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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 160 results for Osvaldo Testa

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Shirt, Osvaldo Testa Italian, Cotton, Italian — Shirt
Osvaldo Testa
ca. 1970

Shirt, Osvaldo Testa Italian, Wool, silk, cotton, Italian — Shirt
Osvaldo Testa
1970–75

T-Shirt, Osvaldo Testa Italian, Cotton, Italian — T-Shirt
Osvaldo Testa
1970–75

Alexander the Great Rescued from the River Cydnus, Pietro Testa Italian, Oil on canvas — Alexander the Great Rescued from the River Cydnus
Pietro Testa
ca. 1650

Study for a pendentive depicting Justice and Charity, Giovanni Cesare Testa Italian, Etching — Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
Pietro Testa
1637–38

The dead Christ accompanied by angels at right, Giovanni Cesare Testa Italian, Etching — The dead Christ accompanied by angels at right
Giovanni Cesare Testa
Pietro Testa
1650–55

The suicide of Dido who reclines on a pyre in centre, surrounded by many figures, Giovanni Cesare Testa Italian, Etching — The suicide of Dido who reclines on a pyre in centre, surrounded by many figures
Giovanni Cesare Testa
Pietro Testa
1650–55

The Prophecy of Basilides, Giovanni Cesare Testa Italian, Etching — The Prophecy of Basilides
Giovanni Cesare Testa
Pietro Testa
ca. 1650

Study for a pendentive depicting Justice and Charity, Giovanni Cesare Testa Italian, Etching — Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
Pietro Testa
1630–50

The Education of Achilles, Giovanni Cesare Testa Italian, Etching — The Education of Achilles
Multiple artists/makers
1650–55

An allegory of the rest on the flight into egypt, Giovanni Cesare Testa Italian, Etching — An allegory of the rest on the flight into egypt
Multiple artists/makers
1650–55

Sacrifice of Isaac, Pietro Testa Italian, Etching — Sacrifice of Isaac
Pietro Testa
ca.1645–50

The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty, Pietro Testa Italian, Etching — The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty
Pietro Testa
ca. 1640–50

Venus Giving Arms to Aeneas, Pietro Testa Italian, Etching — Venus Giving Arms to Aeneas
Pietro Testa
ca. 1638–40

An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa Italian, Etching — An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
Giovanni Giacomo De Rossi
1637–38

Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa Italian, Etching — Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
ca. 1631–37

Mary Magdalene in the desert, a cross borne by angels at the right, Pietro Testa Italian, Etching — Mary Magdalene in the desert, a cross borne by angels at the right
Pietro Testa
ca. 1630

Self-Portrait, Pietro Testa Italian, Etching — Self-Portrait
Pietro Testa
François Collignon
ca. 1645

An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca, Pietro Testa Italian, Etching — An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca
Pietro Testa
Frans van den Wyngaerde
1637

Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning, Pietro Testa Italian, Etching — Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
ca. 1640

The Sacrifice of Iphigenia, Pietro Testa Italian, Etching with drypoint — The Sacrifice of Iphigenia
Pietro Testa
Giovanni Giacomo De Rossi
ca. 1640–42

The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids, Pietro Testa Italian, Etching — The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37

The garden of Venus, proof impression of upper left corner, Pietro Testa Italian, Etching; proof — The garden of Venus, proof impression of upper left corner
Pietro Testa
ca. 1631–37

The Garden of Charity, Pietro Testa Italian, Etching — The Garden of Charity
Pietro Testa
ca.1631–37

The Adoration of the Magi, set before and architectural colonnade, Pietro Testa Italian, Etching — The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca. 1640

The Virgin Lamenting over the Dead Christ, Pietro Testa Italian, Pen and brown ink, on beige paper — The Virgin Lamenting over the Dead Christ
Pietro Testa
1612–50

Allegory of Penance and Death, Pietro Testa Italian, Pen and brown ink, over traces of black chalk — Allegory of Penance and Death
Pietro Testa
1612–50

The Holy Family with Attendant Angels, Pietro Testa Italian, Pen and brown ink (recto); fragmentary copy in pen and brown ink of figures in Mantegna's engraving, the Senators (verso) (Bartsch, 8, pp. 234-235, no. 11) — The Holy Family with Attendant Angels
Pietro Testa
1612–50

Allegory of Fortune, Pietro Testa Italian, Pen and brown ink, brown wash, over black chalk, highlighted with white — Allegory of Fortune
Pietro Testa
1612–50

Standing Male Figure Supporting a Shield, Pietro Testa Italian, Pen and brown ink, over a little black chalk, on beige paper — Standing Male Figure Supporting a Shield
Pietro Testa
1612–50

Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso), Pietro Testa Italian, Black chalk on gray paper (recto); black chalk with traces of white chalk (verso) — Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa
1612–50

The Triumph of Galatea, Pietro Testa Italian, Pen and brown ink, over black chalk, on blue paper. Squared in black chalk — The Triumph of Galatea
Pietro Testa
1612–50

The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso), Pietro Testa Italian, Pen and brown ink, brush and brown wash, on beige paper (recto); pen and brown ink (verso). — The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)
Pietro Testa
1612–50

A Seated Female Figure Surrounded by Nude Infants, Pietro Testa Italian, Pen and brown ink, some black ink, brush and gray wash, on brownish paper — A Seated Female Figure Surrounded by Nude Infants
Pietro Testa
1612–50

Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting, Pietro Testa Italian, Pen and brown ink, over black chalk. The sketch of Pegasus in black chalk only. Framing lines in pen and brown ink — Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50

The sacrifice of Isaac by his father Abraham, Pietro Testa Italian, Etching — The sacrifice of Isaac by his father Abraham
Pietro Testa
ca. 1640–42

The departure of the prodigal son, shown at about to mount his horse, from a series of four prints, Pietro Testa Italian, Etching — The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
ca. 1645

The garden of charity, woman representing Charity at right surrounded by children, Pietro Testa Italian, Etching — The garden of charity, woman representing Charity at right surrounded by children
Pietro Testa
ca. 1631–37

The Sacrifice of Isaac by his Father Abraham, Pietro Testa Italian, Etching — The Sacrifice of Isaac by his Father Abraham
Pietro Testa
ca. 1640–2

Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa Italian, Etching — Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648