Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Sue Willie Seltzer

Sort by:

Nine-Block Housetop quilt, Sue Willie Seltzer American, Top: cotton and cotton-polyester blend, rayon, and acetate; back: cotton-polyester blend — Nine-Block Housetop quilt
Sue Willie Seltzer
ca. 1955

Shine, Willie Cole American, Shoes, steel wire, monofilament line, washers, and screws — Shine
Willie Cole
2007

Roman Stripes quilt, Willie "Ma Willie" Abrams American, Top: cotton; back: cotton-polyester blend — Roman Stripes quilt
Willie "Ma Willie" Abrams
ca. 1975

Side Chair, Louis Süe French, Walnut, silk velvet — Side Chair
Multiple artists/makers
designed 1912; manufactured ca. 1920

"Bouquets" Textile, Louis Süe French, Silk — "Bouquets" Textile
Louis Süe
ca. 1919

"Paris" Textile, Louis Süe French, Silk — "Paris" Textile
Louis Süe
ca. 1919

Desk Chair, Louis Süe French, Ebonized wood (possibly walnut or beech), pigskin — Desk Chair
Multiple artists/makers
ca. 1925

Mirror, Louis Süe French, Cherry or pearwood, mirror glass, paint, gold leaf, French — Mirror
Multiple artists/makers
Designed ca. 1919; manufactured 1923

Desk, Louis Süe French, Ebonized wood (probably beech), oak, zebrawood, gilt bronze, leather — Desk
Multiple artists/makers
ca. 1925

“David-Weill” Chair (model no. 45), with “Tulipes et Œillets” (Tulips and Carnations, possibly pattern no. 2513) Upholstery, Louis Süe French, Mahogany, oak, wool — “David-Weill” Chair (model no. 45), with “Tulipes et Œillets” (Tulips and Carnations, possibly pattern no. 2513) Upholstery
Multiple artists/makers
designed 1923; manufactured probably late 1920s

Commode, Louis Süe French, Oak, lumber-core plywood, chestnut, marble, paint, gold leaf, French — Commode
Multiple artists/makers
ca. 1918

Claude Terrasse, Louis Süe French, Oil on canvas — Claude Terrasse
Louis Süe
1897

Carpet, Louis Süe French, Wool — Carpet
Multiple artists/makers
1925

Unitard, Willie Cole American, nylon, spandex, American — Unitard
Willie Cole
1995

Belt, Willie Woo American, plastic, probably American — Belt
Willie Woo
ca. 1972

Shirt, Willie Landels British, wool, British — Shirt
Willie Landels
early 1960s

"How Am I Doing He He Teet Toot...", Willie Clark, Pencil on paper — "How Am I Doing He He Teet Toot..."
Willie Clark
1920s–50s

Crossing the Williamsburg Bridge, Willie Birch American, Opaque watercolor on paper, in artist-made painted papier-mâché frame — Crossing the Williamsburg Bridge
Willie Birch
1986

Saturday Morning, Willie Birch American, Opaque watercolor over graphite on paper, in artist frame with glossy, semi-transparent paint over papier-mâché — Saturday Morning
Willie Birch
1987

Summer Night on Keap Street, Willie Birch American, Opaque watercolor on paper, in artist-made painted papier-mâché frame — Summer Night on Keap Street
Willie Birch
1988

Sunday Morning, Willie Birch American, Opaque watercolor over graphite on paper, in artist-made painted papier-mâché frame — Sunday Morning
Willie Birch
1989

Winter Day on 14th Street, Willie Birch American, Opaque watercolor and graphite on paper, in artist-made painted papier-mâché frame — Winter Day on 14th Street
Willie Birch
1989

The Couple, Willie Birch American, Painted papier-mâché, shell, mirror, and metal — The Couple
Willie Birch
1991

The Grand Marshalls, Willie Birch American, Charcoal and acrylic paint on paper — The Grand Marshalls
Willie Birch
2000

Man Spirit Mask, Willie Cole American, Left panel: Photo-etching, embossing and hand coloring<br/>Middle panel: silkscreen with lemon juice and scorching<br/>Right panel: photo etching and woodcut — Man Spirit Mask
Multiple artists/makers
1999

Next Kent tji wara, Willie Cole American, Bicycle parts, spray paint, and brazing — Next Kent tji wara
Willie Cole
2007

U.S. Military Successfully Bombs A Mental Hospital in Grenada, Sue Coe British, Oil paint and opaque watercolor over graphite on paper — U.S. Military Successfully Bombs A Mental Hospital in Grenada
Sue Coe
1984

Rosa, Sue Coe British, Watercolor, opaque watercolor, cut and pasted paper, graphite, and chalk on paper — Rosa
Sue Coe
1976

Going Toward the Epicenter, Sue Coe British, Gouache, watercolor, and graphite on paper — Going Toward the Epicenter
Sue Coe
1984

Windstorm, Sue Coe British, Gouache, graphite, and brush and black ink on paper — Windstorm
Sue Coe
1984

String Composition No. 50, Sue Fuller American, Plastic thread, painted Masonite, and aluminum frame — String Composition No. 50
Sue Fuller
1952–53

"Space Walk" Textile

Sue Palmer

Warner Fabrics PLC

1969

Sue Clowes

fall/winter 1985–86

Five Beauties Rising, Willie Cole American, Suite of five prints; intaglio and relief — Five Beauties Rising
Multiple artists/makers
2012

Man Spirit Mask, Willie Cole American, Left panel: Photo-etching, embossing, and hand coloring<br/>Middle panel: Screenprint <br/>Right panel: Photo-etching and woodcut — Man Spirit Mask
Multiple artists/makers
1999

Zebra, Sue Fuller American, Relief print — Zebra
Sue Fuller
1946

Hen, Sue Fuller American, Soft-ground etching and engraving — Hen
Sue Fuller
1945

Hot House Lambs, Sue Coe British, Etching and aquatint on white heavyweight Rives paper — Hot House Lambs
Sue Coe
1989

Colorado, Sue Coe British, Etching and aquatint on white heavyweight Rives paper — Colorado
Sue Coe
1989

What's Your Cut?, Sue Coe British, Etching on white heavyweight Rives paper — What's Your Cut?
Sue Coe
1989