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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 228 results for Rhiannon Skye Tafoya

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Ul'nigid' / Rhiannon Skye Tafoya, Rhiannon Skye Tafoya — Ul'nigid' / Rhiannon Skye Tafoya
Multiple artists/makers
2019

The art of pulp painting, Beverly Sky American — The art of pulp painting
Multiple artists/makers
2005

Jungle Tales (Contes de la Jungle), James Jebusa Shannon American, Oil on canvas, American — Jungle Tales (Contes de la Jungle)
James Jebusa Shannon
1895

Evening dress, Shannon Rodgers, Silk, rhinestones, metallic thread and beads, American — Evening dress
Shannon Rodgers
ca. 1968

Evening dress, Shannon Rodgers, Silk, feathers, beads, rhinestones, American — Evening dress
Shannon Rodgers
ca. 1967

Dress, Shannon Rodgers, Wool, American — Dress
Shannon Rodgers
ca. 1967

Evening coat, Shannon Rodgers, wool, fur, American — Evening coat
Shannon Rodgers
ca. 1968

Vertigo, Shannon Bool Canadian, Gelatin silver print — Vertigo
Shannon Bool
2015

Green Plums Wrapped in Bamboo Leaf; A Teabowl, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Green Plums Wrapped in Bamboo Leaf; A Teabowl
Totoya Hokkei
19th century

Young Shoot of Bamboo, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Young Shoot of Bamboo
Totoya Hokkei
19th century

Lobster on a Piece of Charcoal, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Lobster on a Piece of Charcoal
Totoya Hokkei

Helmet and Plum Blossoms, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Helmet and Plum Blossoms
Totoya Hokkei

Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover
Totoya Hokkei
19th century

Ebisu and Daikoku; Two of the Seven Gods of Good Fortune, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Ebisu and Daikoku; Two of the Seven Gods of Good Fortune
Totoya Hokkei
19th century

Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off
Totoya Hokkei
19th century

Tray with Noshi Paper (Noshi Indicates a Present), Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Tray with Noshi Paper (Noshi Indicates a Present)
Totoya Hokkei
1816

Rising Sun and Cock and Hen, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Rising Sun and Cock and Hen
Totoya Hokkei
ca. 1800

Letter-box and Toothpick Holders, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Letter-box and Toothpick Holders
Totoya Hokkei
19th century

Pillow for Women and a Bowl, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Pillow for Women and a Bowl
Totoya Hokkei
Shibayamadō
19th century

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony
Totoya Hokkei
19th century

Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box
From the Spring Rain Collection (Harusame shū), vol. 3
, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box From the Spring Rain Collection (Harusame shū), vol. 3
Totoya Hokkei
probably 1817

Rising Sun and Plum Tree, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Rising Sun and Plum Tree
Totoya Hokkei
19th century

Peacock on Pine Tree and Peonies, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Peacock on Pine Tree and Peonies, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Five Cranes by the Water’s Edge, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Five Cranes by the Water’s Edge, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Three Crows against the Rising Sun, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Three Crows against the Rising Sun, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Eggplants in a Basket, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Eggplants in a Basket
Totoya Hokkei
19th century

Tai Fish and Lobster; Specialities of Yanagiya in Odawara-cho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Tai Fish and Lobster; Specialities of Yanagiya in Odawara-cho
Totoya Hokkei
19th century

Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho
Totoya Hokkei
19th century

Hawk Made of Silk; Specialities of Karakiya in Kokucho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Hawk Made of Silk; Specialities of Karakiya in Kokucho
Totoya Hokkei
19th century

Tobacco Pouches; Specialities of Takaya in Yokkaichi, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Tobacco Pouches; Specialities of Takaya in Yokkaichi
Totoya Hokkei
19th century

Roof Tile and Sparrows; Specialities of Mizuno in Imado, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Roof Tile and Sparrows; Specialities of Mizuno in Imado
Totoya Hokkei
19th century

Hat, Deer-Horn and Plum Branch, Representing Jurōjin, the God of Life, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Hat, Deer-Horn and Plum Branch, Representing Jurōjin, the God of Life
Totoya Hokkei
19th century

Cock on Drum, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Cock on Drum
Totoya Hokkei
ca. 1825

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Scene in Gekkyuden - Dream of the Moon Palace, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Scene in Gekkyuden - Dream of the Moon Palace
Totoya Hokkei
1831

A Man Slaying a Monster Carp with a Sword, Totoya Hokkei Japanese, Diptych of woodblock prints (surimono); ink and color on paper, Japan — A Man Slaying a Monster Carp with a Sword
Totoya Hokkei
ca. 1830

Surimono Calendar for the Dog Year, 1814, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Surimono Calendar for the Dog Year, 1814
Totoya Hokkei
1814

Kanjo (Court Lady) Seated, and a Tsurikoro Hanging near Her Head, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Kanjo (Court Lady) Seated, and a Tsurikoro Hanging near Her Head
Totoya Hokkei
ca. 1825