Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 6,114 results for Pier Antoin Simaval
Sort by:
Flagon, Pier Antoin Simaval, Pewter, Swiss, Wallis
Pier Antoin Simaval
ca. 1750
Paris, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524
The Rest on the Flight into Egypt, Pier Francesco Mola  Italian, Oil on copper
Pier Francesco Mola
ca. 1641
Cain Slaying Abel, Pier Francesco Mola  Italian, Oil on canvas
Pier Francesco Mola
ca. 1650–52
Spinario (boy pulling a thorn from his foot), Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially gilt (hair) and silvered (eyes), Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
probably modeled: 1496, cast: ca. 1501
Emperor Antoninus Pius, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially oil-gilt, silver inlay, on serpentinite socle, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
1519–24
Satyr, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, with remains of dark brown lacquer, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1510–ca. 1520
Portrait of a Young Woman, Pier Francesco Foschi (Pier Francesco Toschi)  Florence, Metalpoint, touches of red chalk, on gray prepared paper.
Pier Francesco Foschi (Pier Francesco Toschi)
1520–39
Caricature of a Polish Count, Pier Leone Ghezzi  Italian, Pen and brown ink
Pier Leone Ghezzi
ca. 1694–1755
A Monk with a Carrot and a Woman with a Chamber Pot, Pier Leone Ghezzi  Italian, Pen and brown ink
Pier Leone Ghezzi
late 17th–mid-18th century
Coastal Landscape with Tower, Pier Francesco Mola  Italian, Oil over red chalk on paper
Pier Francesco Mola
ca. 1651–52
Design for a Monumental Altar, Plate n from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.', Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Two-Armed Candelabra with a Dragon, Plate 1 from an Untitled Series of Designs for Suspended Candelabras, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Three-Armed Candelabra, Plate 2 from an Untitled Series of Designs for Suspended Candelabra, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Two-Armed Candelabra with Rocaille Ornaments and Flowers, Plate 3 from an Untitled Series of Designs for Suspended Candelabra, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Two-Armed Candelabra, Plate 4 from an Untitled Series of Designs for Suspended Candelabra, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for the Decoration of the Lower Right Corner of a Ceiling, Plate 1 from: 'Unterschiedliche neü inventirte Decken oder Plafond.', Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Pulpit, Plate 1 from an Untitled Series of Pulpit Designs, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Pulpit, Plate 2 from an Untitled Series of Pulpit Designs, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Pulpit, Plate 3 from an Untitled Series of Pulpit Designs, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Pulpit, Plate 4 from an Untitled Series of Pulpit Designs, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Confessional, Plate 1 from an Untitled Series of Designs for Confessionals, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for the Decoration of the Lower Right Corner of a Ceiling, Plate 2 from: 'Unterschiedliche neü inventirte Decken oder Plafond.', Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for the Decoration of the Lower Right Corner of a Ceiling, Plate 3 from: 'Unterschiedliche neü inventirte Decken oder Plafond.', Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for the Decoration of the Lower Right Corner of a Ceiling, Plate 4 from: 'Unterschiedliche neü inventirte Decken oder Plafond.', Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Confessional, Plate 2 from an Untitled Series of Designs for Confessionals, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Confessional, Plate 3 from an Untitled Series of Designs for Confessionals, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Design for a Confessional, Plate 4 from an Untitled Series of Designs for Confessionals, Carl Pier  German, Etching
Carl Pier
Martin Engelbrecht
Printed ca. 1750–56
Madonna and Child with the Infant Saint John the Baptist and Angels, Master called Pseudo-Pier Francesco Fiorentino  Italian, Tempera and gold on wood
Master called Pseudo-Pier Francesco Fiorentino
Luigi Vanvitelli, Pier Leone Ghezzi  Italian, Pen and brown ink, over traces of graphite or lead
Pier Leone Ghezzi
1674–1755
The Marquis de Vandières, Abbé Jean-Bernard Le Blanc, Germain Soufflot, and Charles-Nicolas Cochin, the Younger, Pier Leone Ghezzi  Italian, Pen and brown ink, over traces of black chalk
Pier Leone Ghezzi
ca. 1750
Framed Sketch for a Man, a Dog and a Tree, Pier Francesco Mola  Italian, Pen and brown ink, black and red chalk and light brown-gray wash
Pier Francesco Mola
1612–66
Washerwomen, Pier Francesco Mola  Italian, Pen and brown ink, brush and gray and brown washes
Pier Francesco Mola
1612–66
Joseph Henry of Straffan, Co. Kildare, Pier Leone Ghezzi  Italian, Pen and brown ink, over traces of black chalk
Pier Leone Ghezzi
1744–51
A Caricature of L'Abbate Folinghi, Pier Leone Ghezzi  Italian, Graphite or lead, part of drawing executed in pen and brown ink and brush and gray wash
Pier Leone Ghezzi
1674–1755
Sketched Caricature of a Standing Man Facing Left, Pier Leone Ghezzi  Italian, Pen and brown ink over traces of graphite
Pier Leone Ghezzi
1674–1755
Caricature of a Seated Man Reading, Pier Francesco Mola  Italian, Pen and brown ink, brush and brown wash
Pier Francesco Mola
1612–66
Artists Drawing and Painting in a Studio, Pier Francesco Mola  Italian, Pen and brown ink, brush and brown wash
Pier Francesco Mola
1612–66
Four Caricatured Heads, Pier Francesco Mola  Italian, Pen and brown ink
Pier Francesco Mola
1612–66
Youth Reading, Pier Francesco Mola  Italian, Pen and brown ink, brush and brown wash
Pier Francesco Mola
1612–66