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More than 10,000 results for Pieter Verbruggen the Younger

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Design for a tomb, Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk, brown and gray wash — Design for a tomb
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown wash, over black chalk — Design for a sepulchral monument with an allegory of Time
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, red chalk, brown and red wash, over black chalk or graphite (recto); black chalk or graphite (verso) — Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with two figures, Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red and black chalk or graphite, brown-gray wash — Design for a sepulchral monument with two figures
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over black chalk or graphite, red chalk and wash (recto); black chalk or graphite, red chalk (verso) — Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown brownish gray wash (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso), Pieter Verbruggen the Younger Flemish, Black and red chalk, red and brown wash (recto); pen and brown ink, over red chalk, black chalk (verso) — Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over black chalk (recto); black chalk (verso) — Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Design for a monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash (recto); pen and brown ink, black chalk (verso) — Design for a sepulchral monument (recto); Design for a monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Fragment of a letter and notes (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash — Design for a sepulchral monument (recto); Fragment of a letter and notes (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a monument (recto); Architectural sketches (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown wash, over black chalk or graphite (recto); black chalk or graphite, locally strengthened with pen and brown ink (verso) — Design for a monument (recto); Architectural sketches (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash, some white gouache (?) (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink (recto); pen and brown ink, counterproof of a red chalk drawing (verso) — Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown wash, over black chalk or graphite — Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a reliquary, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown and gray wash, red chalk, over black chalk — Design for a reliquary
Multiple artists/makers
late 17th–early 18th century

Design for a sculptural group with God the Father in a niche, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown wash, over black chalk or graphite — Design for a sculptural group with God the Father in a niche
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, red chalk, over black chalk or graphite, brown wash (recto); red chalk (verso) — Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th century

Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel — Erasmus of Rotterdam
Hans Holbein the Younger
ca. 1532

Hermann von Wedigh III (died 1560), Hans Holbein the Younger German, Oil and gold on oak — Hermann von Wedigh III (died 1560)
Hans Holbein the Younger
1532

The Harvesters, Pieter Bruegel the Elder Netherlandish, Oil on wood — The Harvesters
Pieter Bruegel the Elder
1565

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger Dutch, Oil on canvas — Burgomaster Jan van Duren (1613–1687)
Gerard ter Borch the Younger
ca. 1666–67

Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger Dutch, Oil on canvas — Margaretha van Haexbergen (1614–1676)
Gerard ter Borch the Younger
ca. 1666–67

Portrait of a Moravian Woman, Pieter Pietersz the Younger Netherlandish, Vellum — Portrait of a Moravian Woman
Pieter Pietersz the Younger

Interior of a Gothic Church at Night, Pieter Neeffs the Younger Flemish, Oil on wood — Interior of a Gothic Church at Night
Pieter Neeffs the Younger
Frans Francken III
ca. 1660

Theatrvm pictorivm : in quo exhibentur ipsius manu delineatæ, eiusque curâ in æs incise picturæ, archetipæ Italicæ, quas ipse ser.mus Archdux in pinacothecam suam Bruxellis collegit, David Teniers the Younger Flemish — Theatrvm pictorivm : in quo exhibentur ipsius manu delineatæ, eiusque curâ in æs incise picturæ, archetipæ Italicæ, quas ipse ser.mus Archdux in pinacothecam suam Bruxellis collegit
Multiple artists/makers
1684

Teapot in the form of an elephant, Ralph Wood the Younger British, Lead-glazed earthenware, British, Staffordshire — Teapot in the form of an elephant
Ralph Wood the Younger
second half 18th century

Laux Kreler and Elisabeth Kreler, Hans Kels the Younger German, Bronze, German — Laux Kreler and Elisabeth Kreler
Hans Kels the Younger
16th century

Barbara Reihing, Hans Kels the Younger German, Boxwood, German, Augsburg — Barbara Reihing
Hans Kels the Younger
1538

Morion for the Bodyguard of the Prince-Elector of Saxony, Martin Schneider the Younger German, Steel, gold, brass, leather, German, Nuremberg — Morion for the Bodyguard of the Prince-Elector of Saxony
Martin Schneider the Younger
ca. 1570

Half Armor, Martin Schneider the Younger German, Steel, German, Nuremberg — Half Armor
Martin Schneider the Younger
1610–20

Basket-hilted Sword, Johannes Wundes the Younger German, Steel, wood, silver, hilt, British; blade, German — Basket-hilted Sword
Johannes Wundes the Younger
blade dated 1662

Elements of a Light-Cavalry Armor, Christian Schreiner the Younger Austrian, Steel, leather, Austrian, Innsbruck or Mühlau — Elements of a Light-Cavalry Armor
Christian Schreiner the Younger
ca. 1505–10

Sallet, Hans Blarer the Younger German, Steel, German, Basel — Sallet
Hans Blarer the Younger
ca. 1470–80

Snaphaunce Hunting Rifle, Jonas Schertiger the Younger Swedish, Steel, wood (walnut), brass, horn, Swedish, Stockholm — Snaphaunce Hunting Rifle
Jonas Schertiger the Younger
dated 1722

George Washington, Ralph Wood the Younger British, Earthenware, British (American market) — George Washington
Ralph Wood the Younger
1748–95

Aeneas and the Sibyl in the Underworld, Jan Brueghel the Younger Flemish, Oil on copper — Aeneas and the Sibyl in the Underworld
Jan Brueghel the Younger
1630s

Guardroom with the Deliverance of Saint Peter, David Teniers the Younger Flemish, Oil on wood — Guardroom with the Deliverance of Saint Peter
David Teniers the Younger
ca. 1645–47

Judith with the Head of Holofernes, David Teniers the Younger Flemish, Oil on copper — Judith with the Head of Holofernes
David Teniers the Younger
1650s

Nymph of the Spring, Lucas Cranach the Younger German, Oil on beech panel — Nymph of the Spring
Lucas Cranach the Younger
ca. 1545–50