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Showing 390 results for Vitaly Komar

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Blindman's Buff, Komar & Melamid American, Oil on canvas — Blindman's Buff
Multiple artists/makers
1982–83

Questions New York Moscow New York Moscow, Douglas Davis, Vitaly Komar, and Alexander Melamid American and Russian, Gelatin silver prints — Questions New York Moscow New York Moscow
Multiple artists/makers
1976 and 1978, printed 1980

Rubáiyát of Omar Khayyám : the astronomer-poet of Persia, Omar Khayyám Iranian — Rubáiyát of Omar Khayyám : the astronomer-poet of Persia
Multiple artists/makers
1884

Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar Spanish, Alabaster, Spanish — Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló
Francí Gomar
ca. 1456–1458

Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar Spanish, Alabaster, Spanish — Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló
Francí Gomar
ca. 1456–1458

Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar Spanish, Alabaster with traces of paint and gilding, Spanish — Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló
Francí Gomar
ca. 1456–1458

Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar Spanish, Alabaster, Spanish — Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló
Francí Gomar
ca. 1456–1458

Picture Frame, Southern Italy Southern Italy, Carved and gilt poplar — Picture Frame
Southern Italy
late 17th century

Scenes of the Four Seasons in Kyoto, Genki (Komai Ki) Japanese, Handscroll; ink and color on silk, Japan — Scenes of the Four Seasons in Kyoto
Genki (Komai Ki)
1778

Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris — Fan
Fernando Coustellier y Vital
Between 1816 and 1830

Untitled, Jiri Kolar Czechoslovakian, Cut and pasted printed paper with traces of graphite on cardboard — Untitled
Jiri Kolar
ca. 1975

Chair, Ray Komai American, Plywood, cherry wood, steel, rubber — Chair
Ray Komai
JG Furniture Co., Inc, New York, NY
1949

Homage to Georges Braque, Jiri Kolar Czechoslovakian, Cut and torn pasted printed papers on wood panel — Homage to Georges Braque
Jiri Kolar
1982

A Young Woman Seated in a Chair, Central Italy, Pen and brown ink on paper washed with light brown, Central Italian — A Young Woman Seated in a Chair
Central Italy
17th century

Frame, Italy (Rome), Poplar — Frame
Italy (Rome)
ca. 1680–1700

Reverse ogee frame, Italy (Naples), Poplar, marbleized base, carved and gilded frame, Italian, Naples — Reverse ogee frame
Italy (Naples)
ca. 1660

Reverse ogee frame, Southern Italy Southern Italy, Poplar, Southern Italian — Reverse ogee frame
Southern Italy
late 17th–early 18th century

Cassetta frame, Italy (Milan), Poplar, Italian, Milan — Cassetta frame
Italy (Milan)
ca. 1630

Ancestor Figure (Konumb or Atei), Wood, paint, Kopar people — Ancestor Figure (Konumb or Atei)
Kopar people
19th century

Case (Inrō ) with Design of a Gourd Vine, Koma Yasutada Japanese, Case: gold, colored lacquer, gold leaf, and gold foil on red lacquer; Fastener (ojime): metal with design of flowers and insects; Toggle (netsuke): ivory and lacquer carved in the shape of a Noh dancer, Japan — Case (Inrō ) with Design of a Gourd Vine
Koma Yasutada
18th century

Case (Inrō) with Design of People Catching Fireflies, Koma Kōryū Japanese, Roiro (waxen) lacquer with decoration in togidashi sprinkled and polished lacquer and nashiji (pear-skin) lacquer; Interior: nashiji and fundame; Ojime: metal (zogan) inlay with spider; Netsuke: carved wood with stone inlay of snail on broken roof tile, Japan — Case (Inrō) with Design of People Catching Fireflies
Koma Kōryū
19th century

Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior), Koma Sadahide Japanese, Sheath shape; lacquered wood with gold and silver togidashimaki-e on black lacquer ground Netsuke: sage lashing his back with a fly whisk; wood with coral and ivory inlay Ojime: bronze bead with metal inlay of flowers, Japan — Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior)
Koma Sadahide
second half of the 18th century

Case (Inrō) with Design of Sheaves of Rice in Boats, Koma School Japanese, Gold maki-e with mother-of-pearl inlay and black lacquer <br/>Ojime: ivory <br/>Netsuke: carved bone with moon and goose, Japan — Case (Inrō) with Design of Sheaves of Rice in Boats
Koma School
19th century

