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Showing 198 results for Vicentino & Celebrino
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Il Modo de temperare le Penne..., Ludovico Arrighi  Italian, Woodcuts
Multiple artists/makers
1523
Multiple artists/makers
1522
The Entry of Christ into Jerusalem, Valerio Belli (Il Vicentino), Rock crystal, Italian, Vicenza
Valerio Belli (Il Vicentino)
ca. 1531–33
Christ Bearing the Cross, Jean II Pénicaud  French, Painted enamel on copper, partly gilt, French, Limoges
Jean II Pénicaud
Valerio Belli (Il Vicentino)
mid-16th century
Adoration of the Shepherds, Master K.I.P.  French, Painted enamel on copper, partly gilt, French, Limoges
Master K.I.P.
Valerio Belli (Il Vicentino)
mid-16th century
The Entombment, Valerio Belli (Il Vicentino), Silver, with traces of gilding; niello, gilt bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
Adoration of the Shepherds, Valerio Belli (Il Vicentino), Bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
Plate, Valerio Belli (Il Vicentino), Rock crystal, Northern Italian
Valerio Belli (Il Vicentino)
first half 16th century
The Lamentation, Valerio Belli (Il Vicentino), Gold relief on slate, Italian, possibly Florence
Valerio Belli (Il Vicentino)
16th century
Bull hunt, Valerio Belli (Il Vicentino), Bell metal, Italian
Valerio Belli (Il Vicentino)
16th century
The Four Evangelists, Valerio Belli (Il Vicentino), Rock crystal and fruitwood, Italian, Vicenza crystal with European stand
Valerio Belli (Il Vicentino)
16th century; stand, second half 19th century
Adoration of the Magi, Valerio Belli (Il Vicentino), Bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
late 15th–early 16th century
The Adoration of the Magi, Valerio Belli (Il Vicentino), Gilt bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
The Betrayal of Christ, Valerio Belli (Il Vicentino), Bronze, Northern Italian
Valerio Belli (Il Vicentino)
first half 16th century
Pan and nymph, Valerio Belli (Il Vicentino), Chalcedony, Italian, Milan
Valerio Belli (Il Vicentino)
early 16th century
Emperor Aelius A.D. 138, adopted son of Emperor Hadrian, Valerio Belli (Il Vicentino), Bronze, Italian, Padua
Valerio Belli (Il Vicentino)
1478–1546
Gaius Marius, Valerio Belli (Il Vicentino), Bronze, Italian
Valerio Belli (Il Vicentino)
1468–1546
Eustachio Celebrino
Pegasus Press
1929, facsimile of 1525 edition
Olympus (Surprise), Niccolò Vicentino  Italian, Chiaroscuro woodcut printed from three blocks in blue ink; third state of six
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
The Miraculous Draught of Fishes, after Raphael, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in tan brown
Multiple artists/makers
1540–50 (republished 1609)
Cloelia the Roman hero in the centre being helped onto a horse, Rome in the background,, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in brown; second state of two (Bartsch)
Niccolò Vicentino
Maturino da Firenze
1540–50
Adoration of the Magi, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in blue
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
Adoration of the Magi, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in green
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Adoration of the Magi, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in green, second state of two (Bartsch)
Multiple artists/makers
1540–50; 1605 (date published by Andreani)
Olympus (Surprise), Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in brown; first state of six
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
The contest between Apollo and Marysas, Niccolò Vicentino  Italian, Chiaroscuro woodcut from four blocks in brown; Greek text printed in red on verso
Multiple artists/makers
ca. 1540–50
Christ healing the paralytic, Niccolò Vicentino  Italian, Chiaroscuro woodcut from four blocks in gray-blue
Niccolò Vicentino
Perino del Vaga (Pietro Buonaccorsi)
1540–50
The Adoration of the Magi, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in green; second state of two (Bartsch)
Multiple artists/makers
1540–50; 1605 (date published by Andreani)
Hercules and the Nemean Lion, Niccolò Vicentino  Italian, Chiaroscuro woodcut from two blocks in green (state ii)
Multiple artists/makers
1540–50
The Adoration of the Magi, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in green-brown
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Adoration of the Magi, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in brown
Niccolò Vicentino
Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Adoration of the Magi, Niccolò Vicentino  Italian, Woodcut printed in blue
Multiple artists/makers
1540–50; 1605 (date published by Andreani)
Joshua addressing the people at Schechem, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in gray
Multiple artists/makers
1520–50 (published 1608)
Right hand section of St Peter preaching to the apostles, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in brown
Multiple artists/makers
ca. 1540–50
Joshua addressing the people at Schechem, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in brown
Multiple artists/makers
1520–50
The Miraculous Draught of Fishes, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in brown
Niccolò Vicentino
Raphael (Raffaello Sanzio or Santi)
1540–50
The Miraculous Draught of Fishes, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in pale green (state iii/iii)
Multiple artists/makers
1540–50 (republished 1609)
The Miraculous Draught of Fishes, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in pale green (state iii/iii)
Multiple artists/makers
1540–50 (republished 1609)
The contest between Apollo and Marysas, Niccolò Vicentino  Italian, Chiaroscuro woodcut from four blocks in brown
Multiple artists/makers
ca. 1540–1550
People paying homage to Psyche's beauty, Niccolò Vicentino  Italian, Chiaroscuro woodcut from three blocks in brown, probably first state
Niccolò Vicentino
Giuseppe Salviati (Giuseppe Porta, called Il Salviati)
ca. 1540–50