Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for South German or Dutch

Sort by:

South German or Dutch

1760

Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German — Dish with Abraham and Melchizedek
Hans of Landshut
1498

Saint Stephen, Hans Leinberger German, Limewood with traces of paint, South German — Saint Stephen
Hans Leinberger
ca. 1525–30

Soprano Recorder in B, Thomas Coenraet Boekhout Dutch, Ebony, ivory, Dutch — Soprano Recorder in B
Thomas Coenraet Boekhout
ca. 1700

Oboe in C, Hendrik Richters Dutch, Ebony, ivory, silver, Dutch — Oboe in C
Hendrik Richters
before 1727

Mirror, Johannes Hannart (or Jan Hanat), Oak veneered with ebony; boxwood and ebonized boxwood; modern mirror glass, Dutch — Mirror
Johannes Hannart (or Jan Hanat)
ca. 1685–1700

The Annunciation, South German (Bavarian?) Painter German, Oil and gold on linden — The Annunciation
South German (Bavarian?) Painter
1440–50

Box, Tortoiseshell, silver, German or Dutch — Box
German or Dutch
ca. 1720–30

Smallsword, Gold, steel, German or Dutch — Smallsword
German or Dutch
ca. 1750–60

Pair of Rowel Spurs, Iron, copper alloy, South German — Pair of Rowel Spurs
South German
ca. 1500 and 19th century

Messenger Badge, Copper alloy, silver, enamel, South German — Messenger Badge
South German
15th century

Roundel with Christ Taking Leave of His Mother, Hans Schäufelein German, Colorless glass, vitreous paint and silver stain, South German — Roundel with Christ Taking Leave of His Mother
Hans Schäufelein
1507–15

Roundel with the Annunciation, Colorless glass, vitreous paint and silver stain, South German — Roundel with the Annunciation
South German
1480–1500

Man of Sorrows, Elephant ivory with paint and gilding, South German — Man of Sorrows
South German
ca. 1500

Triptych with the Passion of Christ, Mother-of-pearl, gilt wood frame, silk backing, and tooled leather covering, South German — Triptych with the Passion of Christ
South German
ca. 1475–85

Mourning Virgin, Limewood, South German — Mourning Virgin
South German
1510–20

Virgin of the Annunciation, Oak, polychromy & gilding, South German — Virgin of the Annunciation
South German
ca. 1450

The Mater Dolorosa, Lautenbach Master German, Pot-metal glass and colorless glass, silver stain, and vitreous paint, South German — The Mater Dolorosa
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480

Saint George and the Dragon, Limewood with paint and gilding, South German — Saint George and the Dragon
South German
ca. 1460–70

Holy Family, Niclaus Weckmann German, Limewood with traces of paint and gilding, South German — Holy Family
Niclaus Weckmann
ca. 1500

The Three Magi, from an Adoration Group, Hans Thoman German, Wood, gesso, paint, gilding, South German — The Three Magi, from an Adoration Group
Hans Thoman
ca. 1515–20

Beaker, Glass, South German — Beaker
South German
13th century

Saint James the Greater, Pine with paint and gilding, South German — Saint James the Greater
South German
1475–1500

Pax (Kußtafel or Monile), Silver, silver gilt, rubies (or spinels), rock crystal, South German — Pax (Kußtafel or Monile)
South German
ca. 1515–20

Pax with the Crucifixion, Elephant ivory and copper gilt, South German — Pax with the Crucifixion
South German
ca. 1360–70 (ivory); 15th century (frame)

Ostrich egg screw-top flask, Unknown Maker , probably South German, Ostrich egg, gilded silver, South German — Ostrich egg screw-top flask
Unknown Maker
ca. 1600

German Gothic Gauntlet for the Left Hand, Steel, South German or Austrian — German Gothic Gauntlet for the Left Hand
South German or Austrian
ca. 1480

Plaque from a Reliquary Shrine, Champleve and cloisonné enamel, copper alloy, gilt, German or South Netherlandish — Plaque from a Reliquary Shrine
German or South Netherlandish
ca. 1175–1200

Plaque from a Reliquary Shrine, Champlevé and cloisonné enamel, copper alloy, gilt, South Netherlandish or German — Plaque from a Reliquary Shrine
South Netherlandish or German
ca. 1175–1200

Kneeling Angel, Alabaster, South Netherlandish or German — Kneeling Angel
South Netherlandish or German
ca. 1430–40

Saint John the Baptist, Alabaster, South Netherlandish or German — Saint John the Baptist
South Netherlandish or German
ca. 1420–25

The Last Supper, Limestone, traces of polychromy, German or South Netherlandish — The Last Supper
German or South Netherlandish
ca. 1500–1530

Crucified Christ, Copper alloy, gilt, German or South Netherlandish — Crucified Christ
German or South Netherlandish
ca. 1140–60

Saint George and the Dragon, Hans Klocker (under the influence of Michael Pacher) Austrian, Wood, painted and gilt, Austrian or South German — Saint George and the Dragon
Hans Klocker
ca. 1475

Nutcracker, Copper alloy, German or South Netherlandish — Nutcracker
German or South Netherlandish
early 15th century

Smiling figure (Sonriente), South central Veracruz artist(s), Ceramic, slip, paint, Classic Veracruz — Smiling figure (Sonriente)
South central Veracruz artist(s)
600–1000 CE

Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish — Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century

Plaque with the Pentecost, Champlevé and translucent enamel on copper gilt, South Netherlandish — Plaque with the Pentecost
South Netherlandish
ca. 1150–75

Beaker with Apes, Silver, silver gilt, and painted enamel, South Netherlandish — Beaker with Apes
South Netherlandish
ca. 1425–50

Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists, Elephant ivory, South Italian — Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists
South Italian
1000–1050