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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 277 results for Ottavio Miseroni

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Pendant with head of the Virgin, Ottavio Miseroni Italian, Heliotrope with enameled gold mount, probably Bohemian, Prague — Pendant with head of the Virgin
Ottavio Miseroni
early 17th century

Ewer, Ferdinand Eusebio Miseroni Italian, Smoky rock crystal, enamel, gold, diamonds, Bohemian, Prague with French, Paris mounts — Ewer
Ferdinand Eusebio Miseroni
ca. 1680 and early 19th century

Two-handled cup, Dionysio Miseroni Bohemian, Rock crystal, enameled gold, Bohemian, Prague — Two-handled cup
Dionysio Miseroni
mid-17th century

A Cardinal's Procession, Ottavio Leoni (Il Padovano) Italian, Oil on copper — A Cardinal's Procession
Ottavio Leoni (Il Padovano)
1621

Ensemble, Missoni Italian, Wool, Italian — Ensemble
Missoni
Ottavio Missoni
fall/winter 1974–75

Half-Figure of a Male Nude with Arms behind Back, Ottavio Vannini Italian, Red chalk on beige paper — Half-Figure of a Male Nude with Arms behind Back
Ottavio Vannini
1585–1644

Design for a Candlestick, Ottavio Strada, Pen and brown ink, brush and brown wash, over black chalk — Design for a Candlestick
Ottavio Strada
Francesco Salviati (Francesco de' Rossi)
1510–63

Design for an Inkstand, Ottavio Strada, Pen and brown ink, brush and brown wash, over black chalk — Design for an Inkstand
Ottavio Strada
Francesco Salviati (Francesco de' Rossi)
ca. 1540–60

Design for a Salt Cellar and Tazza, Ottavio Strada, Pen and brown ink, brush and brown wash, over black chalk — Design for a Salt Cellar and Tazza
Ottavio Strada
Francesco Salviati (Francesco de' Rossi)
n.d.

Design for an Octagonal Ceiling (or Dish?), Ottavio Strada, Pen and brown ink, brush and brown wash, over black chalk — Design for an Octagonal Ceiling (or Dish?)
Ottavio Strada
Francesco Salviati (Francesco de' Rossi)
1510–63

Turkish Camp Before a Christian City, Ludovico Ottavio Burnacini Italian, Engraving — Turkish Camp Before a Christian City
Ludovico Ottavio Burnacini
second half 17th century

Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling, Ludovico Ottavio Burnacini Italian, Etching — Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling
Ludovico Ottavio Burnacini
ca. 1650–1700

L'uso della squadra mobile

Ottavio Fabri

Andrea Gattella

1670

Multiple artists/makers

1489

Ottavio Scotto

Pico Master

August 8, 1489

Portrait of Tommaso Salini, Ottavio Leoni (Il Padovano) Italian, Black chalk and charcoal, red chalk, white chalk on brown paper (faded from blue?); framing lines in pen and brown ink — Portrait of Tommaso Salini
Ottavio Leoni (Il Padovano)
Tommaso Salini
1620

Three portraits possibly representing Camillo Graffico, Ercole Pedemonte and Antonio Carone, Ottavio Leoni (Il Padovano) Italian, Etching — Three portraits possibly representing Camillo Graffico, Ercole Pedemonte and Antonio Carone
Multiple artists/makers
ca. 1620–30

Knight of Malta (self-portrait?), a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving — Knight of Malta (self-portrait?), a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1625

Ludovico Leoni, a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving — Ludovico Leoni, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1625

Giovanni Baglione, a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving — Giovanni Baglione, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1625

Christoforo Roncalli, called Pomerancio, a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving — Christoforo Roncalli, called Pomerancio, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1623

Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame, Ottavio Leoni (Il Padovano) Italian, Etching and engraving — Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano)
1621

Portrait of Giovanni Battista Rossa, Ottavio Leoni (Il Padovano) Italian, Black chalk, with traces of red and white chalk, on faded blue paper — Portrait of Giovanni Battista Rossa
Ottavio Leoni (Il Padovano)
1610–30

Portrait of Piermarino Bernabò, Ottavio Leoni (Il Padovano) Italian, Black chalk, highlighted with white, on faded blue paper — Portrait of Piermarino Bernabò
Ottavio Leoni (Il Padovano)
1618

Portrait of a Woman, Ottavio Leoni (Il Padovano) Italian, Black chalk on blue paper (now faded) — Portrait of a Woman
Ottavio Leoni (Il Padovano)
n.d.

Twenty Plates of the Antiquities of Herculaneum

Multiple artists/makers

[1773–75]

Archisesto per formar con facilita li cinque ordini d'Architettura con altri particoloari intorno la medesima professione

Multiple artists/makers

1627

The hellmouth, set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching and engraving — The hellmouth, set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

The Old Testament (or Synagogue), from the series of Sibyls, Lucas van Leyden Netherlandish, Woodcut — The Old Testament (or Synagogue), from the series of Sibyls
Lucas van Leyden
Ottavio Revesi Bruti
ca. 1530

Landscape with two figures running along the bank of the river Xanto; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Landscape with two figures running along the bank of the river Xanto; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Cavern of Aeolus; a cave with wind gods blowing on either side of Aeolus who sits enthroned at center; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Cavern of Aeolus; a cave with wind gods blowing on either side of Aeolus who sits enthroned at center; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

The Triumph of Austria; Leopold I at center, mounted on a reared horse, atop a military trophy; surrounded by equestrian portraits of the Holy Roman Emperors; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — The Triumph of Austria; Leopold I at center, mounted on a reared horse, atop a military trophy; surrounded by equestrian portraits of the Holy Roman Emperors; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

A row boat leading a ship to shore while a large group of figures looks on from the coast and along the bridge at center; a deity appears in the sky at upper left; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching — A row boat leading a ship to shore while a large group of figures looks on from the coast and along the bridge at center; a deity appears in the sky at upper left; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674

A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching — A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674

Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching — Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674