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Showing 552 results for Tosa, Mitsunobu 土佐光信

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Poetry Contest by Various Artisans (Shokunin zukushi uta-awase) 職人盡歌合, Tosa, Mitsunobu 土佐光信 Japanese, Woodblock printed book; ink on paper, Japan — Poetry Contest by Various Artisans (Shokunin zukushi uta-awase) 職人盡歌合
Tosa, Mitsunobu 土佐光信
ca. 1744

“A Lovely Garland” (Tamakazura), from The Tale of Genji, Tosa Mitsuyoshi 土佐光吉 Japanese, Album leaves mounted as a pair of hanging scrolls; ink, gold, silver, and color on paper, Japan — “A Lovely Garland” (Tamakazura), from The Tale of Genji
Tosa Mitsuyoshi 土佐光吉
Konoe Sakihisa 近衛前久
early 17th century

Album of Birds and Flowers and Other Subjects, Tosa Mitsunari 土佐光成 Japanese, Accordion album; ink and color on silk, Japan — Album of Birds and Flowers and Other Subjects
Tosa Mitsunari 土佐光成
late 17th century

Bamboo in the Four Seasons, Tosa Mitsunobu Japanese, Pair of six-panel screens; ink, color, and gold leaf on paper, Japan — Bamboo in the Four Seasons
Tosa Mitsunobu
late 15th–early 16th century

Flowers and Grasses of the Four Seasons, Kano Mitsunobu 狩野光信 Japanese, Pair of six-panel folding screens; ink, color, gold paint, and gold leaf on paper, Japan — Flowers and Grasses of the Four Seasons
Kano Mitsunobu 狩野光信
late 16th century

The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right, Kano Mitsunobu 狩野光信 Japanese, Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper, Japan — The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right
Kano Mitsunobu 狩野光信
late 16th century

Sword Guard (<i>Tsuba</i>) With the Motif of Autumnal Vegetation (秋草透鐔), Mitsunobu Japanese, Iron, gold, copper, silver-copper alloy (<i>shibuichi</i>), Japanese — Sword Guard (Tsuba) With the Motif of Autumnal Vegetation (秋草透鐔)
Mitsunobu
17th century

Portraits of Three Famous Poets: Kakinomoto no Hitomaro, Lady Ise, and Ono no Komachi, Tosa Mitsuoki Japanese, Triptych of hanging scrolls: ink, color, gold and silver on silk, Japan — Portraits of Three Famous Poets: Kakinomoto no Hitomaro, Lady Ise, and Ono no Komachi
Multiple artists/makers
1691

Two Women in a Room Opening on a Verandah, Hasegawa Mitsunobu Japanese, Monochrome woodblock print; ink on paper, Japan — Two Women in a Room Opening on a Verandah
Hasegawa Mitsunobu
ca. 1730

Interior, Three Figures: Sake Party, Hasegawa Mitsunobu Japanese, Monochrome woodblock print; ink on paper, Japan — Interior, Three Figures: Sake Party
Hasegawa Mitsunobu
ca. 1730

Albums of scenes from The Tale of Genji, Tosa Mitsunori Japanese, Two albums of thirty leaves; ink, red pigment, and gold on paper, Japan — Albums of scenes from The Tale of Genji
Tosa Mitsunori
early 17th century

Red and White Poppies, Tosa Mitsumochi Japanese, Six-panel folding screen; ink, color, and gold leaf on paper, Japan — Red and White Poppies
Tosa Mitsumochi
early 17th century

The Battle of Yashima, from The Tale of the Heike (Heike monogatari), Tosa School Japanese, One of a pair of six-panel folding screens; ink, color, gold, and gold leaf on paper, Japan — The Battle of Yashima, from The Tale of the Heike (Heike monogatari)
Tosa School
17th century

Scenes from Tales of Ise (Ise monogatari), Tosa School Japanese, Set of album leaf paintings; ink and color on paper (shikishi), Japan — Scenes from Tales of Ise (Ise monogatari)
Tosa School
late 18th century

The Tale of Genji (Genji Monogatari), Tosa Mitsusada Japanese, Set of twenty-four album leaves; ink, color, and gold on paper, Japan — The Tale of Genji (Genji Monogatari)
Tosa Mitsusada
Shōren'in Sonjun Shinnō
17th century

Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao), Tosa School Japanese, Matted painting; ink and color on silk, Japan — Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao)
Tosa School
17th century

Scenes from the Tales of Ise (Ise monogatari), Tosa School Japanese, Set of album leaf paintings; ink and color on paper (shikishi), Japan — Scenes from the Tales of Ise (Ise monogatari)
Tosa School
late 18th century

Egrets and Cotton Roses, Tosa Mitsuoki Japanese, Hanging scroll; ink and color on silk, Japan — Egrets and Cotton Roses
Tosa Mitsuoki
mid- to late 17th century

“An Imperial Excursion” (Miyuki), “A Boat Cast Adrift” (Ukifune), and “The Barrier Gate” (Sekiya), Tosa Mitsuyoshi Japanese, Painted sliding doors (fusuma-e) remounted as a pair of four-panel folding screens; ink, color, and gold leaf on paper, Japan — “An Imperial Excursion” (Miyuki), “A Boat Cast Adrift” (Ukifune), and “The Barrier Gate” (Sekiya)
Tosa Mitsuyoshi
mid-16th–early 17th century

“Butterflies”, Tosa Mitsuyoshi Japanese, Six-panel folding screen; ink, color, gold, and gold leaf on paper, Japan — “Butterflies”
Tosa Mitsuyoshi
late 16th–early 17th century

