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Showing 114 results for Suda Kunitarō 須田国太郎

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Suda Kunitarō 須田国太郎

ca. 1940

“Barrier!” (Kan), Suda Kokuta 須田剋太 Japanese, Hanging scroll; ink on paper, Japan — “Barrier!” (Kan)
Suda Kokuta 須田剋太
1986

"The Low Overpowers the High", Suda Kokuta Japanese, Hanging scroll; ink on paper, Japan — "The Low Overpowers the High"
Suda Kokuta
1986

Five personal letters, Ōtagaki Rengetsu 太田垣蓮月 Japanese, Letters mounted as a handscroll; ink on paper, Japan — Five personal letters
Ōtagaki Rengetsu 太田垣蓮月
mid- to late 19th century

Seiei: A Design Book 精英, Yamada Naosaburō 山田直三郎 Japanese, Woodblock printed book; ink, color, mica, and metallic pigments on paper, Japan — Seiei: A Design Book 精英
Yamada Naosaburō 山田直三郎
1907

Akashi Ryōtarō 明石竜太郎

2023

Manzai Performers, Tomioka Tessai Japanese, Hanging scroll; ink and light color on paper, Japan — Manzai Performers
Tomioka Tessai
Ōtagaki Rengetsu 太田垣蓮月
1869

Pair of Cranes in Bamboo Grove, Tanomura Chikuden 田能村竹田 Japanese, Hanging scroll; ink and color on silk, Japan — Pair of Cranes in Bamboo Grove
Tanomura Chikuden 田能村竹田
ca. early 1830s

Peach Blossom Spring Utopia, Tomita Keisen 冨田溪仙 Japanese, Hanging scroll; ink and color on silk, Japan — Peach Blossom Spring Utopia
Tomita Keisen 冨田溪仙
Tomita Yoshiko 冨田芳子
early 20th century

“Enjoying the Evening Cool near Lord Nabeshima’s Warehouses” (Fūryū Nabeshima yūsuzumi), Jukakudō Masakuni 壽鶴堂政国 Japanese, Pentaptych of woodblock prints (nishiki-e); ink and color on paper; vertical ōban, Japan — “Enjoying the Evening Cool near Lord Nabeshima’s Warehouses” (Fūryū Nabeshima yūsuzumi)
Multiple artists/makers
ca. 1825

The Moving Brush in "Rough" Painting (Unpitsu soga) 運筆麁画, Tachibana Morikuni 橘守国 Japanese, Set of three woodblock printed books; ink on paper, Japan — The Moving Brush in "Rough" Painting (Unpitsu soga) 運筆麁画
Tachibana Morikuni 橘守国
1749

Illustrated Encyclopedia of China (Morokoshi kinmō zui) 唐土訓蒙図彙, Tachibana Morikuni 橘守国 Japanese, Set of two woodblock printed books; ink on paper, Japan — Illustrated Encyclopedia of China (Morokoshi kinmō zui) 唐土訓蒙図彙
Tachibana Morikuni 橘守国
1719; preface dated 1718

Nakamura Utaemon IV as Danshichi Kurobei, Utagawa Kunimasu 歌川国升 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical chūban, Japan — Nakamura Utaemon IV as Danshichi Kurobei
Utagawa Kunimasu 歌川国升
1850

Love of Yatsufuji (Koi no Yatsufuji) 恋のやつふぢ, Utagawa Kunisada 歌川国貞 Japanese, Woodblock printed book; ink and color on paper, Japan — Love of Yatsufuji (Koi no Yatsufuji) 恋のやつふぢ
Utagawa Kunisada 歌川国貞
1837, (Tenpō 8)

The Thirty-Six Immortals of Poetry as Kabuki Actors (Yakusha sanjūrokkasen) 役者三十六歌仙, Utagawa Kunisada 歌川国貞 Japanese, Woodblock printed book; ink and color on paper, Japan — The Thirty-Six Immortals of Poetry as Kabuki Actors (Yakusha sanjūrokkasen) 役者三十六歌仙
Utagawa Kunisada 歌川国貞
Totoya Hokkei 魚屋北渓
1835, first month (Tempō 6)

