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Showing 7,772 results for Parmigianino (Girolamo Francesco Maria Mazzola)
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Horses, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Parmigianino (Girolamo Francesco Maria Mazzola)
Francesco Allegrini
1530–40
Virgin and Child, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching with engraving and drypoint printed in brown; second state of four
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Standing Shepherd, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
The Lovers, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching; second state of two
Parmigianino (Girolamo Francesco Maria Mazzola)
1527–30
The Sacrifice, or Mucius Scaevola, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Chiaroscuro woodcut
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching and engraving
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1520–40
Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona), Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Pen and brown ink, over traces of black chalk
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1535–38
Entombment, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1530
Entombment, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
n.d.
Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Standing Shepherd, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century
Judith, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
St. James Major, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching and drypoint
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
Entombment Facing Left, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching with drypoint; first state of two
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Entombment Facing Right, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching with drypoint and engraving; first state of two
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching with engraving
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
Resurrection, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching with drypoint and engraving
Parmigianino (Girolamo Francesco Maria Mazzola)
St. Philip, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
St. Thais, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
Annunciation, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching and engraving
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
The Two Lovers, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching and engraving
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
The Two Lovers, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching and engraving
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
Astrology, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching and drypoint
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
A Youth with Two Old Men, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching
Parmigianino (Girolamo Francesco Maria Mazzola)
St. Peter and St. John Healing the Cripples at the Gate of the Temple, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Etching and engraving
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
Seated Figure of Mercury, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Black chalk
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–26
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso), Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Red chalk
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522
Design for the Tomb of a Youth, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–25
Madonna and Child (recto); Head and Bust of Saint John the Evangelist  (verso), Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Brush and gray wash, highlighted with white gouache, over black chalk on brownish prepared paper (recto); black chalk, highlighted with white gouache (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
The Adoration of the Shepherds, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
Justice Holding Scales, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Pen and brown ink
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Head of man in Profile to Left, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Red chalk (face) and black chalk (hair, beard, and eyes)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso), Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
Head of a Man in Profile to Right, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Pen and brown ink, over black chalk
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Red chalk, the head at the left over a stylus sketch
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Bishop Saint in Bust-Length (Cartoon for an Altarpiece), Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Brush and brown wash over black chalk
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Male Nude Torso with Raised Arms, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Red chalk
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522–24