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Showing 566 results for Oishi Matora

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Dancer, Oishi Matora Japanese, Woodblock print (surimono); ink and color on paper, Japan — Dancer
Oishi Matora
1827

Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編, Ōishi Matora 大石真虎 Japanese, Woodblock printed book; ink and color on paper, Japan — Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編
Ōishi Matora 大石真虎
1829, (Bunsei 12)

Knife Handle (Kozuka), Akichika Oishi Japanese, Copper-silver alloy (shibuichi), copper-gold alloy (shakudō), gold, copper, Japanese — Knife Handle (Kozuka)
Akichika Oishi
late 18th–early 19th century

Real Figures of the King of Mountains (Sannō shinkei) 山王真形, Ōishi Shūga 大石周我, Ink and color on paper, Japan — Real Figures of the King of Mountains (Sannō shinkei) 山王真形
Ōishi Shūga 大石周我
Spring 1822

Kettle (Kama) with Willow and Cherry, Ōnishi Gorōzaemon Japanese, Cast iron and bronze, Japan — Kettle (Kama) with Willow and Cherry
Ōnishi Gorōzaemon
mid-17th century

Pūtōrino, Maori, matai (Podocarpus spicatus) wood, cord, Maori people — Pūtōrino
Maori
late 19th century

Lincoln Zephyr : "pour l'élite.", Matford SA — Lincoln Zephyr : "pour l'élite."
Matford SA
1935

Epa (carved panel for a storehouse), Māori artist, Wood, Māori — Epa (carved panel for a storehouse)
Māori artist
18th century

Tekoteko (gable figure), Wood, pāua shell, Māori — Tekoteko (gable figure)
Māori
Mid-18th century

Kooauau, wood, Maori — Kooauau
Maori
early 19th century

Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover), Baldassare Manara Italian, Maiolica (tin-glazed earthenware) — Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover)
Baldassare Manara
ca. 1530–40

Spring Snow 22H-2, Hoshino Satoru Japanese, Glazed Shigaraki stoneware, Japan — Spring Snow 22H-2
Hoshino Satoru
2022

Being With (Être Avec), Roberto Matta Chilean, Oil on canvas — Being With (Être Avec)
Roberto Matta
1946

Leitmotiv : boletin de hechos & ideas, Roberto Matta Chilean — Leitmotiv : boletin de hechos & ideas
Multiple artists/makers
1942-

Morte d'Arthur, Sir Thomas Malory British, Illustrated book, London: J. M. Dent and Co., 1893 — Morte d'Arthur
Sir Thomas Malory
Aubrey Vincent Beardsley
1893

A Man and a Girl Walking in the Rice Fields, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Man and a Girl Walking in the Rice Fields
Chōbunsai Eishi
ca. 1780

A Girl with a Fan, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Girl with a Fan
Chōbunsai Eishi
ca. 1780

Ono no Komachi Praying for Rain, Chōbunsai Eishi Japanese, Monochrome woodblock print; ink on paper, Japan — Ono no Komachi Praying for Rain
Chōbunsai Eishi
ca. 1791

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons), Chōbunsai Eishi Japanese, Triptych of hanging scrolls; ink, color, and gold on silk, Japan — Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons)
Chōbunsai Eishi
early 19th century

Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen)
Chōbunsai Eishi
1790s

Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi), Chōbunsai Eishi Japanese, Polychrome woodblock ōban print; ink and color on paper, Japan — Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi)
Chōbunsai Eishi
ca. 1796–98

Karakoto of Chojiya on Parade, Chōbunsai Eishi Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Karakoto of Chojiya on Parade
Chōbunsai Eishi
ca. 1790

Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge
, Chōbunsai Eishi Japanese, Pentaptych of woodblock prints; ink and color on paper, Japan — Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge
Chōbunsai Eishi
ca. 1792

Fuji no Uraha, Chōbunsai Eishi Japanese, Two sheets from a triptych of woodblock prints; ink and color on paper, Japan — Fuji no Uraha
Chōbunsai Eishi
ca. 1790

Geisha Preparing for an Entertainment, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Geisha Preparing for an Entertainment
Chōbunsai Eishi
ca. 1794

The Yoshiwara Parade in Autumn, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — The Yoshiwara Parade in Autumn
Chōbunsai Eishi
ca. 1793

Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara, Chōbunsai Eishi Japanese, Triptych of woodblock prints (trimmed); ink and color on paper, Japan — Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara
Chōbunsai Eishi
ca. 1794

A Cherry-Viewing Excursion by a Noble Lady and Attendants, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Cherry-Viewing Excursion by a Noble Lady and Attendants
Chōbunsai Eishi
ca. 1797

Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei), Chōbunsai Eishi Japanese, Diptych of woodblock prints; ink and color on paper, Japan — Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei)
Chōbunsai Eishi
1797–99

The Willow Shell (Yanagi-kai), from an Untitled Set of Beauty Prints on the Theme of Shells, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — The Willow Shell (Yanagi-kai), from an Untitled Set of Beauty Prints on the Theme of Shells
Chōbunsai Eishi
ca. 1791

The Oiran Segawa of Matsubaya (the House of Pine), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — The Oiran Segawa of Matsubaya (the House of Pine)
Chōbunsai Eishi
ca. 1788

The Treasure Boat, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — The Treasure Boat
Chōbunsai Eishi
ca. 1795

Print, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Print
Chōbunsai Eishi

Young Lady and Iris Garden, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Young Lady and Iris Garden
Chōbunsai Eishi

Two Oiran with Two Female Attendants in the Yoshiwara, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Two Oiran with Two Female Attendants in the Yoshiwara
Chōbunsai Eishi

Courtesan with a Letter in Her Mouth, Chōbunsai Eishi Japanese, Hanging scroll; ink and color on silk, Japan — Courtesan with a Letter in Her Mouth
Chōbunsai Eishi
1756–1815

Preparing New Year Decorations, Hosoda Eishi Japanese, Right-hand sheet from a triptych of woodblock prints; ink and color on paper, Japan — Preparing New Year Decorations
Hosoda Eishi
ca. 1788

A Parody of Yuranosuke in the Pleasure Quarters, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Parody of Yuranosuke in the Pleasure Quarters
Chōbunsai Eishi
ca. 1797

Shamisen, Plectrum and a Book, Chōbunsai Eishi Japanese, Woodblock print (surimono); ink and color on paper, Japan — Shamisen, Plectrum and a Book
Chōbunsai Eishi

Two Geisha, Chōbunsai Eishi Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Two Geisha
Chōbunsai Eishi
ca. 1792