A Bedside Guide to the Colors of Love in Spring (Shunshoku neya no shiori) 春色閨の栞, Utagawa Kunisada 歌川国貞 Japanese, Set of three woodblock printed books; ink and color on paper, Japan — A Bedside Guide to the Colors of Love in Spring (Shunshoku neya no shiori) 春色閨の栞
Utagawa Kunisada 歌川国貞
ca. 1850

The Actor Ichikawa Ichizō III as Nozarashi Gosuke, likened to Shi Jin the Nine Dragoned (Kyūmonryū Shishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞 Japanese, Right sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — The Actor Ichikawa Ichizō III as Nozarashi Gosuke, likened to Shi Jin the Nine Dragoned (Kyūmonryū Shishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
Utagawa Kunisada 歌川国貞
1854, 7th month)

The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞 Japanese, Center sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
Utagawa Kunisada 歌川国貞
1854, 7th month)

The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞 Japanese, Left sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan — The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
Utagawa Kunisada 歌川国貞
1854, 7th month)

Poems on Portraits of the Famous and the Infamous (Kyōka kijin gazō-shū) 狂歌奇人画像集, Utagawa Kunisada 歌川国貞 Japanese, Polychrome Woodblock printed book; gold lacquer on red lacquer ground, Japan — Poems on Portraits of the Famous and the Infamous (Kyōka kijin gazō-shū) 狂歌奇人画像集
Multiple artists/makers
19th century

Unexpected Meeting on the Yodo River, Rai San’yō 頼山陽 Japanese, Hanging scroll; ink on paper, Japan — Unexpected Meeting on the Yodo River
Rai San’yō 頼山陽
Tanomura Chikuden 田能村竹田
1823

Kan'ei Picture Album (Kan'ei gafu 完瑛画譜), Nishiyama Ken 西山謙一郎 Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan — Kan'ei Picture Album (Kan'ei gafu 完瑛画譜)
Nishiyama Ken 西山謙一郎
1886, eleventh month (Meiji 19)

Twelve Views of Naniwa (Osaka) (Naniwa jūnikei) なにわ十二景, Nishiyama Ken 西山謙一郎 Japanese, Accordion album; ink and color on paper, Japan — Twelve Views of Naniwa (Osaka) (Naniwa jūnikei) なにわ十二景
Nishiyama Ken 西山謙一郎
19th century

Shell Motifs (Kaigara dammen zuan) 貝殻断面図案, Yoichirō Hirase 平瀬與一郎 Japanese, Woodblock printed book; ink and color on paper, Japan — Shell Motifs (Kaigara dammen zuan) 貝殻断面図案
Yoichirō Hirase 平瀬與一郎
1913

Fan, Giuseppe Castiglione (Lang Shining 郎世寧) Italian, Folding fan; ink and color on paper, China — Fan
Giuseppe Castiglione (Lang Shining 郎世寧)
Wang Yudun
18th century

Squirrels on Bamboo and Rock, Mochizuki Gyokusen 望月玉川 Japanese, Hanging scroll; ink on silk, Japan — Squirrels on Bamboo and Rock
Mochizuki Gyokusen 望月玉川
Yongtian 用田
1812

Squirrels on Bamboo and Rock, Kano Osanobu Japanese, Hanging scroll; ink on silk, Japan — Squirrels on Bamboo and Rock
Kano Osanobu
Yongtian 用田
ca. 1820s

Picture Album of Various Birds (Shūchō gafu) 聚鳥畫譜, Numata Kashū 沼田荷舟 Japanese, Polychrome woodblock printed book; ink and color on paper, Japan — Picture Album of Various Birds (Shūchō gafu) 聚鳥畫譜
Numata Kashū 沼田荷舟
1885, first month

