Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Sir William Chambers

Sort by:

Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants, Sir William Chambers British, born Sweden, Pen and watercolor — Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants
Sir William Chambers
ca. 1775

Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash and watercolor — Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags
Sir William Chambers
1740–96

Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice
Sir William Chambers
1743–96

Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire, Sir William Chambers British, born Sweden, Pen and ink, brush and wash — Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire
Sir William Chambers
1770–76

Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room, Sir William Chambers British, born Sweden, Pen and black ink, brush and wash, touches of watercolor — Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room
Sir William Chambers
ca. 1769

Design for a Pedestal, for Richmond House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash — Design for a Pedestal, for Richmond House, Whitehall, London
Sir William Chambers
ca. 1760

Design for a Ceiling, an Oblong with an Oval Center, Sir William Chambers British, born Sweden, Pen and ink, brush and wash — Design for a Ceiling, an Oblong with an Oval Center
Sir William Chambers
1743–96

Design for a Ceiling, an Oval within a Square, having a Criss-cross Border to the Oval, for Ampthill Park, Bedfordshire, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash — Design for a Ceiling, an Oval within a Square, having a Criss-cross Border to the Oval, for Ampthill Park, Bedfordshire
Sir William Chambers
ca. 1769

Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex, Sir William Chambers British, born Sweden, Pen and brown ink, brush and wash — Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex
Sir William Chambers
1765–66

Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan), Sir William Chambers British, born Sweden, Pen and ink, brush and wash — Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan)
Sir William Chambers
ca. 1769

Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, Sir William Chambers British, born Sweden, Graphite — Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset
Sir William Chambers
1770–74

Design for a Ceiling, Sir William Chambers British, born Sweden, Graphite, brush and pink and green wash — Design for a Ceiling
Sir William Chambers
1743–96

Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and black ink, brush and gray wash — Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London
Sir William Chambers
John Yenn
ca. 1766–74

Half Plan of a Ceiling with an Oval Center and Semicircular Ends, Sir William Chambers British, born Sweden, Pen and gray ink, brush and pink wash — Half Plan of a Ceiling with an Oval Center and Semicircular Ends
Sir William Chambers
1743–96

Design for the Gallery ceiling, Richmond House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and ink, brush and wash, watercolor — Design for the Gallery ceiling, Richmond House, Whitehall, London
Sir William Chambers
1760

Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch, Sir William Chambers British, born Sweden, Pen and ink, watercolor — Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch
Sir William Chambers
ca. 1768

Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads, Sir William Chambers British, born Sweden, Pen and ink, brush and wash — Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads
Sir William Chambers
1743–97

Capitoline, Antique Tripod, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash — Capitoline, Antique Tripod
Sir William Chambers
ca. 1750–55

Antique Vase of Copper in the Capitol, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash — Antique Vase of Copper in the Capitol
Sir William Chambers
ca. 1750–55

Details of Ceilings, Villa Madama, St. Peter's and Madonna del Popolo, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash — Details of Ceilings, Villa Madama, St. Peter's and Madonna del Popolo
Sir William Chambers
ca. 1750–55

Detail of Ceiling, Palazzo Massimi, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash — Detail of Ceiling, Palazzo Massimi
Sir William Chambers
ca. 1750–55

Ceiling Vault of Palazzo Mattei, Rome, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash — Ceiling Vault of Palazzo Mattei, Rome
Sir William Chambers
1750–59

Ceiling of Staircase, Palazzo Mattei, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash — Ceiling of Staircase, Palazzo Mattei
Sir William Chambers
ca. 1750–55

Mezzanine Window, Palazzo Madama, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Mezzanine Window, Palazzo Madama
Sir William Chambers
ca. 1750–55

Design for Three Stucco Frames, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash — Design for Three Stucco Frames
Sir William Chambers
ca. 1750–55

Design for a Chimneypiece, Incorporating a Portrait of George III, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Design for a Chimneypiece, Incorporating a Portrait of George III
Sir William Chambers
1760–69

Elevation of the South, or River Front of the New Building at Somerset Place, Sir William Chambers British, born Sweden, Pen and ink, brush and wash — Elevation of the South, or River Front of the New Building at Somerset Place
Sir William Chambers
mid-18th–late 18th century

Designs for Two Chimney-pieces in Lord Viscount Charlemont's Casino at Marino, Dublin, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash — Designs for Two Chimney-pieces in Lord Viscount Charlemont's Casino at Marino, Dublin
Sir William Chambers
ca. 1758–59

Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, touches of watercolor — Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London
Sir William Chambers
after 1754

Design for a Chimneypiece in the Eating-room, Danson Park, Kent, Sir William Chambers British, born Sweden, Pen and brown ink, brush and wash — Design for a Chimneypiece in the Eating-room, Danson Park, Kent
Sir William Chambers
ca. 1773

Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan, Sir William Chambers British, born Sweden, Pen and ink, brush and wash — Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan
Sir William Chambers
1745–1800

Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn, Sir William Chambers British, born Sweden, Pen and ink, watercolor — Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn
Sir William Chambers
John Yenn
1740–1800

Chimney Piece, Sir William Chambers British, born Sweden, Pen and black ink, brush and gray wash, over graphite — Chimney Piece
Sir William Chambers
1743–96

Ornament in the Shape of a Cross, Sir William Chambers British, born Sweden, Graphite — Ornament in the Shape of a Cross
Sir William Chambers
1743–96

Design for a Frame, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Design for a Frame
Sir William Chambers
1743–1800

Design for a Frame, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite — Design for a Frame
Sir William Chambers
1743–1800

Design for a Chimneypiece, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash — Design for a Chimneypiece
Sir William Chambers
1740–96

Design for a Chimneypiece (recto); Sketches for Column Bases (verso), Sir William Chambers British, born Sweden, Recto: pen and brown and red ink, brush and yellow-green wash<br/>Verso: graphite — Design for a Chimneypiece (recto); Sketches for Column Bases (verso)
Sir William Chambers
1740–1800

General Plan of the Gardens at Kew, Sir William Chambers British, born Sweden, Watercolor, pen and ink — General Plan of the Gardens at Kew
Sir William Chambers
1763

The Great Exotic Stove at Kew, Sir William Chambers British, born Sweden, Pen and ink, brush and wash, watercolor — The Great Exotic Stove at Kew
Sir William Chambers
1763