Inrō with Bird on a Blossoming Plum Tree, Koma Yasutada Japanese, Black lacquer and nashiji ground with gold and silver iroe togidashi maki-e<br/>Netsuke: box with plovers; red lacquer ground with gold and brown hiramaki-e<br/>Ojime: bead with flowers; shibuichi and enamel, Japan — Inrō with Bird on a Blossoming Plum Tree
Koma Yasutada
19th century

Case (Inrō) with Design of Curtains of State and a Woman's Fan, Koma Kōryū Japanese, Roiro (waxen) lacquer with decoration in togisashi sprinkled and polished lacquer; Ojime: gold lacquer bead; Netsuke: ivory "Dream of a Clam", Japan — Case (Inrō) with Design of Curtains of State and a Woman's Fan
Koma Kōryū
late 18th–19th century

Inrō with Hawks on Perches, Koma Kōryū Japanese, Black lacquer ground with gold and silver togidashi, takamaki-e and hiramaki-e, red lacquer, and applied gold and silver foil<br/>Netsuke: gourd; guri lacquer, silver ring and stopper in chrysanthemum shape<br/>Ojime: butterfly and flower; cloisonné bead, Japan — Inrō with Hawks on Perches
Koma Kōryū
19th century

Case (Inrō) in Shape of Tea Caddy in Its Brocade Cover, Koma Kōryū Japanese, Lacquer, silver ground, gold, black and red togidashi, ivory lid; Interior: nashiji and fundame, Japan — Case (Inrō) in Shape of Tea Caddy in Its Brocade Cover
Koma Kōryū
19th century

Inrō with Peacocks and Flowers, Koma Yasutada Japanese, Black lacquer and nashiji ground with gold and silver iroe togidashi and hiramaki-e<br/>Netsuke: Kintarō with forest animals on peach stone; ivory, mother-of-pearl, tortoise shell <br/>Ojime: melon; red bronze with iron and gilding, Japan — Inrō with Peacocks and Flowers
Koma Yasutada
19th century

Case (Inrō) with Design of Clamshells and Fireflies, Koma Yasutada Japanese, Case: powdered gold and silver (maki-e) and gold foil on red lacquer with mother-of-pearl inlay; Fastener (ojime): silver with design of bird and flowers in gold; Toggle (netsuke): carved ivory and colored lacquer with design of Daikoku in ivory and carnelian inlays, Japan — Case (Inrō) with Design of Clamshells and Fireflies
Koma Yasutada
late 18th century

Incense Box with Scene from Noh Play Kokaji

, Koma School Japanese, Black lacquer with gold, silver, and red hiramaki-e and togidashimaki-e, Japan — Incense Box with Scene from Noh Play Kokaji
Koma School
second half of the 19th century

Textile piece, Omar Kiam American, born Mexico, Rayon (Enka), printed, American — Textile piece
Multiple artists/makers
1945

Ancestor Figure (Konumb or Atei), Wood, paint, Kopar or Angoram people — Ancestor Figure (Konumb or Atei)
Kopar or Angoram people
19th century

Flute Mask, Wood, paint, seeds, fiber, Angoram or Kopar people — Flute Mask
Angoram or Kopar people
late 19th–early 20th century

Figure, Wood, paint, Kopar or Angoram people — Figure
Kopar or Angoram people
late 19th–early 20th century

Yanji with Orchids and Yang Guifei with Peonies, Genki (Komai Ki) Japanese, Pair of hanging scrolls; ink and color on silk, Japan — Yanji with Orchids and Yang Guifei with Peonies
Genki (Komai Ki)
1785

Chinese Beauty Beside a Plum Tree, leaf from the album “A Contest of Beauties from the Near and Distant Past” (Chūko shomeika bijin kurabe), Genki (Komai Ki) Japanese, Woodblock print; ink and color on paper, Japan — Chinese Beauty Beside a Plum Tree, leaf from the album “A Contest of Beauties from the Near and Distant Past” (Chūko shomeika bijin kurabe)
Genki (Komai Ki)
1895

Cupid about to fire an arrow, Bronze, on a later stone and wood base, probably Italy — Cupid about to fire an arrow
probably Italy
18th or 19th century

Reverse Cassetta frame, Pine, Southern Italy — Reverse Cassetta frame
Southern Italy
mid-17th century

Reverse frame, Poplar, Southern Italy — Reverse frame
Southern Italy
early 18th century

Reverse ripple frame, Pine, Southern Italy (?) — Reverse ripple frame
Southern Italy (?)
late 17th to early 18th century