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Showing 428 results for Poligrafa Obra Gráfica

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Camí de fletxes entre línies paral.leles (Way of arrows between parallel lines), James Siena American, Etching — Camí de fletxes entre línies paral.leles (Way of arrows between parallel lines)
James Siena
Poligrafa Obra Gráfica
2011

Fletxes Rodones, James Siena American, Etching — Fletxes Rodones
James Siena
Poligrafa Obra Gráfica
2011

Fletxes Ortogonals Decreixents, James Siena American, Etching — Fletxes Ortogonals Decreixents
James Siena
Poligrafa Obra Gráfica
2011

La Por (Fear), James Siena American, Etching — La Por (Fear)
James Siena
Poligrafa Obra Gráfica
2011

Membre (Member), James Siena American, Etching — Membre (Member)
James Siena
Poligrafa Obra Gráfica
2011

Cova (Cave), James Siena American, Etching — Cova (Cave)
James Siena
Poligrafa Obra Gráfica
2011

Línies Sortint de L'Obscuritat (Lines Out of the Darknesss), James Siena American, Etching — Línies Sortint de L'Obscuritat (Lines Out of the Darknesss)
James Siena
Poligrafa Obra Gráfica
2011

Línies Pesades i Infectades (Heavy, Infected Lines), James Siena American, Etching — Línies Pesades i Infectades (Heavy, Infected Lines)
James Siena
Poligrafa Obra Gráfica
2011

Poster celebrating the victory over the Nazis at the end of World War II, Ángel Bracho Mexican, Lithograph in black and red, letterpress, backed with linen — Poster celebrating the victory over the Nazis at the end of World War II
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1945

Estampas de la Revolución Mexicana (Prints of the Mexican Revolution)

Taller de Gráfica Popular, Mexico City

1947

'Calacas' published by the Taller de Gráfica de Popular

Multiple artists/makers

1980

Portfolio of twenty prints published to celebrate the centenary of the birth of Emiliano Zapata

Multiple artists/makers

1979

Propaganda, Alfredo Zalce Mexican, Lithograph — Propaganda
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

The press in the service of imperialism, Alfredo Zalce Mexican, Lithograph — The press in the service of imperialism
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of how to combat Japanese Fascism, Isidoro Ocampo, Mexican Mexican, Lithograph — A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana relating to the subject of how to combat Japanese Fascism
Isidoro Ocampo, Mexican
Taller de Gráfica Popular, Mexico City
1939

A poster showing a seated Mexican blowing a trumpet with a human head representing the falsity of the press (fake news) with the title 'The laughter of the public—away with your nonsense', José Chávez Morado Mexican, Lithograph on orange paper — A poster showing a seated Mexican blowing a trumpet with a human head representing the falsity of the press (fake news) with the title 'The laughter of the public—away with your nonsense'
José Chávez Morado
Taller de Gráfica Popular, Mexico City
1939

Plate 1: Indigenous Mexicans being forced from their land, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 1: Indigenous Mexicans being forced from their land, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1946

Plate 8: The young Emiliano Zapata watching a scene in which workers in a field carry heavy loads, while others are being whipped, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Mariana Yampolsky American, Linocut — Plate 8: The young Emiliano Zapata watching a scene in which workers in a field carry heavy loads, while others are being whipped, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Mariana Yampolsky
Taller de Gráfica Popular, Mexico City
1947

Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Leopoldo Méndez Mexican, Woodcut — Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 10: the persecution of those involved in the Partido Liberal by the regime of president of Porfirio Díaz, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 10: the persecution of those involved in the Partido Liberal by the regime of president of Porfirio Díaz, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Everardo Ramírez Mexican, Linocut — Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1947

Plate 15: President Porfirio Díaz being interviewed by James Creelman from 'Pearson's Magazine' on the subject of civil liberties in 1908, outside on the street people protest, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 15: President Porfirio Díaz being interviewed by James Creelman from 'Pearson's Magazine' on the subject of civil liberties in 1908, outside on the street people protest, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 27: 'The White President' Francisco León de la Barra sheltering with this cronies under an umbrella, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 27: 'The White President' Francisco León de la Barra sheltering with this cronies under an umbrella, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 41: Victoriano Huerta closes the spring assemblies on 10 October 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 41: Victoriano Huerta closes the spring assemblies on 10 October 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 42: Allegory relating to Victoriano Huerta's departure from Mexico, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 42: Allegory relating to Victoriano Huerta's departure from Mexico, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 43: two scenes relating to the activities of the guerrillas fighting against the Victoriano Huerta regime, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 43: two scenes relating to the activities of the guerrillas fighting against the Victoriano Huerta regime, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 44: soldiers from the regime of Victoriano Huerta herding those who supported Emiliano Zapata and burning their homes, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 44: soldiers from the regime of Victoriano Huerta herding those who supported Emiliano Zapata and burning their homes, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 45: the beginning of the American intervention on 21 April 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 45: the beginning of the American intervention on 21 April 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 52: Constitutionalists on horseback entering Mexico City, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Isidoro Ocampo, Mexican Mexican, Linocut — Plate 52: Constitutionalists on horseback entering Mexico City, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Isidoro Ocampo, Mexican
Taller de Gráfica Popular, Mexico City
1947

Plate 53: the Convention of Aguascalientes on 10 October 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 53: the Convention of Aguascalientes on 10 October 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 54: the starving people in Mexico City, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 54: the starving people in Mexico City, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 67: Lázaro Cárdenas with a farmer looking at a plan for agrarian reform, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Luis Arenal Mexican, Linocut — Plate 67: Lázaro Cárdenas with a farmer looking at a plan for agrarian reform, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Luis Arenal
Taller de Gráfica Popular, Mexico City
1947

Plate 72: The president Lázaro Cárdenas on a balcony addressing his supporters, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 72: The president Lázaro Cárdenas on a balcony addressing his supporters, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 2: The dispossesion of the land of the Yaquis, the result of President Porfirio Díaz collaborating with American companies, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 2: The dispossesion of the land of the Yaquis, the result of President Porfirio Díaz collaborating with American companies, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 3: an indentured slave (peon acasillado) cutting maize, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 3: an indentured slave (peon acasillado) cutting maize, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947