ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 33 results for Niccolò di Tommaso
Sort by:
Man of Sorrows
Niccolò di Tommaso
ca. 1370
The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380
Saint Anne and the Virgin and Child Enthroned with Angels
Niccolò Alunno (Niccolò di Liberatore)
ca. 1458–61
Saint Ursula and Her Maidens
Niccolò di Pietro
ca. 1410
Saint Paul
Niccolò di Buonaccorso
Ascension in an Initial V
Niccolò di ser Sozzo
ca. 1342–50
The Betrayal of Christ
Bartolomeo di Tommaso
ca. 1445–50
Portrait of a Man
Tommaso Fiorentino (Tommaso di Stefano Lunetti)
1521
The Lamentation over the Dead Christ
Workshop of Niccolò di Buonaccorso
1370–88
Madonna and Child Enthroned with Saints Peter, Bartholomew, Catherine of Alexandria, and Paul, and (below) the Nativity; left wing (top to bottom): Annunciatory Angel, Crucified Christ with the Virgin, Saints Mary Magdalen and John, and Christ as the Man of Sorrows; right wing (top to bottom): Virgin Annunciate, Saints Onophrius and Paphnutius, and Saint Onophrius Buried by Saint Paphnutius.
Matteo di Pacino
ca. 1380–90
The Lamentation and the Entombment
Bartolomeo di Tommaso
ca. 1445–50
Madonna and Child with Angels
Gentile da Fabriano (Gentile di Niccolò di Giovanni di Massio)
Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary
Niccolò di ser Sozzo
ca. 1340
Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual
Niccolò di Giacomo da Bologna
ca. 1394–1402
In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en liberté futuristes
Filippo Tommaso Marinetti
Created 1917, published 1919
A Tumultuous Assembly. Numerical Sensibility (Une Assemblée tumultueuse. Sensibilité numérique) published in Les mots en liberté futuristes
Filippo Tommaso Marinetti
1919
Free Copy of Giotto's "Navicella" (recto); Copy of Adam in Masaccio's "Expulsion from the Garden of Eden", and other Figure Studies (verso)
Parri Spinelli
ca. 1420
Adoration of the Kings
Bernard van Orley
1525–1535
Adoration of Christ by Saint Francis
Giuliano Giampiccoli
1723–59
Fortitude in profile view walking toward a fire at left and leading a harnessed lion, a landscape in the background
Marco Dente
ca. 1515–27
Two Putti Trying To Stop a Monkey Abducting a Child from a set of the Giochi di Putti
Giovanni da Udine (Giovanni dei Ricamatori)
ca. 1635
Six Putti Dancing Around a Globe and a Palm from a set of the Giochi di Putti
Giovanni da Udine (Giovanni dei Ricamatori)
ca. 1635
An Episode from the Life of Saint Giovanni Gualberto
Niccolò di Pietro Gerini
Madonna and Child
Niccolo Guidetti
1827
Science Books: Gemmae Antiquae Litteratae; Espozione Anatomica della Struttura del Corpo Umano del Winslow, tradotto dal Franzese (...) tome 1 and 2
Francesco Ficoroni
1757; 1746; 1767
Portrait of a Youth
Léopold Flameng
ca. 1875
Dante and Virgil, with the vision of Beatrice, an illustration to Dante's Inferno, Canto II
Anonymous, Italian, Florentine, 15th century
1481
Portrait of a Woman in Profile, volume 2, plate 66 from "Monuments des Arts du Dessin"
Pierre-Roch Vigneron
1829
Two Drawings by Masaccio and Gozzoli, volume 2, plate 68 from "Monuments des Arts du Dessin"
Jean Baptiste Muret
1829
Grammar
Niccolò Perotti
1518
(a) Saggio di componimenti recitati nell'Accademia de' Concordi di Ravenna
Ippolito Gamba Ghiselli
1707,1713, 1745
Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs
Timothy Cole
1892
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73