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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Taller de Gráfica Popular, Mexico City

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Poster celebrating the victory over the Nazis at the end of World War II, Ángel Bracho Mexican, Lithograph in black and red, letterpress, backed with linen — Poster celebrating the victory over the Nazis at the end of World War II
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1945

Estampas de la Revolución Mexicana (Prints of the Mexican Revolution)

Taller de Gráfica Popular, Mexico City

1947

Portfolio of twenty prints published to celebrate the centenary of the birth of Emiliano Zapata

Multiple artists/makers

1979

'Calacas' published by the Taller de Gráfica de Popular

Multiple artists/makers

1980

Morelos, Plate 9 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Celia Calderón de la Barca Mexican, Offset lithograph — Morelos, Plate 9 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Celia Calderón de la Barca
Taller de Gráfica Popular, Mexico City
1960

The Cristero rebellion (La rebelion Cristera), Plate 100 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Celia Calderón de la Barca Mexican, Offset lithograph — The Cristero rebellion (La rebelion Cristera), Plate 100 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Celia Calderón de la Barca
Taller de Gráfica Popular, Mexico City
1960

The nation does not accept foregn bases (La nacion no acepta bases extranjeras), Plate 123 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Celia Calderón de la Barca Mexican, Offset lithograph — The nation does not accept foregn bases (La nacion no acepta bases extranjeras), Plate 123 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Celia Calderón de la Barca
Taller de Gráfica Popular, Mexico City
1960

Mexico, owner of all its resources (Mexico, dueño de todos sus recursos), Plate 140 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Celia Calderón de la Barca Mexican, Offset lithograph — Mexico, owner of all its resources (Mexico, dueño de todos sus recursos), Plate 140 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Celia Calderón de la Barca
Taller de Gráfica Popular, Mexico City
1960

Propaganda, Alfredo Zalce Mexican, Lithograph — Propaganda
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

The press in the service of imperialism, Alfredo Zalce Mexican, Lithograph — The press in the service of imperialism
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of how to combat Japanese Fascism, Isidoro Ocampo, Mexican Mexican, Lithograph — A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of how to combat Japanese Fascism
Isidoro Ocampo, Mexican
Taller de Gráfica Popular, Mexico City
1939

A poster showing a seated Mexican blowing a trumpet with a human head representing the falsity of the press (fake news) with the title 'The laughter of the public—away with your nonsense', José Chávez Morado Mexican, Lithograph on orange paper — A poster showing a seated Mexican blowing a trumpet with a human head representing the falsity of the press (fake news) with the title 'The laughter of the public—away with your nonsense'
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939

Flyer relating to profiteers who exploit farmworkers, Raúl Anguiano Mexican, Photo-relief and letterpress on pink paper — Flyer relating to profiteers who exploit farmworkers
Raúl Anguiano
Taller de Gráfica Popular, Mexico City
1942

Flyer relating to the expropriation of foreign oil interests, Alfredo Zalce Mexican, Linocut and letterpress — Flyer relating to the expropriation of foreign oil interests
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
ca. 1938

Flyer with ballad of Mr. Grasshopper, Leopoldo Méndez Mexican, Zincograph and letterpress (photomechanical relief) on tan paper — Flyer with ballad of Mr. Grasshopper
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
ca. 1940

Ballad (corrido) of Mr Grasshopper (a middleman) who is shown receiving holy communion; a metaphor for peasant suffering under corrupt landowners, Leopoldo Méndez Mexican, Zincograph and letterpress (photomechanical relief) on green paper — Ballad (corrido) of Mr Grasshopper (a middleman) who is shown receiving holy communion; a metaphor for peasant suffering under corrupt landowners
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
ca. 1940

Ballad (corrido) relating to Mr. Grasshopper (a corrupt middleman) concerning peasant suffering under landowners, he is seated in a chair smoking a cigar, Leopoldo Méndez Mexican, Zincograph and letterpress (photomechanical relief) on orange paper — Ballad (corrido) relating to Mr. Grasshopper (a corrupt middleman) concerning peasant suffering under landowners, he is seated in a chair smoking a cigar
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
ca. 1940

Ballad (corrido) of Mr Grasshopper (a corrupt middleman) who exploits starving workers; he is being carried aloft by peasants, Leopoldo Méndez Mexican, Photo-relief and letterpress on green paper — Ballad (corrido) of Mr Grasshopper (a corrupt middleman) who exploits starving workers; he is being carried aloft by peasants
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
ca. 1940

Flyer relating to farmers from Jalisco who attempted to improve their communities only to be exploited by profiteers and losing their graneries to them, José Chávez Morado Mexican, Photo-relief and letterpress on tan paper — Flyer relating to farmers from Jalisco who attempted to improve their communities only to be exploited by profiteers and losing their graneries to them
José Chávez Morado
Taller de Gráfica Popular, Mexico City
ca. 1940

Flyer relating to imperialism and war, Leopoldo Méndez Mexican, Lithograph on orange paper — Flyer relating to imperialism and war
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1938