Memoirs of a Castaway (Hyōryūki) 流記, Hamada Hikozō 浜田彦蔵 (Joseph Heco), Two volumes of woodblock printed books; ink on paper, Japan — Memoirs of a Castaway (Hyōryūki) 流記
Hamada Hikozō 浜田彦蔵
1863

Mountains of the Heart (Kyōchūzan) 胸中山, Kameda Bōsai 亀田鵬斎 Japanese, Woodblock printed book; ink and color on paper, Japan — Mountains of the Heart (Kyōchūzan) 胸中山
Kameda Bōsai 亀田鵬斎
preface date: 1816, (Bunka 13)

Kanrin Picture Album (Kanrin gafu) 閑林画譜, Okada Kanrin 岡田閑林 Japanese, Set of two woodblock printed books; ink and color on paper, Japan — Kanrin Picture Album (Kanrin gafu) 閑林画譜
Okada Kanrin 岡田閑林
1845, second month (Kōka 2)

Striking Views of Mount Fuji (Fuyō kikan) 芙蓉奇観, Yamada Sadazane 山田貞実 Japanese, Woodblock printed book (orihon, accordion-style but bound); ink and color on paper, Japan — Striking Views of Mount Fuji (Fuyō kikan) 芙蓉奇観
Yamada Sadazane 山田貞実
Amano Genkai 天野元海
1828

No Shadow in Any Nook or Corner (Kuma naki kage) くまにき影, Shibata Zeshin 柴田是真 , et al Japanese, Woodblock printed book; ink and color on paper, Japan — No Shadow in Any Nook or Corner (Kuma naki kage) くまにき影
Shibata Zeshin 柴田是真
1867

Golden Tablets, Shinoda Tōkō 篠田桃紅 Japanese, Ink and gofun (ground-shell pigment) on gilded paper, Japan — Golden Tablets
Shinoda Tōkō 篠田桃紅
2011

A Book on Flower Arrangement: Hare's-Foot Fern (Shinobugusa) 師廼部供作 (vol. 2); 思乃父魚砂 (vol. 3), Yoshida Tōgetsu 吉田桃月 Japanese, Monochrome Woodblock printed books; ink on paper, Japan — A Book on Flower Arrangement: Hare's-Foot Fern (Shinobugusa) 師廼部供作 (vol. 2); 思乃父魚砂 (vol. 3)
Yoshida Tōgetsu 吉田桃月
1822

金魚子地秋草図金具合口拵・付銀刀 Blade and Mounting for a Dagger (<i>Tantō</i>), 宮田信清 Miyata Nobukiyo Japanese, Steel, silver, copper, copper-gold alloy (<i>shakudō</i>), gold, ray skin (<i>same</i>), baleen, lacquer, Japanese — 金魚子地秋草図金具合口拵・付銀刀 Blade and Mounting for a Dagger (Tantō)
宮田信清 Miyata Nobukiyo
mid–late 19th century

Lighting a Hanging Lantern for the Obon Festival, Shibata Zeshin 柴田是真 Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan — Lighting a Hanging Lantern for the Obon Festival
Shibata Zeshin 柴田是真
circa 1860

Silver Freshwater Jar with Dolphin (Nanryō irukamon mizusashi), Miyata Ryohei 宮田亮平 Japanese, Hammered silver with gold foil, Japan — Silver Freshwater Jar with Dolphin (Nanryō irukamon mizusashi)
Miyata Ryohei 宮田亮平
2020

Checked Box in Red and Black, Tanaka Terukazu 田中照一 Japanese, Silver, copper and gold alloy (shakudō), and copper, Japan — Checked Box in Red and Black
Tanaka Terukazu 田中照一
2020

Fishing in Reclusion, Yasuda Hanpo 安田半圃 Japanese, Hanging scroll; ink and color on paper, Japan — Fishing in Reclusion
Yasuda Hanpo 安田半圃
1931