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Showing 854 results for Tristam Bampfylde Freeman
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Sigismunda, Robert Dunkarton  British, Mezzotint; third state
Multiple artists/makers
February 1, 1793
Sigismonda (Sigismunda), Benjamin Smith  British, Etching and engraving
Multiple artists/makers
June 4, 1795
Multiple artists/makers
January 1, 1793
Pitcher, Freeman Porter  American, Pewter, American
Freeman Porter
1835–ca. 1860
Freeman Woods
ca. 1790
Portrait of a Lady, George Freeman, Watercolor on ivory, British
George Freeman
ca. 1825
Suit, Hickey Freeman  American, Wool, American
Hickey Freeman
F. R. Tripler & Co.
1968
Suit, Hickey Freeman  American, Wool, American
Hickey Freeman
F. R. Tripler & Co.
1967
Suit, Hickey Freeman  American, Wool, American
Hickey Freeman
F. R. Tripler & Co.
1967
Egyptian Revival Triptych, Sarah Freeman Clarke, Oil on canvas, ebony stained pine, gold leaf, velvet, American
Sarah Freeman Clarke
1874 or after
Maria Cooley Cropsey, James Edward Freeman  American, Graphite on off-white wove paper, American
James Edward Freeman
Miller & Freeman
late 1850s–70s
Josiah Freeman
1870s
Josiah Freeman
1870s
Josiah Freeman
1870s
Josiah Freeman
1870s
Josiah Freeman
1870s
Josiah Freeman
1870s
Josiah Freeman
1870s
Josiah Freeman
1870s
Josiah Freeman
1860s–80s
Josiah Freeman
1860s–80s
Josiah Freeman
1860s–80s
Icy Street, Don Freeman  American, Lithograph
Don Freeman
PWAP
1934
Added Attraction, Don Freeman  American, Lithograph
Don Freeman
PWAP
1934
Garment District, Don Freeman  American, Lithograph
Don Freeman
PWAP
1934
Ladies of the Evening, Don Freeman  American, Lithograph
Don Freeman
PWAP
1934
The NRA Parade, Don Freeman  American, Lithograph
Don Freeman
PWAP
1934
Wedding Bureau, Municipal Building, New York, Don Freeman  American, Lithograph
Don Freeman
PWAP
1934
Automat Aristocrat, Don Freeman  American, Lithograph
Don Freeman
PWAP
1934
W. H. Freeman
1894
Illuminated Initial from Hymnal, Freeman Gage Delamotte  British, Watercolor, pen and black and red ink over graphite with touches of gold and gouache (bodycolor)
Freeman Gage Delamotte
1830–62
Illuminated Initial and Saint, Freeman Gage Delamotte  British, Watercolor, pen and brown and red ink, and gold over graphite and gouache (bodycolor)
Freeman Gage Delamotte
1830–62
Illuminated Leaf with Initial "I", Freeman Gage Delamotte  British, Pen and colored inks over graphite with touches of watercolor and gold
Freeman Gage Delamotte
1830–62
Illuminated Leaf with Initial "E" (recto); Vine Border (verso), Freeman Gage Delamotte  British, Recto: pen and colored inks over graphite with touches of gold and gouache (bodycolor)<br/>Verso: pen and black and red ink, graphite
Freeman Gage Delamotte
1830–62
Six Border Designs, Freeman Gage Delamotte  British, Pen and red ink over graphite
Freeman Gage Delamotte
1830–62
Title page design for "The Court Journal", Freeman Gage Delamotte  British, Pen and black ink, brush and gray wash, touches of gouache (bodycolor), over graphite
Freeman Gage Delamotte
1830–62
Charity, Freeman Gage Delamotte  British, Watercolor and gouache (bodycolor)
Freeman Gage Delamotte
1830–62
Decorated Border, Freeman Gage Delamotte  British, Watercolor and gouache (bodycolor)
Freeman Gage Delamotte
1830–62
Decorated Border, Freeman Gage Delamotte  British, Watercolor and gouache (bodycolor)
Freeman Gage Delamotte
1830–62