Flyer warning farmers from Zacatecas and Durango not to sell their crops under market value to profiteers, an image of a profiteer running away from a woman, Pablo Esteban O'Higgins American, Photo-relief and letterpress on pale pink paper — Flyer warning farmers from Zacatecas and Durango not to sell their crops under market value to profiteers, an image of a profiteer running away from a woman
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
ca 1936–1945

Poster for an exhibition of TGP lithographs in the art gallery of the National University, Mexico City, Francisco Dosamantes, Mexican Mexican, Lithograph in black and red backed on linen — Poster for an exhibition of TGP lithographs in the art gallery of the National University, Mexico City
Francisco Dosamantes, Mexican
Taller de Gráfica Popular, Mexico City
1939

A poster advertising a sixth talk (October 14, 1938) in Mexico City supported by the Liga Pro-cultura Alemana relating to the Nazis, Jesús Escobedo Mexican, Lithograph in brown and black on buff paper backed on linen — A poster advertising a sixth talk (October 14, 1938) in Mexico City supported by the Liga Pro-cultura Alemana relating to the Nazis
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1938

A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana on the subject of the place of women in Nazi society, Alfredo Zalce Mexican, Lithograph in red and black on buff paper backed on linen — A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana on the subject of the place of women in Nazi society
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1938

Semana de Ayuda a España, José Chávez Morado Mexican, Lithograph with red lettering — Semana de Ayuda a España
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1938

Semana de Ayuda a España (A Week of Help to Spain), Raúl Anguiano Mexican, Lithograph with red lettering — Semana de Ayuda a España (A Week of Help to Spain)
Raúl Anguiano
Taller de Gráfica Popular, Mexico City
1938

50,000 Covered, José Chávez Morado Mexican, Lithograph and letterpress — 50,000 Covered
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939

Poster with a portrait of Marshal Semyon Timoshenko, Leopoldo Méndez Mexican, Lithograph with red lettering on buff paper backed with linen — Poster with a portrait of Marshal Semyon Timoshenko
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1942

Poster relating the relationship between the USA and Mexico, Pablo Esteban O'Higgins American, Offset lithograph on buff paper backed with linen — Poster relating the relationship between the USA and Mexico
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1944

Broadsheet relating to a subscription for Taller de Grafica Popular's 'Hoja Popular Ilustrada' (revolutionary propaganda and news), figures distributing flyers in various locations, Alfredo Zalce Mexican, Photo-relief and letterpress on tan paper — Broadsheet relating to a subscription for Taller de Grafica Popular's 'Hoja Popular Ilustrada' (revolutionary propaganda and news), figures distributing flyers in various locations
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
ca. 1938

Broadsheet relating to the expropriation of oil resources that hade been exploited by foreign companies, Lázaro Cárdenas shown signing documents designed to repel the intrusive interests, Alfredo Zalce Mexican, Lithograph and letterpress on pink paper — Broadsheet relating to the expropriation of oil resources that hade been exploited by foreign companies, Lázaro Cárdenas shown signing documents designed to repel the intrusive interests
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
ca. 1938

Broadsheet with a ballad about oil expropriation, figures standing on a landing and spilling a barrel of oil onto figures below, Alfredo Zalce Mexican, Lithograph and letterpress on pink paper — Broadsheet with a ballad about oil expropriation, figures standing on a landing and spilling a barrel of oil onto figures below
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
ca. 1938

Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right, Alfredo Zalce Mexican, Linocut — Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1943

Flyer relating to profiteers who exploit rural farm workers and take advantage of the government, Raúl Anguiano Mexican, Photo-relief and letterpress on tan paper — Flyer relating to profiteers who exploit rural farm workers and take advantage of the government
Raúl Anguiano
Taller de Gráfica Popular, Mexico City
1942

Flyer with text by Lázaro Cárdenas relating to oil companies that want to profit from Mexico's natural resources (oil) and human labor while not being mindful of the new age of social justice; two men throwing rocks at a vulture hovering over a nest, Leopoldo Méndez Mexican, Photo-relief and letterpress on orange paper — Flyer with text by Lázaro Cárdenas relating to oil companies that want to profit from Mexico's natural resources (oil) and human labor while not being mindful of the new age of social justice; two men throwing rocks at a vulture hovering over a nest
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1940

Plate 3: an indentured slave (peon acasillado) cutting maize, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 3: an indentured slave (peon acasillado) cutting maize, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 4: disgruntled campesinos being exectued by firing squad, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 4: disgruntled campesinos being exectued by firing squad, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 5: President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 5: President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1946

Plate 8: The young Emiliano Zapata watching a scene in which workers in a field carry heavy loads, while others are being whipped, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Mariana Yampolsky American, Linocut — Plate 8: The young Emiliano Zapata watching a scene in which workers in a field carry heavy loads, while others are being whipped, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Mariana Yampolsky
Taller de Gráfica Popular, Mexico City
1947