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Showing 6,149 results for Pier Antoin Simaval

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Flagon, Pier Antoin Simaval, Pewter, Swiss, Wallis — Flagon
Pier Antoin Simaval
ca. 1750

Paris, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua — Paris
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524

The Rest on the Flight into Egypt, Pier Francesco Mola Italian, Oil on copper — The Rest on the Flight into Egypt
Pier Francesco Mola
ca. 1641

Cain Slaying Abel, Pier Francesco Mola Italian, Oil on canvas — Cain Slaying Abel
Pier Francesco Mola
ca. 1650–52

Emperor Antoninus Pius, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially oil-gilt, silver inlay, on serpentinite socle, Italian, Mantua — Emperor Antoninus Pius
Antico (Pier Jacopo Alari Bonacolsi)
1519–24

Spinario (boy pulling a thorn from his foot), Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially gilt (hair) and silvered (eyes), Italian, Mantua — Spinario (boy pulling a thorn from his foot)
Antico (Pier Jacopo Alari Bonacolsi)
probably modeled: 1496, cast: ca. 1501

Satyr, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, with remains of dark brown lacquer, Italian, Mantua — Satyr
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1510–ca. 1520

Portrait of a Young Woman, Pier Francesco Foschi (Pier Francesco Toschi) Florence, Metalpoint, touches of red chalk, on gray prepared paper. — Portrait of a Young Woman
Pier Francesco Foschi (Pier Francesco Toschi)
1520–39

Coastal Landscape with Tower, Pier Francesco Mola Italian, Oil over red chalk on paper — Coastal Landscape with Tower
Pier Francesco Mola
ca. 1651–52

Caricature of a Polish Count, Pier Leone Ghezzi Italian, Pen and brown ink — Caricature of a Polish Count
Pier Leone Ghezzi
ca. 1694–1755

A Monk with a Carrot and a Woman with a Chamber Pot, Pier Leone Ghezzi Italian, Pen and brown ink — A Monk with a Carrot and a Woman with a Chamber Pot
Pier Leone Ghezzi
late 17th–mid-18th century

Design for a Two-Armed Candelabra with a Dragon, plate 1 from an Untitled Series of Designs for Suspended Candelabras, Carl Pier German, Etching — Design for a Two-Armed Candelabra with a Dragon, plate 1 from an Untitled Series of Designs for Suspended Candelabras
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Three-Armed Candelabra, plate 2 from an Untitled Series of Designs for Suspended Candelabra, Carl Pier German, Etching — Design for a Three-Armed Candelabra, plate 2 from an Untitled Series of Designs for Suspended Candelabra
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Two-Armed Candelabra with Rocaille Ornaments and Flowers, plate 3 from an Untitled Series of Designs for Suspended Candelabra, Carl Pier German, Etching — Design for a Two-Armed Candelabra with Rocaille Ornaments and Flowers, plate 3 from an Untitled Series of Designs for Suspended Candelabra
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Two-Armed Candelabra, plate 4 from an Untitled Series of Designs for Suspended Candelabra, Carl Pier German, Etching — Design for a Two-Armed Candelabra, plate 4 from an Untitled Series of Designs for Suspended Candelabra
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for the Decoration of the Lower Right Corner of a Ceiling, plate 1 from "Unterschiedliche neü inventirte Decken oder Plafond", Carl Pier German, Etching — Design for the Decoration of the Lower Right Corner of a Ceiling, plate 1 from "Unterschiedliche neü inventirte Decken oder Plafond"
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for the Decoration of the Lower Right Corner of a Ceiling, plate 2 from "Unterschiedliche neü inventirte Decken oder Plafond", Carl Pier German, Etching — Design for the Decoration of the Lower Right Corner of a Ceiling, plate 2 from "Unterschiedliche neü inventirte Decken oder Plafond"
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for the Decoration of the Lower Right Corner of a Ceiling, plate 3 from "Unterschiedliche neü inventirte Decken oder Plafond", Carl Pier German, Etching — Design for the Decoration of the Lower Right Corner of a Ceiling, plate 3 from "Unterschiedliche neü inventirte Decken oder Plafond"
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for the Decoration of the Lower Right Corner of a Ceiling, plate 4 from "Unterschiedliche neü inventirte Decken oder Plafond", Carl Pier German, Etching — Design for the Decoration of the Lower Right Corner of a Ceiling, plate 4 from "Unterschiedliche neü inventirte Decken oder Plafond"
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Pulpit, plate 1 from an Untitled Series of Pulpit Designs, Carl Pier German, Etching — Design for a Pulpit, plate 1 from an Untitled Series of Pulpit Designs
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Pulpit, plate 2 from an Untitled Series of Pulpit Designs, Carl Pier German, Etching — Design for a Pulpit, plate 2 from an Untitled Series of Pulpit Designs
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Pulpit, plate 3 from an Untitled Series of Pulpit Designs, Carl Pier German, Etching — Design for a Pulpit, plate 3 from an Untitled Series of Pulpit Designs
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Confessional, plate 1 from an Untitled Series of Designs for Confessionals, Carl Pier German, Etching — Design for a Confessional, plate 1 from an Untitled Series of Designs for Confessionals
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Confessional, plate 2 from an Untitled Series of Designs for Confessionals, Carl Pier German, Etching — Design for a Confessional, plate 2 from an Untitled Series of Designs for Confessionals
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Confessional, plate 3 from an Untitled Series of Designs for Confessionals, Carl Pier German, Etching — Design for a Confessional, plate 3 from an Untitled Series of Designs for Confessionals
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Pulpit, plate 4 from an Untitled Series of Pulpit Designs, Carl Pier German, Etching — Design for a Pulpit, plate 4 from an Untitled Series of Pulpit Designs
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Confessional, plate 4 from an Untitled Series of Designs for Confessionals, Carl Pier German, Etching — Design for a Confessional, plate 4 from an Untitled Series of Designs for Confessionals
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Design for a Monumental Altar, plate N from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen", Carl Pier German, Etching — Design for a Monumental Altar, plate N from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"
Carl Pier
Martin Engelbrecht
printed ca. 1750–56

