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More than 10,000 results for Pietro da Cortona (Pietro Berrettini)
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Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner, Pietro da Cortona (Pietro Berrettini) , School of Italian, Pen and black ink, brush and black wash over traces of black chalk, highlighted with white and blue-gray gouache
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner
Pietro da Cortona (Pietro Berrettini)
17th century
Landscape with Wine Harvest, Pietro da Cortona (Pietro Berrettini) Italian, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash
Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum', Pietro da Cortona (Pietro Berrettini) Italian, Engraving
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum'
Pietro da Cortona (Pietro Berrettini)
François Spierre
ca. 1662
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso)
Pietro da Cortona (Pietro Berrettini)
1596–1669
A Wind God, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, highlighted with white, on brownish paper
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini)
ca. 1635
Study for the Allegory of Religion, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk, glued onto a light cardboard mount
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini)
1629–39
Satyrs Supporting an Ornamental Motif, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink
Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
St. Michael Expurging Heresy, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash over traces of black chalk
St. Michael Expurging Heresy
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Study of Two Figures for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, slightly reworked by the artist with the wet tip of the chalk stick
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura'), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini)
ca. 1633
Sea Battle, Pietro da Cortona (Pietro Berrettini) Italian, Brush and brown wash
Sea Battle
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, brush with brown and gray wash, highlighted with white gouache, on three sheets of brownish paper glued with overlapping joints
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica
Pietro da Cortona (Pietro Berrettini)
1652
God the Father with Angels Holding Symbols of the Passion, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
Study of a Seated Youth for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
Study of a Seated Youth for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The Virgin and Child with Saint Martina, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini)
1596–1669
The Virgin Immaculate, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
The Virgin Immaculate
Pietro da Cortona (Pietro Berrettini)
1596–1669
Christ Appearing to Mary in the Garden, Pietro da Cortona (Pietro Berrettini) Italian, Engraving
Christ Appearing to Mary in the Garden
Multiple artists/makers
1766
The Adoration of the Shepherds, Pietro da Cortona (Pietro Berrettini) Italian, Pen and dark brown ink; traces of framing outlines in pen and brown ink
The Adoration of the Shepherds
Pietro da Cortona (Pietro Berrettini)
17th century
Men Digging and Constructing a Wall, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Men Digging and Constructing a Wall
Pietro da Cortona (Pietro Berrettini)
17th century
Design for the Coat of Arms of a Cardinal with three Angels, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
Design for the Coat of Arms of a Cardinal with three Angels
Multiple artists/makers
ca. 1640–60
Barberinai Aulae Fornix
Multiple artists/makers
ca. 1648–77
Tabulae anatomicae ex archetypis egregii pictoris Petri Berettini Cortonensis expressae et in aes incisae...
Multiple artists/makers
1788
Saint Martina with Virgin and Child
Pietro da Cortona (Pietro Berrettini)
ca. 1660
Wisdom leading the muses
Pietro da Cortona (Pietro Berrettini)
Jean Mariette
ca. 1690–1740
Presentation of a young king to a group of elders, after Pietro da Cortona
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Allegory with the symbols of Fortitude, including a lion at bottom left, plate 8 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Allegory with the symbols of Prudence, including two bears at the bottom and Fabius Cunctator above, plate 10 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops, plate 3 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Title page from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Allegory with the symbols of Justice, including the griffon of Manlius Torquatus at right, plate 7 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Allegory with the symbols of Temperance; including a unicorn at bottom right and Publius Scipio Africanus above, plate 9 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Allegory with Hercules fighting off the Harpies at left, to the right Justice and Plenty come to the aid of the beggars below, plate 6 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love, plate 2 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
Giovanni Giacomo De Rossi
ca. 1677
Hagar, followed by an angel, returns to Abraham and Sarah; after Pietro da Cortona
Pietro da Cortona (Pietro Berrettini)
Jean Mariette
ca. 1690–1740