Collection of Pictures, Tosa School Japanese, Ink on paper, Japan — Collection of Pictures
Tosa School

Quail and Autumn Flowers, Tosa Mitsuoki Japanese, Hanging scroll; ink and color on silk, Japan — Quail and Autumn Flowers
Tosa Mitsuoki
late 17th century

“Mistflowers”, Tosa Mitsuyoshi Japanese, Album leaf mounted as a hanging
scroll; ink, color and gold on paper, Japan — “Mistflowers”
Tosa Mitsuyoshi
late 16th–early 17th century

“The Oak Tree”, Tosa Mitsuyoshi Japanese, Album leaf mounted as a hanging scroll; ink, color and gold on paper, Japan — “The Oak Tree”
Tosa Mitsuyoshi
late 16th–early 17th century

Scenes from The Tale of Genji, Tosa School Japanese, Pair of albums (accordion fold) with
54 illustrations; ink, color and gold on paper, Japan — Scenes from The Tale of Genji
Tosa School
early 17th century

Scenes and Calligraphic Excerpts from The Tale of Genji, Tosa School Japanese, Pair of six-panel folding screens; ink, color, and gold on decorated-paper shikishi (poetry cards), Japan — Scenes and Calligraphic Excerpts from The Tale of Genji
Tosa School
early 17th century

Scenes and Calligraphic Excerpts from The Tale of Genji, Tosa School Japanese, Shikishi (poetry cards) mounted in an orihon album; calligraphies: ink on decorated paper; paintings: ink, color, and gold on paper, Japan — Scenes and Calligraphic Excerpts from The Tale of Genji
Tosa School
Ono no Ozū (Ono no Tsū)
early 17th century

Heron, Tosa Mitsuoki Japanese, Hanging scroll; ink and color on silk, Japan — Heron
Tosa Mitsuoki
17th century

Armor (<i>Gusoku</i>) with Box, Neo Masanobu 根尾正信 Japanese, Iron, leather, lacquer, textile, silver, gold, brass, copper-gold alloy (shakudō), copper-silver alloy (shibuichi), feather, wood, glass, boar bristle, Japanese — Armor (Gusoku) with Box
Neo Masanobu 根尾正信
19th century; helmet bowl, early 18th century

Suiseki Picture Album (Suiseki gafu nihen), Second Series 水石画譜二編, Satō Suiseki 佐藤水石 Japanese, Woodblock printed book; ink and color on paper, Japan — Suiseki Picture Album (Suiseki gafu nihen), Second Series 水石画譜二編
Satō Suiseki 佐藤水石
1820

Suiseki Picture Album (Suiseki gafu) 水石画譜, Satō Suiseki 佐藤水石 Japanese, Woodblock printed book; ink and color on paper, Japan — Suiseki Picture Album (Suiseki gafu) 水石画譜
Satō Suiseki 佐藤水石
1814, sixth month; preface dated 1814, fourth month

Interface 11, Sato Shizue 佐藤静恵 Japanese, White, green, and clear glass, Japan — Interface 11
Sato Shizue 佐藤静恵
2022

Wood-Grain Metal Tea Caddy (Chaki), Sako Ryuhei 佐故龍平 Japanese, Silver, copper, copper and silver alloy (shibuichi), and copper and arsenic alloy (kuromidō), Japan — Wood-Grain Metal Tea Caddy (Chaki)
Sako Ryuhei 佐故龍平
2020

Flower Vessel "Chuyo", Ozawa Kōmin 大澤光民 Japanese, Metal casting (yakigata) and cast-wrapping (igurumi) with copper, bronze, and stainless steel, Japan — Flower Vessel "Chuyo"
Ozawa Kōmin 大澤光民
2015

Buddhist Figures and Their Attributes [Meiji edition] (Meiji zōho shoshū butsuzō zui) 明治増補諸宗佛像図彙, Kino Shūshin 紀秀信 Japanese, Ink on paper, Japan — Buddhist Figures and Their Attributes [Meiji edition] (Meiji zōho shoshū butsuzō zui) 明治増補諸宗佛像図彙
Kino Shūshin 紀秀信
ca. 1850

Buddhist Figures and Their Attributes (Zōho shoshū Butsuzō zui) 増補諸宗佛像図彙, Kino Shūshin 紀秀信 Japanese, Set of five volumes; ink on paper, Japan — Buddhist Figures and Their Attributes (Zōho shoshū Butsuzō zui) 増補諸宗佛像図彙
Kino Shūshin 紀秀信
19th century

Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals, Iwasa Matabei 岩佐又兵衛 Japanese, Hanging scroll: ink, color, gold and silver on paper, Japan — Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals
Iwasa Matabei 岩佐又兵衛
1620s–1630s

唐草図鐔 Sword Guard (<i>Tsuba</i>), 鷲田光中作 Washida Mitsunaka Japanese, Iron, silver, copper, Japanese — 唐草図鐔 Sword Guard (Tsuba)
鷲田光中作 Washida Mitsunaka
19th century

The Onnagata Actor Hanagiri Toyomatsu (Shisei) III as Ohaya, Ryūkōsai Jokei 流光斎如圭 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical hosoban, Japan — The Onnagata Actor Hanagiri Toyomatsu (Shisei) III as Ohaya
Ryūkōsai Jokei 流光斎如圭
1793

A Celebration of Actors (Yakusha mono iwai), Ryūkōsai Jokei 流光斎如圭 Japanese, Illustrated books, 2 volumes; a: 16 leaves; b: 13 leaves, Japan — A Celebration of Actors (Yakusha mono iwai)
Ryūkōsai Jokei 流光斎如圭
1784