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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,033 results for Monsieur Malier

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Plate 1: two children sitting on the ground, the child on the right drawing while the child on the left holding the album, the title page from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), Stefano della Bella Italian, Etching — Plate 1: two children sitting on the ground, the child on the right drawing while the child on the left holding the album, the title page from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner)
Multiple artists/makers
ca. 1649

Woman Bathing (La Toilette), Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro) — Woman Bathing (La Toilette)
Mary Cassatt
Monsieur LeRoy
1890–91

Mother's Kiss, Mary Cassatt American, Drypoint and aquatint, printed in color from two plates; fifth state of five (Mathews & Shapiro) — Mother's Kiss
Mary Cassatt
Monsieur LeRoy
1890–91

Maternal Caress, Mary Cassatt American, Drypoint, aquatint and softground etching, printed in color from three plates; sixth state of six (Mathews & Shapiro) — Maternal Caress
Mary Cassatt
Monsieur LeRoy
1890–91

In the Omnibus, Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; seventh state of seven (Mathews & Shapiro) — In the Omnibus
Mary Cassatt
Monsieur LeRoy
1890–91

The Fitting, Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; seventh state of seven (Mathews & Shapiro) — The Fitting
Mary Cassatt
Monsieur LeRoy
1890–91

The Letter, Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; fourth state of four — The Letter
Mary Cassatt
Monsieur LeRoy
1890–91

The Letter, Mary Cassatt American, Drypoint, printed in black ink from one plate; first state of four — The Letter
Mary Cassatt
Monsieur LeRoy
1890–91

The Bath, Mary Cassatt American, Drypoint, soft-ground etching and aquatint, printed in color from two plates; seventeenth state of seventeen (Mathews & Shapiro) — The Bath
Mary Cassatt
Monsieur LeRoy
1890–91

The Coiffure, Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; fifth state of five (Mathews & Shapiro) — The Coiffure
Mary Cassatt
Monsieur LeRoy
1890–91

Afternoon Tea Party, Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; touches of gold paint applied with a brush; (fifth state of five (Mathews & Shapiro) — Afternoon Tea Party
Mary Cassatt
Monsieur LeRoy
1890–91

The Lamp, Mary Cassatt American, Drypoint, soft-ground etching and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro) — The Lamp
Mary Cassatt
Monsieur LeRoy
1890–91

Traité sur les toiles peintes, dans lequel on voit la maniere dont on les fabrique aux Indes, & en Europe.

Monsieur de Quérelles

Chez Barrois

1760

La Perspective Aérienne. Soumise à des principes puisés dans la Nature...

Monsieur de Saint-Morien

Didot

1788

Recueil D'Ornemens et Fleurs

Multiple artists/makers

1735–75

Desseins de Plafonds

Multiple artists/makers

[before 1674]

Divers exercices de cavalerie

Multiple artists/makers

ca. 1645–46

Frontispiece to Divers exercices de cavalerie

Multiple artists/makers

ca. 1645–46

Book of Buffets

Multiple artists/makers

1700–1761

Bleu no. 1, Abdoulaye Konaté Malian, Cotton, dye, Malian — Bleu no. 1
Abdoulaye Konaté
2014

Marble female figure, Bastis Master, Marble, Cycladic — Marble female figure
Bastis Master
2600–2400 BCE

Armor Garniture of George Clifford (1558–1605),
Third Earl of Cumberland, Jacob Halder British, Steel, gold, leather, textile, British, Greenwich — Armor Garniture of George Clifford (1558–1605), Third Earl of Cumberland
Jacob Halder
1586

Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood — Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1435

Basin, Master Potter A, Tin-glazed earthenware, Mexican — Basin
Master Potter A
ca. 1650

Seated couple, "Barnes Foundation Master", Wood, copper and iron alloy, applied organic materials, Dogon — Seated couple
"Barnes Foundation Master"
18th–early 19th century

Drum, Wood, hide, Malian — Drum
Malian
20th century

Hat, Le Monnier French, wool, French — Hat
Le Monnier
1930

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

The Visitation, Master Heinrich of Constance German, Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts, German — The Visitation
Master Heinrich of Constance
ca. 1310–20

Hat Badge: Woman Choosing Between Youth and Old Age, Gold, gold filigree and enamel, probably Flemish (Malines) — Hat Badge: Woman Choosing Between Youth and Old Age
probably Flemish (Malines)
ca. 1520

Louis XVI (1754–1793), King of France, Jean Laurent Mosnier French, Ivory — Louis XVI (1754–1793), King of France
Jean Laurent Mosnier
1790

The Painter's Studio, Henry-Bonaventure Monnier French, Pen and ink with colored washes over graphite, on heavy buff wove paper within a drawn ink border — The Painter's Studio
Henry-Bonaventure Monnier
ca. 1855

Maharana Sangram Singh Riding a Prize Stallion, Stipple Master Indian, Ink, opaque watercolor, gold, and Basra pearls on paper, India (Rajasthan, Mewar) — Maharana Sangram Singh Riding a Prize Stallion
Stipple Master
Jai Ram
ca. 1712

The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee: Folio from a Ashtasahasrika Prajnaparamita Sutra Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India, West Bengal or Bangladesh — The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee: Folio from a Ashtasahasrika Prajnaparamita Sutra Manuscript
Mahavihara Master
early 12th century

The progress of the marbling art, from technical scientific principles : with a supplement on the decoration of book edges, Josef Halfer — The progress of the marbling art, from technical scientific principles : with a supplement on the decoration of book edges
Multiple artists/makers
1893

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Adoration of the Shepherds, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges — Adoration of the Shepherds
Master K.I.P.
Valerio Belli (Il Vicentino)
mid-16th century

Louis XIV (b. 1638, r. 1643–1715), Jean Mauger French, Gilt bronze, French, Paris — Louis XIV (b. 1638, r. 1643–1715)
Jean Mauger
1674

The Sacrifice of Noah, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges — The Sacrifice of Noah
Multiple artists/makers
mid-16th century

Porringer, William Calder American, Pewter, American — Porringer
William Calder
1817–56