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Showing 1,435 results for Orpha Mae Klinker

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Shadows in the Dell

Orpha Mae Klinker

ca. 1915–55

Jar, Christian Klinker American, Earthenware; Redware with slip decoration, American — Jar
Christian Klinker
ca. 1773

Shape of Things (female), Carrie Mae Weems American, Gelatin silver print — Shape of Things (female)
Carrie Mae Weems
1993, printed 2000

Evening cape, Mae & Hattie Green, silk, metal, French — Evening cape
Mae & Hattie Green
ca. 1935

Strip Medallion quilt, Annie Mae Young American, Top: cotton and cotton-polyester blend; back: cotton-polyester blend — Strip Medallion quilt
Annie Mae Young
1976

Woman Scolding Her Companion, Nellie Mae Rowe American, Oil pastel, crayon, colored pencil, black porous-point pen, and graphite on board — Woman Scolding Her Companion
Nellie Mae Rowe
1981

Atlanta's Missing Children, Nellie Mae Rowe American, Commercial paint, crayon, oil pastel, graphite, ink marker, and cut and pasted paper on paperboard — Atlanta's Missing Children
Nellie Mae Rowe
1981

Nellie's Birthday, Nellie Mae Rowe American, Colored pencil, crayon, and graphite on paper — Nellie's Birthday
Nellie Mae Rowe
1981

Empty Chair, Nellie Mae Rowe American, Crayon, wax crayon and graphite with pastel on paper — Empty Chair
Nellie Mae Rowe
1981

Humpy (Hubert Humphrey), Nellie Mae Rowe American, Wax crayon and graphite with red porous-point pen on paper — Humpy (Hubert Humphrey)
Nellie Mae Rowe
1978

You Became a Scientific Profile, A Negroid Type, An Anthropological Debate, & A Photographic Subject

Carrie Mae Weems

1995–96

Carrie Mae Weems

1992, printed 2000

[Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times], Louise Lawler American, Newsprint booklet — [Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times]
Multiple artists/makers
May 22, 1988

Galatea, Max Klinger German, Cast silver; marble, German — Galatea
Max Klinger
Noack and Brückner Foundry
1906

The Beginning, Max Beckmann German, Oil on canvas — The Beginning
Max Beckmann
1946–49

Saint George and the Dragon, Hans Klocker (under the influence of Michael Pacher) Austrian, Wood, painted and gilt, Austrian or South German — Saint George and the Dragon
Hans Klocker
ca. 1475

An die Schönheit, from the series Vom Tode Zweiter Teil, Max Klinger German, Engraving and etching — An die Schönheit, from the series Vom Tode Zweiter Teil
Max Klinger
1898–1910

Siesta I, from the series Radierte Skizzen, Max Klinger German, Etching and aquatint; third or fourth state of four — Siesta I, from the series Radierte Skizzen
Max Klinger
n.d.

Mondnacht, from Intermezzi, plate 4, Max Klinger German, Etching and aquatint — Mondnacht, from Intermezzi, plate 4
Max Klinger
n.d.

Kämpfende Centauren (Fighting Centaurs), Max Klinger German, Etching and aquatint; second state — Kämpfende Centauren (Fighting Centaurs)
Max Klinger
1870–1920

Intermezzi, Opus IV, Max Klinger German, Etching and aquatint — Intermezzi, Opus IV
Max Klinger
Stroefer
1881

Going Under (from the series A Life), Max Klinger German, Etching and aquatint; final state of six — Going Under (from the series A Life)
Max Klinger
1884, 4th edition 1898

Max Klinger's Radierungen zu Apulejus' Märchen Amor und Psyche, Opus V a+b, Max Klinger German, Etching and aquatint — Max Klinger's Radierungen zu Apulejus' Märchen Amor und Psyche, Opus V a+b
Multiple artists/makers
after 1909

Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching — Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

A Life, Max Klinger German, Series of fourteen etchings (fifteen in the edition) with original cardboard portfolio — A Life
Max Klinger
Wilhelm Felsing
1884–98

Studies for headpieces and vignettes in the book, Amor und Psyche (Opus V), Max Klinger German, Pen and ink on blue paper — Studies for headpieces and vignettes in the book, Amor und Psyche (Opus V)
Max Klinger
1878

Wounded Crane with an Arrow in its Breast Before Setting Sun, Max Klinger German, Pen and ink on buff stock — Wounded Crane with an Arrow in its Breast Before Setting Sun
Max Klinger
late 19th–early 20th century

The Release of Prometheus, Max Klinger German, Pen and black ink on buff stock — The Release of Prometheus
Max Klinger
late 19th–early 20th century

Pegasus and the Young Bellephron, Max Klinger German, Pen and black ink on buff stock — Pegasus and the Young Bellephron
Max Klinger
late 19th–early 20th century

Design for a Title Page for Sheet Music, Max Klinger German, Pen and black ink, brush and gray wash, red gouache, corrected with white; partially incised for transfer; strips added at top and at right — Design for a Title Page for Sheet Music
Max Klinger
late 19th–early 20th century

Title Page from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching — Title Page from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Eva from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching; eighth state of eight — Eva from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Erste Zukunft from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching and aquatint; seventh state of seven — Erste Zukunft from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Die Schlange from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching; ninth state of nine — Die Schlange from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Zweite Zukunft from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching and aquatint; eighth state of eight — Zweite Zukunft from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Dritte Zukunft from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching; ninth state of nine — Dritte Zukunft from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Adam from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching and aquatint; seventh state of seven — Adam from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Titelblatt, from the series "Radierte Skizzen", Max Klinger German, Etching and aquatint on chine collé — Titelblatt, from the series "Radierte Skizzen"
Max Klinger
n.d.

Malerische Zueignung, from the series Radierte Skizzen, Max Klinger German — Malerische Zueignung, from the series Radierte Skizzen
Max Klinger
n.d.

Frühlingsanfang, from the series "Radierte Skizzen", Max Klinger German, Etching and aquatint on chine collé — Frühlingsanfang, from the series "Radierte Skizzen"
Max Klinger
n.d.