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Showing 1,445 results for Ottavio Scotto
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Biblia Latina
Multiple artists/makers
1489
Biblia Latina
Ottavio Scotto
Pico Master
August 8, 1489
Morgante Maggiore
Luigi Pulci
Ottavio Scotto
1545
De Ciuitate Dei cum commento
Multiple artists/makers
February 18, 1489
Pendant with head of the Virgin, Ottavio Miseroni Italian, Heliotrope with enameled gold mount, probably Bohemian, Prague
Pendant with head of the Virgin
Ottavio Miseroni
early 17th century
A Cardinal's Procession, Ottavio Leoni (Il Padovano) Italian, Oil on copper
A Cardinal's Procession
Ottavio Leoni (Il Padovano)
1621
Design for a Candlestick, Ottavio Strada, Pen and brown ink, brush and brown wash, over black chalk
Design for a Candlestick
Ottavio Strada
Francesco Salviati (Francesco de' Rossi)
1510–63
Design for an Inkstand, Ottavio Strada, Pen and brown ink, brush and brown wash, over black chalk
Design for an Inkstand
Ottavio Strada
Francesco Salviati (Francesco de' Rossi)
ca. 1540–60
Design for a Salt Cellar and Tazza, Ottavio Strada, Pen and brown ink, brush and brown wash, over black chalk
Design for a Salt Cellar and Tazza
Ottavio Strada
Francesco Salviati (Francesco de' Rossi)
n.d.
Design for an Octagonal Ceiling (or Dish?), Ottavio Strada, Pen and brown ink, brush and brown wash, over black chalk
Design for an Octagonal Ceiling (or Dish?)
Ottavio Strada
Francesco Salviati (Francesco de' Rossi)
1510–63
Half-Figure of a Male Nude with Arms behind Back, Ottavio Vannini Italian, Red chalk on beige paper
Half-Figure of a Male Nude with Arms behind Back
Ottavio Vannini
1585–1644
Ensemble, Missoni Italian, Wool, Italian
Ensemble
Missoni
Ottavio Missoni
ca. 1975
Christ in the House of Simon
Girolamo Scotto
Paolo Veronese (Paolo Caliari)
ca. 1830–78
The Marriage at Cana (central section of painting)
Girolamo Scotto
Paolo Veronese (Paolo Caliari)
ca. 1807–1850
Turkish Camp Before a Christian City, Ludovico Ottavio Burnacini Italian, Engraving
Turkish Camp Before a Christian City
Ludovico Ottavio Burnacini
second half 17th century
Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling, Ludovico Ottavio Burnacini Italian, Etching
Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling
Ludovico Ottavio Burnacini
ca. 1650–1700
L'uso della squadra mobile
Ottavio Fabri
Andrea Gattella
1670
Knight of Malta (self-portrait?), a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving
Knight of Malta (self-portrait?), a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1625
Ludovico Leoni, a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving
Ludovico Leoni, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1625
Giovanni Baglione, a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving
Giovanni Baglione, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1625
Christoforo Roncalli, called Pomerancio, a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving
Christoforo Roncalli, called Pomerancio, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1623
Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving
Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1621
Portrait of Giovanni Battista Rossa, Ottavio Leoni (Il Padovano) Italian, Black chalk, with traces of red and white chalk, on faded blue paper
Portrait of Giovanni Battista Rossa
Ottavio Leoni (Il Padovano)
1610–30
Portrait of Piermarino Bernabò, Ottavio Leoni (Il Padovano) Italian, Black chalk, highlighted with white, on faded blue paper
Portrait of Piermarino Bernabò
Ottavio Leoni (Il Padovano)
1618
Three portraits possibly representing Camillo Graffico, Ercole Pedemonte and Antonio Carone, Ottavio Leoni (Il Padovano) Italian, Etching
Three portraits possibly representing Camillo Graffico, Ercole Pedemonte and Antonio Carone
Multiple artists/makers
ca. 1620–30
Portrait of Tommaso Salini, Ottavio Leoni (Il Padovano) Italian, Black chalk and charcoal, red chalk, white chalk on brown paper (faded from blue?); framing lines in pen and brown ink
Portrait of Tommaso Salini
Ottavio Leoni (Il Padovano)
Tommaso Salini
1620
Portrait of a Woman, Ottavio Leoni (Il Padovano) Italian, Black chalk on blue paper (now faded)
Portrait of a Woman
Ottavio Leoni (Il Padovano)
n.d.
Archisesto per formar con facilita li cinque ordini d'Architettura con altri particoloari intorno la medesima professione
Multiple artists/makers
1627
Twenty Plates of the Antiquities of Herculaneum
Multiple artists/makers
[1773–75]
The Annunciation, from the 'Officium Romanum' (Venice, Hieronymous Scotus, 1544)
Giovanni Pietro Fontana
Girolamo Scotto
1544
An angel appearing to shepherds, from the 'Officium Romanum' (Venice, Hieronymous Scotus, 1544)
Giovanni Pietro Fontana
Girolamo Scotto
1544
The Old Testament (or Synagogue), from the series of Sibyls, Lucas van Leyden Netherlandish, Woodcut
The Old Testament (or Synagogue), from the series of Sibyls
Lucas van Leyden
Ottavio Revesi Bruti
ca. 1530
The hellmouth, set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching and engraving
The hellmouth, set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching and engraving
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668
A man and a woman conversing at center, surrounded by a row of young men to the right and young women to the left, Mercury appears at top left corner; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching and engraving
A man and a woman conversing at center, surrounded by a row of young men to the right and young women to the left, Mercury appears at top left corner; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668
A man stands at center, flanked by rows of buildings; above Jupiter atop an eagle and Juno accompanied by a peacock, converse among the clouds; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching and engraving
A man stands at center, flanked by rows of buildings; above Jupiter atop an eagle and Juno accompanied by a peacock, converse among the clouds; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668
A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching
A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674
The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching
The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674
The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching
The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674