Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for School of Paolo Veronese

Sort by:

Head of a Bearded Man, School of Paolo Veronese Venice, Black chalk, heightened with white, on greenish blue paper. — Head of a Bearded Man
School of Paolo Veronese
Paolo Veronese (Paolo Caliari)
ca. 1565

Mars and Venus United by Love, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas — Mars and Venus United by Love
Paolo Veronese (Paolo Caliari)
1570s

Boy with a Greyhound, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas — Boy with a Greyhound
Paolo Veronese (Paolo Caliari)
possibly 1570s

Saint Catherine of Alexandria in Prison, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas — Saint Catherine of Alexandria in Prison
Paolo Veronese (Paolo Caliari)
ca. 1585

Seated Female Figure with Upraised Arms, Facing Right, Veronese School, Pen and brown ink, over traces of black chalk, Italian, Verona — Seated Female Figure with Upraised Arms, Facing Right
Veronese School
mid-15th century

Seated Female Figure Holding a Book and a Scroll (?), Veronese School, Pen and dark brown ink, over black chalk, Italian, Verona — Seated Female Figure Holding a Book and a Scroll (?)
Veronese School
mid-15th century

Alessandro Vittoria (1525–1608), Paolo Veronese (Paolo Caliari) Italian, Oil on canvas — Alessandro Vittoria (1525–1608)
Paolo Veronese (Paolo Caliari)
ca. 1580

The Entombment, School of Nottingham British, Alabaster, British — The Entombment
School of Nottingham
15th century

The Betrayal of Christ, School of Nottingham British, Alabaster with paint and gilding, British — The Betrayal of Christ
School of Nottingham
15th century

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

Sword Guard (Tsuba), Hirata School Japanese, Copper-gold alloy (shakudō), gold, enameled cloisonné (shippō), copper, Japanese — Sword Guard (Tsuba)
Hirata School
ca. 1615–1868

Sword Guard (Tsuba), Kyōsukashi School Japanese, Iron, copper, Japanese — Sword Guard (Tsuba)
Kyōsukashi School
late 16th century

Kneeling Virgin, Paolo Aquilano (Sculptor of the Berlin Enthroned Virgin?) Italian, Willow with paint and gilding, Italian — Kneeling Virgin
Paolo Aquilano
ca. 1475–1500

Cuba, Paolo Gasparini Venezuelan, born Italy, Gelatin silver print — Cuba
Paolo Gasparini
1961–65

Studies for The Allegories of Love, Paolo Veronese (Paolo Caliari) Italian, Pen and brown ink, brush and brown wash — Studies for The Allegories of Love
Paolo Veronese (Paolo Caliari)
1570–75

Allegory of the Redemption of the World, Paolo Veronese (Paolo Caliari) Italian, Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper — Allegory of the Redemption of the World
Paolo Veronese (Paolo Caliari)
1528–88

Sketches for Compositions and Groups of Figures (recto and verso), Paolo Veronese (Paolo Caliari) Italian, Pen and brown ink, brush and brown wash — Sketches for Compositions and Groups of Figures (recto and verso)
Paolo Veronese (Paolo Caliari)
ca. 1568–88

Young woman in bust-length turning to the left, Paolo Veronese (Paolo Caliari) Italian, Soft, grayish black chalk, with slight highlights in white gouache or chalk — Young woman in bust-length turning to the left
Paolo Veronese (Paolo Caliari)
1548–88

The Ascension, School of Nottingham British, Alabaster with paint and gilding, British — The Ascension
School of Nottingham
15th century

The Crucifixion, School of Nottingham British, Alabaster with paint and gilding, British — The Crucifixion
School of Nottingham
15th century

The Holy Family with the Young Saint John the Baptist, School of Cambiaso Italian, Pen and brown ink, grayish brown wash., Italian — The Holy Family with the Young Saint John the Baptist
School of Cambiaso
late 16th century

The Entombment, School of Antwerp South Netherlandish, Oak, South Netherlandish — The Entombment
School of Antwerp
early 16th century

Virgin Supported by Saint John, School of Antwerp South Netherlandish, Oak, South Netherlandish — Virgin Supported by Saint John
School of Antwerp
early 16th century

Landscape with Ruined Architecture, School of Zuccarelli, Charcoal or black chalk, Italian — Landscape with Ruined Architecture
School of Zuccarelli
mid-18th–mid-19th century

Division Viol, School of Tielke, Wood, ivory, tortoise shell, German — Division Viol
School of Tielke
ca. 1720

Hercules and the Erymanthian Boar, School of Cambiaso Italian, Pen and brown ink, over black chalk underdrawing, Italian — Hercules and the Erymanthian Boar
School of Cambiaso
ca. 1550

The Four Evangelists, School of Cambiaso Italian, Pen and brown ink, brown wash over traces of black chalk. — The Four Evangelists
School of Cambiaso
Luca Cambiaso
late 16th century

Plaque with the Head of Saint John the Baptist on a Charger, School of Nottingham British, Alabaster with paint and gilding, British — Plaque with the Head of Saint John the Baptist on a Charger
School of Nottingham
15th century

Saint Barbara, School of Troyes, Marble, trace of polychromy and gilding, French — Saint Barbara
School of Troyes
16th century

Taking of Christ, School of Nottingham British, Alabaster with paint and gilding, British — Taking of Christ
School of Nottingham
ca. 1440–50

Virgin, Saint Anne & Saint Joachim, School of Nottingham British, Alabaster with paint and gilding, British — Virgin, Saint Anne & Saint Joachim
School of Nottingham
15th century

Venus Blindfolding Cupid, School of Cambiaso Italian, Pen and brown ink, brown wash, on tan paper. — Venus Blindfolding Cupid
School of Cambiaso
Luca Cambiaso
late 16th century

Adoration of the Magi, School of Nottingham British, Alabaster with paint and gilding, British — Adoration of the Magi
School of Nottingham
15th century

Caryatid (one of a pair), School of Burgundy, Sandstone, French, Dijon — Caryatid (one of a pair)
School of Burgundy
second half 16th century

Caryatid (one of a pair), School of Burgundy, Sandstone, French, Dijon — Caryatid (one of a pair)
School of Burgundy
second half 16th century

Daybed, School of Toulon, Carved walnut, green damask, French, Provence — Daybed
School of Toulon
second quarter 18th century

Platter with crocodile, snake, and lizard, School of Paris French, Glazed earthenware, French — Platter with crocodile, snake, and lizard
School of Paris
ca. 1870–80

The Crucifixion, Paolo Uccello (Paolo di Dono) Italian, Tempera on wood, gold ground — The Crucifixion
Paolo Uccello (Paolo di Dono)
probably mid-1450s