Madonna and Child with the Infant Saint John the Baptist and Angels, Master called Pseudo-Pier Francesco Fiorentino Italian, Tempera and gold on wood — Madonna and Child with the Infant Saint John the Baptist and Angels
Master called Pseudo-Pier Francesco Fiorentino

Design for the Catafalque of a Prince, Pier Francesco Battistelli Italian, Pen and brown ink, brush and brown wash, over black chalk incised by the engraver — Design for the Catafalque of a Prince
Pier Francesco Battistelli
ca. 1610–25

Artists Drawing and Painting in a Studio, Pier Francesco Mola Italian, Pen and brown ink, brush and brown wash — Artists Drawing and Painting in a Studio
Pier Francesco Mola
1612–66

Joseph Henry of Straffan, Co. Kildare, Pier Leone Ghezzi Italian, Pen and brown ink, over traces of black chalk — Joseph Henry of Straffan, Co. Kildare
Pier Leone Ghezzi
1744–51

A Caricature of L'Abbate Folinghi, Pier Leone Ghezzi Italian, Graphite or lead, part of drawing executed in pen and brown ink and brush and gray wash — A Caricature of L'Abbate Folinghi
Pier Leone Ghezzi
1674–1755

Marco and Carlo: Caricature of Two Men Standing Face to Face, Pier Leone Ghezzi Italian, Pen and dark brown ink, over leadpoint or graphite — Marco and Carlo: Caricature of Two Men Standing Face to Face
Pier Leone Ghezzi
1674–1755

Framed Sketch for a Man, a Dog and a Tree, Pier Francesco Mola Italian, Pen and brown ink, black and red chalk and light brown-gray wash — Framed Sketch for a Man, a Dog and a Tree
Pier Francesco Mola
1612–66

Sketched Caricature of a Standing Man Facing Left, Pier Leone Ghezzi Italian, Pen and brown ink over traces of graphite — Sketched Caricature of a Standing Man Facing Left
Pier Leone Ghezzi
1674–1755

Washerwomen, Pier Francesco Mola Italian, Pen and brown ink, brush and gray and brown washes — Washerwomen
Pier Francesco Mola
1612–66

Caricature of a Seated Man Reading, Pier Francesco Mola Italian, Pen and brown ink, brush and brown wash — Caricature of a Seated Man Reading
Pier Francesco Mola
1612–66

Four Caricatured Heads, Pier Francesco Mola Italian, Pen and brown ink — Four Caricatured Heads
Pier Francesco Mola
1612–66

Youth Reading, Pier Francesco Mola Italian, Pen and brown ink, brush and brown wash — Youth Reading
Pier Francesco Mola
1612–66