Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for Sir William Blake Richmond

Sort by:

Self-portrait, aged 21, Sir William Blake Richmond British, Watercolor — Self-portrait, aged 21
Sir William Blake Richmond
1863

Self-portrait, aged 21, Sir William Blake Richmond British, Etching on chine collé — Self-portrait, aged 21
Sir William Blake Richmond
ca. 1863

Six Greek Myths

Multiple artists/makers

1879

Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite — Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5

The Angel Appearing to Zacharias, William Blake British, Pen and black ink, tempera, and glue size on canvas — The Angel Appearing to Zacharias
William Blake
1799–1800

George IV (1762–1830), When Prince of Wales, Sir William Beechey and Workshop British, Oil on canvas — George IV (1762–1830), When Prince of Wales
Sir William Beechey

The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche

Multiple artists/makers

1887

Captain George K. H. Coussmaker (1759–1801), Sir Joshua Reynolds British, Oil on canvas — Captain George K. H. Coussmaker (1759–1801)
Sir Joshua Reynolds
1782

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, Sir Thomas Lawrence British, Oil on canvas — Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby
Sir Thomas Lawrence
1790

Grand Pianoforte, Érard , made in London French, Satinwood veneer, oak, spruce, iron, steel, ebony, ivory, gilding, mother-of-pearl, holly, mahogany, burl walnut, tulipwood, silver wire, British — Grand Pianoforte
Érard
George Henry Blake
ca. 1840

Terracotta oinochoe (jug), Richmond Painter, Terracotta, Greek, Attic — Terracotta oinochoe (jug)
Richmond Painter
ca. 450–425 BCE

Poetry and Prose of William Blake

William Blake

1932

Adam and the Beasts, Frontispiece to Hayley's "Ballads", William Blake British, Engraving — Adam and the Beasts, Frontispiece to Hayley's "Ballads"
William Blake
William Hayley
June 1, 1802

Pity, William Blake British, Relief etching, printed in color and finished with pen and ink and watercolor — Pity
William Blake
William Shakespeare
ca. 1795

The Love Song, Sir Edward Burne-Jones British, Oil on canvas — The Love Song
Sir Edward Burne-Jones
1868–77

Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4), William Blake British, Etching and engraving — Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4)
Multiple artists/makers
1774

The Beggar's Opera, Act III, William Blake British, Engraving — The Beggar's Opera, Act III
Multiple artists/makers
1790

The Beggar's Opera, Act III, William Blake British, Etching and engraving — The Beggar's Opera, Act III
Multiple artists/makers
July 1, 1790

The Beggar's Opera, Act III, William Blake British, Engraving — The Beggar's Opera, Act III
Multiple artists/makers
July 1, 1790

Medal cabinet, William Vile British, Mahogany with carved and applied decoration, British — Medal cabinet
William Vile
John Cobb
1760–61

Edward Miles (1752–1828), Sir William Beechey British, Oil on canvas — Edward Miles (1752–1828)
Sir William Beechey

Portrait of a Woman, Sir William Beechey British, Oil on canvas — Portrait of a Woman
Sir William Beechey
ca. 1805

The Complaint and the Consolation; or, Night Thoughts, William Blake British, Illustrations: etching and engraving — The Complaint and the Consolation; or, Night Thoughts
Multiple artists/makers
1797

The Grave, A Poem, William Blake British, Illustrations: etchings — The Grave, A Poem
Multiple artists/makers
1813

Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso), William Blake British, Watercolor, pen and black ink, over graphite — Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)
William Blake
ca. 1803

The Parable of the Wise and Foolish Virgins, William Blake British, Watercolor, pen and black ink, brush and wash, over graphite — The Parable of the Wise and Foolish Virgins
William Blake
ca. 1799–1800

The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair, William Blake British, Engraving — The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair
Multiple artists/makers
March 1, 1813

Hiding of Moses, from "Remember Me!, or a Pocket Companion", William Blake British, Engraving — Hiding of Moses, from "Remember Me!, or a Pocket Companion"
William Blake
I. Poole
1825

Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden", William Blake British, Engraving — Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden"
Multiple artists/makers
August 1, 1795

Winged Figure Flying Through Clouds, from Bell's "Poets", William Blake British, Etching and engraving; only state — Winged Figure Flying Through Clouds, from Bell's "Poets"
Multiple artists/makers
1790

The Circle of the Lustful: Paolo and Francesca, William Blake British, Engraving — The Circle of the Lustful: Paolo and Francesca
William Blake
Dante Alighieri
ca. 1825–27

Frontispiece to Jerusalem, the Emanation of the Great Albion, William Blake British, White line engraving, printed in orange ink — Frontispiece to Jerusalem, the Emanation of the Great Albion
William Blake
[ca. 1804–20] (?)

Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair, William Blake British, Engraving — Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair
Multiple artists/makers
March 1, 1813

God Judging Adam, William Blake British, Color relief etching finished with pen and ink and watercolor — God Judging Adam
William Blake
ca. 1795

Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page
William Blake
[1789–94] printed ca. 1825

Songs of Innocence: Frontispiece, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Frontispiece
William Blake
[1789] printed ca. 1825

Songs of Innocence: Title Page, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Title Page
William Blake
[1789] printed ca. 1825

Songs of Innocence: Introduction, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Introduction
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Lamb, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Lamb
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Little Black Boy, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Little Black Boy
William Blake
[1789] printed ca. 1825