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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 905 results for Salvator Rosa

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The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas — The Dream of Aeneas
Salvator Rosa
1660–65

Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas — Bandits on a Rocky Coast
Salvator Rosa
1655–60

Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny — Plate
Salvator Rosa
ca. 1733–37

Self-Portrait, Salvator Rosa Italian, Oil on canvas — Self-Portrait
Salvator Rosa
ca. 1647

A man wearing a plumed hat pointing at an inscribed block while looking over his right shoulder at a screaming man, frontispiece for "Figurine", Salvator Rosa Italian, Etching with drypoint — A man wearing a plumed hat pointing at an inscribed block while looking over his right shoulder at a screaming man, frontispiece for "Figurine"
Salvator Rosa
ca. 1656–57

A semi-nude woman seated, resting her head on a rock, from "Figurine", Salvator Rosa Italian, Etching and drypoint — A semi-nude woman seated, resting her head on a rock, from "Figurine"
Salvator Rosa
ca. 1656–57

Three warriors conversing at a low wall, one with his back turned, from "Figurine", Salvator Rosa Italian, Etching and drypoint — Three warriors conversing at a low wall, one with his back turned, from "Figurine"
Salvator Rosa
ca. 1656–57

A sleeping warrior seated on a rock and leaning on his shield, from "Figurine", Salvator Rosa Italian, Etching with drypoint — A sleeping warrior seated on a rock and leaning on his shield, from "Figurine"
Salvator Rosa
ca. 1656–57

The Fall of the Giants, Salvator Rosa Italian, Etching with drypoint — The Fall of the Giants
Salvator Rosa
1663

Death of Regulus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, on faded light green paper — Death of Regulus
Salvator Rosa
1615–73

Studies of Kneeling Figures, Salvator Rosa Italian, Pen and brown ink, brush and brown wash — Studies of Kneeling Figures
Salvator Rosa
1615–73

The Raising of Lazarus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over a little black chalk — The Raising of Lazarus
Salvator Rosa
1615–73

Two Standing Men Gesticulating, Salvator Rosa Italian, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto — Two Standing Men Gesticulating
Salvator Rosa
1615–73

Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa Italian, Etching and drypoint — Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand
Salvator Rosa
ca. 1663–64

Saint William of Maleval, hands tied with rope fastened to a tree, Salvator Rosa Italian, Etching and Drypoint — Saint William of Maleval, hands tied with rope fastened to a tree
Salvator Rosa
1661

Apollo and the Cumaean Sibyl, Salvator Rosa Italian, Etching and drypoint — Apollo and the Cumaean Sibyl
Salvator Rosa
ca. 1661

Landscape with a herdsmen, Salvator Rosa Italian, Etching and drypoint — Landscape with a herdsmen
Salvator Rosa
ca. 1640–45

A landscape with water in the foreground and mountains in the distance, Salvator Rosa Italian, Etching — A landscape with water in the foreground and mountains in the distance
Salvator Rosa
17th century

Jason and the Dragon, Salvator Rosa Italian, Etching and drypoint — Jason and the Dragon
Salvator Rosa
ca. 1663–64

A man pulling a net with two figures behind him, from "Figurine", Salvator Rosa Italian, Etching and Drypoint — A man pulling a net with two figures behind him, from "Figurine"
Salvator Rosa
ca. 1656–57

An Apparition, Salvator Rosa Italian, Pen and brown ink, lightly washed — An Apparition
Salvator Rosa
1615–73

Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso), Salvator Rosa Italian, Pen and brown ink (recto and verso) — Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa
1615–73

Turbaned Warrior Holding a Mace, Salvator Rosa Italian, Pen and brown ink, brown wash, over a little black chalk — Turbaned Warrior Holding a Mace
Salvator Rosa
1615–73

Figure studies: seated and standing men, Salvator Rosa Italian, Pen and brown ink, over traces of black chalk — Figure studies: seated and standing men
Salvator Rosa
1615–73

Two Standing Soldiers and Six other Figures, Salvator Rosa Italian, Pen and brown ink — Two Standing Soldiers and Six other Figures
Salvator Rosa
1615–73

Old Man Kneeling Facing Upper Left, Salvator Rosa Italian, Pen and brown ink, brown and gray wash, traces of red chalk — Old Man Kneeling Facing Upper Left
Salvator Rosa
1615–73

Landscape with hills and a lake, trees in right foreground., Salvator Rosa Italian, Pen and brown ink, on beige paper — Landscape with hills and a lake, trees in right foreground.
Salvator Rosa
1615–73

Studies of a Man's Head in Profile, and of a Standing Male Figure

Salvator Rosa

St. Paul, Hermit, Salvator Rosa Italian, Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache — St. Paul, Hermit
Salvator Rosa
1635–73

Witches' Sabbath (recto); Figures Gathered around a tree (verso), Salvator Rosa Italian, Pen and brown ink, brush and brown wash (recto and verso); framing lines in black chalk — Witches' Sabbath (recto); Figures Gathered around a tree (verso)
Salvator Rosa
1615–73

Study for a Judgment of Paris and Other Figure Studies, Salvator Rosa Italian, Pen and brown ink, over black chalk — Study for a Judgment of Paris and Other Figure Studies
Salvator Rosa
1615–73

The Prodigal Son, Salvator Rosa Italian, Gray, black and brown wash, black and white chalk — The Prodigal Son
Salvator Rosa
1615–73

Landscape with a figure seated on a rock, Salvator Rosa Italian, Etching — Landscape with a figure seated on a rock
Salvator Rosa
ca. 1640

A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper — A Large Tree
Salvator Rosa
1615–73

Witches' Sabbath, Salvator Rosa Italian, Pen and brown ink, brush and brown wash — Witches' Sabbath
Salvator Rosa
1640–1649

Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso), Salvator Rosa Italian, Red chalk highlighted with white chalk — Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa
1615–73

Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso), Salvator Rosa Italian, Pen, brown ink and lead graphite — Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)
Salvator Rosa
1615–73

The Fall of the Giants, Salvator Rosa Italian, Pen and brown ink, over charcoal — The Fall of the Giants
Salvator Rosa
ca. 1663

The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper — The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73

Milo of Crotona, Salvator Rosa Italian, Pen and brown ink — Milo of Crotona
Salvator Rosa
1615–73