "Hanky Panky," Topsy-Turvy Tales, William Heath Robinson British, Watercolor and gouache (bodycolor) — Illustration for "Hanky Panky," Topsy-Turvy Tales
William Heath Robinson
Elsie Smeaton Munro
ca. 1923

"Some Busybody Will Come Along" (for "The Kelpie of Snooziepool" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash — "Some Busybody Will Come Along" (for "The Kelpie of Snooziepool" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

"Who Got it from the Fruit-woman" (for "Perriwinkie, The Puddock" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash — "Who Got it from the Fruit-woman" (for "Perriwinkie, The Puddock" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

"They Heard Six Voices Calling Them Back" (for "Two Wee Pogeys" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash — "They Heard Six Voices Calling Them Back" (for "Two Wee Pogeys" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

"Over Farms and Fields and Rivers and Ponds" (for "Cosy Hokie" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash — "Over Farms and Fields and Rivers and Ponds" (for "Cosy Hokie" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

"He Made for the Door" (for "The Chocolate Ghost" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash — "He Made for the Door" (for "The Chocolate Ghost" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

"And in it She Floated Home Safely" (for "Skinnemelink" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash — "And in it She Floated Home Safely" (for "Skinnemelink" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

"Hitherto I Have Performed it Myself" (for "Six Dead Secrets" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash — "Hitherto I Have Performed it Myself" (for "Six Dead Secrets" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

"And It Glared at the Dear Old Woman" (for "Hanky Panky" in "Topsy-Turvy Tales"), William Heath Robinson British, Pen and black ink, brush and wash — "And It Glared at the Dear Old Woman" (for "Hanky Panky" in "Topsy-Turvy Tales")
Multiple artists/makers
ca. 1923

"The End," tailpiece for "Topsy-Turvy Tales", William Heath Robinson British, Pen and black ink — "The End," tailpiece for "Topsy-Turvy Tales"
Multiple artists/makers
ca. 1923

Aukland, New Zealand, Illustration for "A Song of the English", William Heath Robinson British, Watercolor — Aukland, New Zealand, Illustration for "A Song of the English"
William Heath Robinson
Rudyard Kipling
ca. 1909

The Magic Meal (for "The Hat Full of Soldiers," The Strand Magazine, January 1916, pp. 104-105), William Heath Robinson British, Pen and ink on two joined sheets — The Magic Meal (for "The Hat Full of Soldiers," The Strand Magazine, January 1916, pp. 104-105)
William Heath Robinson
ca. 1915

Modern Oddities, by P. Pry Esq., Plate 1st, William Heath ('Paul Pry') British, Hand-colored etching — Modern Oddities, by P. Pry Esq., Plate 1st
Multiple artists/makers
June 30, 1829

Much Ado About Nothing, William Heath ('Paul Pry') British, Hand-colored etching — Much Ado About Nothing
Multiple artists/makers
1828

Modern Oddities, by P. Pry Esq., Plate 1st, William Heath ('Paul Pry') British, Hand-colored etching — Modern Oddities, by P. Pry Esq., Plate 1st
Multiple artists/makers
June 30, 1829

Opera Reminiscences, Plate 1st: Desdemona and Otello, William Heath ('Paul Pry') British, Hand-colored etching — Opera Reminiscences, Plate 1st: Desdemona and Otello
Multiple artists/makers
July 15, 1829

The Horticultural Fate–dedicated to the Rainer Family, William Heath ('Paul Pry') British, Hand-colored etching — The Horticultural Fate–dedicated to the Rainer Family
Multiple artists/makers
June 30, 1829

The Rival Richards, or Sheakspear in Danger, William Heath ('Paul Pry') British, Hand-colored etching — The Rival Richards, or Sheakspear in Danger
Multiple artists/makers
May 18, 1814

King Henry IV, William Heath ('Paul Pry') British, Hand-colored etching — King Henry IV
Multiple artists/makers
ca. 1827

Design for a Regency, William Heath ('Paul Pry') British, Hand-colored etching — Design for a Regency
Multiple artists/makers
July 8, 1830

Monstrosity of 1829, William Heath ('Paul Pry') British, Hand-colored etching — Monstrosity of 1829
William Heath ('Paul Pry')
S. Gans
1829

To Be Sold With All His Engagements–The Famous Race Horse Woolsack, William Heath ('Paul Pry') British, Hand-colored etching — To Be Sold With All His Engagements–The Famous Race Horse Woolsack
William Heath ('Paul Pry')
Thomas McLean
June 29, 1829

The Cameleopard, or a new hobby, William Heath ('Paul Pry') British, Graphite — The Cameleopard, or a new hobby
Multiple artists/makers
1827

The Royal Allied Oak and Self-Created Mushroom Kings, William Heath ('Paul Pry') British, Hand-colored etching — The Royal Allied Oak and Self-Created Mushroom Kings
Multiple artists/makers
May 29, 1815

We Have the Exhibition to Examine, William Heath ('Paul Pry') British, Hand-colored etching — We Have the Exhibition to Examine
William Heath ('Paul Pry')
Thomas McLean
1827–29

1812 or Regency à la Mode, William Heath ('Paul Pry') British, Hand-colored etching — 1812 or Regency à la Mode
William Heath ('Paul Pry')
1812

Opera Reminiscences, Plate 2: Hat Boxes, William Heath ('Paul Pry') British, Hand-colored etching — Opera Reminiscences, Plate 2: Hat Boxes
William Heath ('Paul Pry')
July 14, 1829

The Toilet of a Modern Belle: Inflating a Lady, William Heath ('Paul Pry') British, Hand-colored etching — The Toilet of a Modern Belle: Inflating a Lady
William Heath ('Paul Pry')
S. Gans
July 1829

Dandies in Rotten Row, William Heath ('Paul Pry') British, Hand-colored etching — Dandies in Rotten Row
William Heath ('Paul Pry')
Thomas Tegg
January 21, 1819

A Snug Birth in a Shower, William Heath ('Paul Pry') British, Hand-colored etching — A Snug Birth in a Shower
William Heath ('Paul Pry')
1828

Hope Told a Flattering Tale, William Heath ('Paul Pry') British, Hand-colored etching — Hope Told a Flattering Tale
William Heath ('Paul Pry')
Thomas McLean
ca. 1828

Waist and Extravagance, William Heath ('Paul Pry') British, Hand-colored etching — Waist and Extravagance
William Heath ('Paul Pry')
Thomas McLean
March 28, 1829

A Review of the New Grand Army, William Heath ('Paul Pry') British, Hand-colored etching — A Review of the New Grand Army
Multiple artists/makers
1815

A Change in the Petticoats, or the Years 1780 &1817, William Heath ('Paul Pry') British, Hand-colored etching — A Change in the Petticoats, or the Years 1780 &1817
William Heath ('Paul Pry')
Thomas Tegg
1817

Since I Saw You Last There is a Change!!! If fashions various laws you would obey–The Petticoat abridge: the Ankle full display, William Heath ('Paul Pry') British, Hand-colored etching — Since I Saw You Last There is a Change!!! If fashions various laws you would obey–The Petticoat abridge: the Ankle full display
William Heath ('Paul Pry')
July 1828

Morning Noon and Night, William Heath ('Paul Pry') British, Hand-colored etching — Morning Noon and Night
William Heath ('Paul Pry')
Thomas McLean
1829

Morning Noon and Night, William Heath ('Paul Pry') British, Hand-colored etching — Morning Noon and Night
William Heath ('Paul Pry')
Thomas McLean
ca. 1829