Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 428 results for Poligrafa Obra Gráfica

Sort by:

Camí de fletxes entre línies paral.leles (Way of arrows between parallel lines), James Siena American, Etching — Camí de fletxes entre línies paral.leles (Way of arrows between parallel lines)
James Siena
Poligrafa Obra Gráfica
2011

Fletxes Rodones, James Siena American, Etching — Fletxes Rodones
James Siena
Poligrafa Obra Gráfica
2011

Fletxes Ortogonals Decreixents, James Siena American, Etching — Fletxes Ortogonals Decreixents
James Siena
Poligrafa Obra Gráfica
2011

La Por (Fear), James Siena American, Etching — La Por (Fear)
James Siena
Poligrafa Obra Gráfica
2011

Membre (Member), James Siena American, Etching — Membre (Member)
James Siena
Poligrafa Obra Gráfica
2011

Cova (Cave), James Siena American, Etching — Cova (Cave)
James Siena
Poligrafa Obra Gráfica
2011

Línies Sortint de L'Obscuritat (Lines Out of the Darknesss), James Siena American, Etching — Línies Sortint de L'Obscuritat (Lines Out of the Darknesss)
James Siena
Poligrafa Obra Gráfica
2011

Línies Pesades i Infectades (Heavy, Infected Lines), James Siena American, Etching — Línies Pesades i Infectades (Heavy, Infected Lines)
James Siena
Poligrafa Obra Gráfica
2011

Poster celebrating the victory over the Nazis at the end of World War II, Ángel Bracho Mexican, Lithograph in black and red, letterpress, backed with linen — Poster celebrating the victory over the Nazis at the end of World War II
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1945

Estampas de la revolución Mexicana (prints of the Mexican Revolution)

Taller de Gráfica Popular, Mexico City

1947

'Calacas' published by the Taller de Gráfica de Popular

Multiple artists/makers

1980

Portfolio of twenty prints published to celebrate the centenary of the birth of Emiliano Zapata

Multiple artists/makers

1979

Propaganda, Alfredo Zalce Mexican, Lithograph — Propaganda
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right, Alfredo Zalce Mexican, Linocut — Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1943

Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 3: an indentured slave (peon acasillado) cutting maize, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 4: disgruntled campesinos being exectued by firing squad, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1946

Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Leopoldo Méndez Mexican, Woodcut — Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 10: the persecution of those involved in the Partido Liberal by the regime of president of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 10: the persecution of those involved in the Partido Liberal by the regime of president of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Everardo Ramírez Mexican, Linocut — Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1947

Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Pablo Esteban O'Higgins American, Linocut — Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1947

Plate 20: Francisco I Madero in prison drawing up his 'Plan of San Luis de Potosí', from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Isidoro Ocampo, Mexican Mexican, Linocut — Plate 20: Francisco I Madero in prison drawing up his 'Plan of San Luis de Potosí', from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Isidoro Ocampo, Mexican
Taller de Gráfica Popular, Mexico City
1947

Plate 29: Francisco I. Madera addressing the crowd from a balcony, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Jules Heller American, Linocut — Plate 29: Francisco I. Madera addressing the crowd from a balcony, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Jules Heller
Taller de Gráfica Popular, Mexico City
1947

Plate 30: portrait of Francisco I. Madera, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Isidoro Ocampo, Mexican Mexican, Linocut — Plate 30: portrait of Francisco I. Madera, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Isidoro Ocampo, Mexican
Taller de Gráfica Popular, Mexico City
1947

Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 43: two scenes relating to the activities of the guerillas fighting against the regime Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 43: two scenes relating to the activities of the guerillas fighting against the regime Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 44: soldiers from the regime of Victoriano Huerta herding those who supported Emiliano Zapata and burning their homes, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 44: soldiers from the regime of Victoriano Huerta herding those who supported Emiliano Zapata and burning their homes, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 55: a worker of the Revolution, standing, holding a rifle, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 55: a worker of the Revolution, standing, holding a rifle, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 57: the death of Emiliano Zapata on 10 April 1919, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Isidoro Ocampo, Mexican Mexican, Linocut — Plate 57: the death of Emiliano Zapata on 10 April 1919, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Isidoro Ocampo, Mexican
Taller de Gráfica Popular, Mexico City
1947

Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Manifesto of the town of Soconusco, Ángel Bracho Mexican, Linocut, letterpress on green paper, backed with linen — Manifesto of the town of Soconusco
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1938

Plate 1: Indigenous Mexicans being forced from their land, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 1: Indigenous Mexicans being forced from their land, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947