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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 485 results for Wharton Esherick

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Captain's Chair, Wharton Esherick American, Walnut, cherry, and leather — Captain's Chair
Wharton Esherick
1958

Music Stand, Wharton Esherick American, Cherry wood — Music Stand
Wharton Esherick
1962, design date 1951

Solomon had a Vineyard, from "The Song of Solomon"

Wharton Esherick

1927

Wharton Esherick

1922

A Chariot, from "The Song of Solomon"

Wharton Esherick

1924

Wharton Esherick

1923

Greenhouse, David Hosack Estate, Hyde Park, New York (from Hoasack Album), Thomas Kelah Wharton American, born England, Black ink (or watercolor) applied with pen or brush on off-white wove paper, American — Greenhouse, David Hosack Estate, Hyde Park, New York (from Hoasack Album)
Thomas Kelah Wharton
ca. 1832

View of the David Hosack Estate at Hyde Park, New York, from Western Bank of the Hudson River (from Hosack Album), Thomas Kelah Wharton American, born England, Black ink (or watercolor) applied with pen and brush on off-white wove paper, American — View of the David Hosack Estate at Hyde Park, New York, from Western Bank of the Hudson River (from Hosack Album)
Thomas Kelah Wharton
ca. 1832

View of David Hosack Estate, Hyde Park, New York, with a Sundial (from Hosack Album), Thomas Kelah Wharton American, born England, Graphite on white wove Bristol board, American — View of David Hosack Estate, Hyde Park, New York, with a Sundial (from Hosack Album)
Thomas Kelah Wharton
ca. 1832

View of the David Hosack Estate, Hyde Park, New York, from the South (from Hosack Album), Thomas Kelah Wharton American, born England, Black ink (or watercolor) applied with pen and brush and sgraffito on off-white wove paper, American — View of the David Hosack Estate, Hyde Park, New York, from the South (from Hosack Album)
Thomas Kelah Wharton
ca. 1832

View of David Hosack Estate, Hyde Park, New York, from the East (from Hosack Album), Thomas Kelah Wharton American, born England, Black ink (or watercolor) applied with pen and brush on off-white wove paper, American — View of David Hosack Estate, Hyde Park, New York, from the East (from Hosack Album)
Thomas Kelah Wharton
ca. 1832

Grove of Poplars with a Memorial Bust, David Hosack Estate, Hype Park, New York (from Hosack Album), Thomas Kelah Wharton American, born England, Black in (or watercolor) applied with pen and brush and sgraffito on off-white wove paper, American — Grove of Poplars with a Memorial Bust, David Hosack Estate, Hype Park, New York (from Hosack Album)
Thomas Kelah Wharton
ca. 1832

Bridge over Crumelbow Creek, David Hosack Estate, Hyde Park, New York (from Hosack Album), Thomas Kelah Wharton American, born England, Watercolor on off-white wove paper, American — Bridge over Crumelbow Creek, David Hosack Estate, Hyde Park, New York (from Hosack Album)
Thomas Kelah Wharton
ca. 1832

On the Production of Photographs in Pigments: containing historical notes on carbon printing and practical details of Swan's patent carbon process

Multiple artists/makers

1867

Italian backgrounds, Margaret Neilson Armstrong American — Italian backgrounds
Multiple artists/makers
1905

Century, Midwinter Number, February, George Wharton Edwards American, Lithograph — Century, Midwinter Number, February
George Wharton Edwards
ca. 1895

The Bookman, May, George Wharton Edwards American, Relief — The Bookman, May
George Wharton Edwards
1897

The Century, March, George Wharton Edwards American, Lithograph — The Century, March
George Wharton Edwards
1895

The Bookman, May, George Wharton Edwards American, Relief — The Bookman, May
George Wharton Edwards
1897

The Bookman, October, George Wharton Edwards American, Relief — The Bookman, October
George Wharton Edwards
1897

The Man Who Married the Moon and Other Tee Wahn Folk Tales, George Wharton Edwards American, Commercial relief — The Man Who Married the Moon and Other Tee Wahn Folk Tales
George Wharton Edwards
The Century Company
1894

The Century: Midwinter Number, February, George Wharton Edwards American, Lithograph — The Century: Midwinter Number, February
George Wharton Edwards
The Century Company
1895

Italian Villas and Their Gardens

Multiple artists/makers

1904

The Flushing Oaks, Long Island, New York

Thomas Kelah Wharton

T. Moore

1830–63

Philadelphia and Elizabeth Wharton

Multiple artists/makers

1714

Sir George Wharton, 1st baronet

William Faithorne the Elder

Sir George Wharton

1650–60

The Decoration of Houses

Multiple artists/makers

1902

Jane, Daughter and Heiress of Arthur Goodwin

Multiple artists/makers

1713–15

New York from Brooklyn Heights (New York Mirror)

Multiple artists/makers

1834

Multiple artists/makers

1901

Exhibition of work by Negro artists, Harmon Foundation — Exhibition of work by Negro artists
Harmon Foundation
1933

Coffeepot, Leonard, Reed & Barton American, Pewter, American — Coffeepot
Leonard, Reed & Barton
1837–40

Reed & Barton

ca. 1903

Textile length, Chardon Marché American, Nylon — Textile length
Chardon Marché
1968

Washington Crossing the Delaware, Sharron Quasius American, Ceramic — Washington Crossing the Delaware
Sharron Quasius
1982

Flintlock Target Pistol of Prince William Frederick, Second Duke of Gloucester and Edinburgh (1776–1834), with Case and Accessories, Wogdon & Barton British, Pistol: wood (walnut), steel, gold, brass, horn; ramrod: wood (walnut), brass, steel; case: wood (mahogany), velvet, brass; powder flask: brass, steel, leather; bullet mold: steel; screwdriver: wood (walnut), brass, steel; cleaning rod: wood (walnut), brass, steel; bottle: glass, British, London — Flintlock Target Pistol of Prince William Frederick, Second Duke of Gloucester and Edinburgh (1776–1834), with Case and Accessories
Multiple artists/makers
1801–3

Frances and Charles Cowdrey, Henry Walton American, Watercolor, black ink, graphite, and lead white on off-white wove paper, American — Frances and Charles Cowdrey
Henry Walton
ca. 1839

Untitled, Rick Horton American, Cut, torn and pasted printed papers and graphite, on envelope — Untitled
Rick Horton
1978

Communists' E's, Rick Horton American, Cut and torn pasted papers and printed papers with watercolor, opaque watercolor, graphite, and varnish on board — Communists' E's
Rick Horton
1979

Theatre of Silence, Rick Horton American, Cut and torn pasted printed papers with selectively applied glaze and graphite on found printed paper, mounted to verso of wallpaper — Theatre of Silence
Rick Horton
1979