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Showing 116 results for Nakabayashi Chikkei

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Summer and Autumn Landscapes
, Nakabayashi Chikkei Japanese, Pair of six-panel folding screens; ink, color, and gold flecks on paper, Japan — Summer and Autumn Landscapes
Nakabayashi Chikkei
mid-19th century

Landscape, Nakabayashi Chikkei Japanese, Hanging scroll; ink and color on silk, Japan — Landscape
Nakabayashi Chikkei
19th century

Mountain Stream on a Summer Day, Nakabayashi Chikutō Japanese, Hanging scroll; ink on paper, Japan — Mountain Stream on a Summer Day
Nakabayashi Chikutō
first half of the19th century

Landscape with Waterfall, Nakabayashi Chikutō Japanese, Hanging scroll; ink on paper, Japan — Landscape with Waterfall
Nakabayashi Chikutō
1841

Herons in the Snow, Nakabayashi Chikutō Japanese, Hanging scroll; ink on paper, Japan — Herons in the Snow
Nakabayashi Chikutō
ca. 1840

Fragrant Garden under a Hazy Moon, Nakabayashi Chikutō Japanese, Hanging scroll; ink and color on silk, Japan — Fragrant Garden under a Hazy Moon
Nakabayashi Chikutō
1843

Sampling Tea beneath the Wu Trees, Nakabayashi Chikutō Japanese, Hanging scroll; ink and color on paper, Japan — Sampling Tea beneath the Wu Trees
Nakabayashi Chikutō
1840

Waterfall in Summer Mountains, Nakabayashi Chikutō Japanese, Hanging scroll; ink and color on silk, Japan — Waterfall in Summer Mountains
Nakabayashi Chikutō
1821

Banzai, Banzai” (“Long Life, Long Life”)
, Nakabayashi Gochiku I Japanese, Hanging scroll; ink on paper, Japan — Banzai, Banzai” (“Long Life, Long Life”)
Nakabayashi Gochiku I
1896

Yūsai Picture Album (Yūsai gafu) 融齋畫譜, Nakabayashi Chikutō 中林竹洞 Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan — Yūsai Picture Album (Yūsai gafu) 融齋畫譜
Nakabayashi Chikutō 中林竹洞
preface date: 1831 (Tenpō 2)

The Four Worthies (Plum, Bamboo, Orchid, Chrysanthemum) (Shikunshi) 竹洞四君子, Nakabayashi Chikutō 中林竹洞 Japanese, Set of two woodblock printed books bound as one; ink on paper, Japan — The Four Worthies (Plum, Bamboo, Orchid, Chrysanthemum) (Shikunshi) 竹洞四君子
Nakabayashi Chikutō 中林竹洞
1853

Copy of the Inscription on the Chugong Bell

, Nakabayashi Gochiku I 中林梧竹 Japanese, Hanging scroll; ink on paper, Japan — Copy of the Inscription on the Chugong Bell
Nakabayashi Gochiku I 中林梧竹
early 20th century

Case (Inrō) with Design of Grasshopper on Stalk of Flowering Lily, Nomura Chōkei (dates unknown) Japanese, Case: Powdered gold (maki-e) on black lacquer with mother-of-pearl, pewter, and ceramic inlays; floral decoration on risers in incised gold; Fastener (ojime): carved red lacquer with design of Chinese sage and pine; Toggle (netsuke): stained ivory carved in the shape of a farm woman and child (signed: Homin), Japan — Case (Inrō) with Design of Grasshopper on Stalk of Flowering Lily
Nomura Chōkei (dates unknown)
18th–19th century

Ring, Hiro (Yasuhiro Wakabayashi) American, born China, plastic, metal, American — Ring
Hiro (Yasuhiro Wakabayashi)
early 1970s

Birds Silhouetted Against the Sun, Hiro (Yasuhiro Wakabayashi) American, born China, Chromogenic print — Birds Silhouetted Against the Sun
Hiro (Yasuhiro Wakabayashi)
ca. 1960

Su Shi (Dongpo) in a Bamboo Hat and Clogs, Zuigan Ryūsei Japanese, Hanging scroll; ink on paper, Japan — Su Shi (Dongpo) in a Bamboo Hat and Clogs
Multiple artists/makers
before 1460

Green Plums Wrapped in Bamboo Leaf; A Teabowl, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Green Plums Wrapped in Bamboo Leaf; A Teabowl
Totoya Hokkei
19th century

Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover
Totoya Hokkei
19th century

Ebisu and Daikoku; Two of the Seven Gods of Good Fortune, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Ebisu and Daikoku; Two of the Seven Gods of Good Fortune
Totoya Hokkei
19th century

Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off
Totoya Hokkei
19th century

Rising Sun and Cock and Hen, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Rising Sun and Cock and Hen
Totoya Hokkei
ca. 1800

Letter-box and Toothpick Holders, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Letter-box and Toothpick Holders
Totoya Hokkei
19th century

Pillow for Women and a Bowl, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Pillow for Women and a Bowl
Totoya Hokkei
Shibayamadō
19th century

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony
Totoya Hokkei
19th century

Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box
From the Spring Rain Collection (Harusame shū), vol. 3
, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Lacquer Inrō with Waterbirds and Ox-shaped Netsuke in a Box From the Spring Rain Collection (Harusame shū), vol. 3
Totoya Hokkei
probably 1817

Rising Sun and Plum Tree, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Rising Sun and Plum Tree
Totoya Hokkei
19th century

Peacock on Pine Tree and Peonies, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Peacock on Pine Tree and Peonies, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Five Cranes by the Water’s Edge, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Five Cranes by the Water’s Edge, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Three Crows against the Rising Sun, from the series Three Sheets (Mihira no uchi)

, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Three Crows against the Rising Sun, from the series Three Sheets (Mihira no uchi)
Totoya Hokkei
mid- 1810s

Eggplants in a Basket, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Eggplants in a Basket
Totoya Hokkei
19th century

Tai Fish and Lobster; Specialities of Yanagiya in Odawara-cho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Tai Fish and Lobster; Specialities of Yanagiya in Odawara-cho
Totoya Hokkei
19th century

Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho
Totoya Hokkei
19th century

Hawk Made of Silk; Specialities of Karakiya in Kokucho, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Hawk Made of Silk; Specialities of Karakiya in Kokucho
Totoya Hokkei
19th century

Tobacco Pouches; Specialities of Takaya in Yokkaichi, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Tobacco Pouches; Specialities of Takaya in Yokkaichi
Totoya Hokkei
19th century

Roof Tile and Sparrows; Specialities of Mizuno in Imado, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Roof Tile and Sparrows; Specialities of Mizuno in Imado
Totoya Hokkei
19th century

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Print, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Print
Totoya Hokkei
1780–1850

Scene in Gekkyuden - Dream of the Moon Palace, Totoya Hokkei Japanese, Woodblock print (surimono); ink and color on paper, Japan — Scene in Gekkyuden - Dream of the Moon Palace
Totoya Hokkei
1831

A Man Slaying a Monster Carp with a Sword, Totoya Hokkei Japanese, Diptych of woodblock prints (surimono); ink and color on paper, Japan — A Man Slaying a Monster Carp with a Sword
Totoya Hokkei
ca. 1830