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Showing 383 results for Venetian

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Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian — Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian
ca. 1700–1799

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian

Glass chevron bead, Glass, Venetian — Glass chevron bead
Venetian

Glass bead, Glass, Venetian — Glass bead
Venetian

Cassetta frame, Poplar or spruce. Fragments of canvas in rebate. Gilt; red-orange bole, blue sgrafitto., Venetian — Cassetta frame
Venetian
ca. 1500–1510

Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood — Madonna and Child
Italian (Venetian) Painter

A Patrician Couple, Italian (Venetian) Painter Italian, Ivory — A Patrician Couple
Italian (Venetian) Painter

Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian — Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75

Glass mosaic fragment

Venetian (?)

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise — Tazza
Venetian or façon de Venise
first half 16th century

Drawing of a Parade Helmet, Colored chalk on paper, Italian, probably Venetian — Drawing of a Parade Helmet
Italian, probably Venetian
second half 16th century

Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony — Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century

Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash — Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century

An Execution, Anonymous, Italian, Venetian, 18th century Italian, Pen and ink, brush and wash of various colors — An Execution
Anonymous, Italian, Venetian, 18th century
18th century

Flagellation, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed — Flagellation
Anonymous, Italian, Venetian, 18th century
18th century

Family Group, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink, washed — Family Group
Anonymous, Italian, Venetian, 17th century
17th century

Venetian Scene, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed — Venetian Scene
Anonymous, Italian, Venetian, 18th century
18th century

A Crucifixion, Anonymous, Italian, Venetian, 17th century Italian, Red chalk — A Crucifixion
Anonymous, Italian, Venetian, 17th century
17th century

Nativity, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed, highlighted with white — Nativity
Anonymous, Italian, Venetian, 18th century
18th century

Houses by a River, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of charcoal, on cream laid paper. Ruled diagonal lines in graphite or lead running across upper half of sheet — Houses by a River
Anonymous, Italian, Venetian, 18th century
1703–66

Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, on beige-gray laid paper — Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso)
Anonymous, Italian, Venetian, 18th century
18th century

Pear, Anonymous, Italian, Venetian, 18th century Italian, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso) — Pear
Anonymous, Italian, Venetian, 18th century
18th century

Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, Anonymous, Italian, Venetian, 16th century Italian, Charcoal or black chalk, highlighted with white chalk — Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino
Anonymous, Italian, Venetian, 16th century
1536–40

Landscape with Ruins, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink on cream laid paper — Landscape with Ruins
Anonymous, Italian, Venetian, 18th century
18th century

Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash (recto); red chalk (verso) — Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso)
Anonymous, Italian, Venetian, 18th century
18th century

Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below., Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, over lead, on cream laid paper — Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below.
Anonymous, Italian, Venetian, 18th century
18th century

Cartouche with a Mask, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper — Cartouche with a Mask
Anonymous, Italian, Venetian, 18th century
18th century

Christ Surrounded by Angels, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper — Christ Surrounded by Angels
Anonymous, Italian, Venetian, 18th century
18th century

Virgin and Child in Glory with Angels and Saints, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over traces of black chalk, on cream paper. Squared for transfer in black chalk — Virgin and Child in Glory with Angels and Saints
Anonymous, Italian, Venetian, 18th century
18th century

Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet, Anonymous, Italian, Venetian, 16th century Italian, Woodcut — Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet
Anonymous, Italian, Venetian, 16th century
ca. 1540–50

Design for Mirror or Box, Anonymous, Italian, Venetian, 18th century Italian, Pen and brush — Design for Mirror or Box
Anonymous, Italian, Venetian, 18th century
1740–70

Allegory, Anonymous, Italian, Venetian, 18th century Italian, Black chalk with charcoal with gray wash — Allegory
Anonymous, Italian, Venetian, 18th century
18th century

Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)

Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint — Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)