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More than 10,000 results for Pieter Maes

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Mary, Queen of Scots, Pieter Maes Netherlandish, Engraving — Mary, Queen of Scots
Multiple artists/makers
1587

A Gunner (with the head of Gillis van Breen), from "Three Military Figures from the Dutch Army" (reverse copy)

Hendrick Goltzius

Pieter Maes

after 1587

An Officer, from "Three Military Figures from the Dutch Army" (reverse copy)

Hendrick Goltzius

Pieter Maes

after 1587

Abraham Dismissing Hagar and Ishmael, Nicolaes Maes Dutch, Oil on canvas — Abraham Dismissing Hagar and Ishmael
Nicolaes Maes
1653

Young Woman Peeling Apples, Nicolaes Maes Dutch, Oil on wood — Young Woman Peeling Apples
Nicolaes Maes
ca. 1655

The Lacemaker, Nicolaes Maes Dutch, Oil on canvas — The Lacemaker
Nicolaes Maes
ca. 1656

The Harvesters, Pieter Bruegel the Elder Netherlandish, Oil on wood — The Harvesters
Pieter Bruegel the Elder
1565

Portrait of a Woman, Nicolaes Maes Dutch, Oil on copper — Portrait of a Woman
Nicolaes Maes
1657

Portrait of a Woman, Nicolaes Maes Dutch, Oil on canvas — Portrait of a Woman
Nicolaes Maes
ca. 1665–70

Christ among the Doctors, Nicolaes Maes Dutch, Pen and brush and brown ink. — Christ among the Doctors
Nicolaes Maes
School of Rembrandt van Rijn
ca. 1652

Admiral Jacob Binkes (born about 1640, died 1677), Nicolaes Maes Dutch, Oil on canvas — Admiral Jacob Binkes (born about 1640, died 1677)
Nicolaes Maes

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes, Nicolaes Maes Dutch, Oil on canvas — Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes
Nicolaes Maes
1676

Young Lady with a Rose, Pieter Vanderlyn American, Oil on canvas, American — Young Lady with a Rose
Pieter Vanderlyn
1732

Still Life with a Skull and a Writing Quill, Pieter Claesz Dutch, Oil on wood — Still Life with a Skull and a Writing Quill
Pieter Claesz
1628

Portrait of a Lady (Possibly Hannah Stillman), Pieter Vanderlyn American, Oil on canvas, American — Portrait of a Lady (Possibly Hannah Stillman)
Pieter Vanderlyn
1720–30

Leisure Time in an Elegant Setting, Pieter de Hooch Dutch, Oil on canvas — Leisure Time in an Elegant Setting
Pieter de Hooch
ca. 1663–65

Bible, Pieter Keur, Paper, leather, brass — Bible
Pieter Keur
Pieter Rotterdam and Company
1716 or 1719 (edition)

Interior with a Young Couple, Pieter de Hooch Dutch, Oil on canvas — Interior with a Young Couple
Pieter de Hooch
probably ca. 1662–65

Paying the Hostess, Pieter de Hooch Dutch, Oil on canvas — Paying the Hostess
Pieter de Hooch
ca. 1670

The Visit, Pieter de Hooch Dutch, Oil on wood — The Visit
Pieter de Hooch
ca. 1657

Landscape with a Cottage, Pieter de Molijn Dutch, Oil on wood — Landscape with a Cottage
Pieter de Molijn
1629

Interior of the Sint-Pieterskerk, 's-Hertogenbosch, Pieter Jansz. Saenredam Dutch, Oil on wood — Interior of the Sint-Pieterskerk, 's-Hertogenbosch
Pieter Jansz. Saenredam
1632

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

[Portrait of Armless Painter Charles François Felu]

Joseph Maes

ca. 1868

Joseph Maes

1860s

[Charles Francois Felu]

Joseph Maes

Charles François Felu

1860s

The birth and the building of the DuSable Museum, Eugene Pieter Romayn Feldman — The birth and the building of the DuSable Museum
Eugene Pieter Romayn Feldman
DuSable Museum of African American History
1981

Jupiter and Io, from "The Metamorphoses of Ovid", Godfried Maes Flemish, Black chalk, pen and brown ink, brush and brown and gray wash — Jupiter and Io, from "The Metamorphoses of Ovid"
Godfried Maes
late 17th century

Jupiter and Io, disguised as a white heifer, from "The Metamorphoses of Ovid", Godfried Maes Flemish, Black chalk, pen and brown ink, brown and gray wash — Jupiter and Io, disguised as a white heifer, from "The Metamorphoses of Ovid"
Godfried Maes
late 17th century

Mercury Rescuing Io from Argus, from "The Metamorphoses of Ovid", Godfried Maes Flemish, Black chalk, pen and brown ink, brown and gray wash — Mercury Rescuing Io from Argus, from "The Metamorphoses of Ovid"
Godfried Maes
late 17th century

Allegory of America, from the Four Continents, Godfried Maes Flemish, Pen and gray ink, brush and gray wash, over black chalk — Allegory of America, from the Four Continents
Godfried Maes
17th century

Allegory of Asia, from the Four Continents, Godfried Maes Flemish, Pen and gray and brown ink, brush and gray wash — Allegory of Asia, from the Four Continents
Godfried Maes
17th century

Allegory of Africa, from the Four Continents, Godfried Maes Flemish, Pen and gray and brown ink, brush and gray wash — Allegory of Africa, from the Four Continents
Godfried Maes
17th century

Allegory of Europe, from the Four Continents, Godfried Maes Flemish, Pen and gray ink, brush and gray wash — Allegory of Europe, from the Four Continents
Godfried Maes
17th century

The Scolding Fishwife, Nicolaes Maes Dutch, Pen and ink, brush and brown wash, with traces of red chalk. — The Scolding Fishwife
Nicolaes Maes
17th century

Studies of Two Men and a Woman Teaching a Child to Walk, Nicolaes Maes Dutch, Pen and brown ink; framing lines in pen and brown ink — Studies of Two Men and a Woman Teaching a Child to Walk
Nicolaes Maes
Rembrandt (Rembrandt van Rijn)
1645–50

The Young Mother, Nicolaes Maes Dutch, Pen and brown ink, brush and brown wash, with framing line in pen and brown ink — The Young Mother
Nicolaes Maes
1655–57

Landscape with a Draughtsman Seated by a River, a Bridge and a Cottage Behind, Nicolaes Maes Dutch, Pen and brown ink and brown wash — Landscape with a Draughtsman Seated by a River, a Bridge and a Cottage Behind
Nicolaes Maes
17th century

Death on a Canopied Throne (Design for a Title Page), Godfried Maes Flemish, Pen and brown ink, brush and gray wash, touches of white gouache, over black chalk. Laid down on heavy paper mount. Incised (?). — Death on a Canopied Throne (Design for a Title Page)
Godfried Maes
late 17th century

Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes Dutch, Pen and brown ink, brush and brown wash, over red and traces of black chalk (recto); red chalk, pen and brown ink, brown wash (verso) — Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso)
Nicolaes Maes
ca. 1653